Honjo Guinomi by Ema Hiroshi
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Japanese:
Contemporary item# 740226
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Vessels.jp
sold
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This splendid guinomi is part of series of sake cups, which I have brought back from a recent trip to Ema Hiroshi’s kiln. All of these wonderful vessels are evidences to the potter’s evolving craftsmanship and and his motto that any clay can become pottery. This particular piece is one of the last Bizen works of Ema Hiroshi, who now concentrates on working with Honjo and Someya clay. Ema Hiroshi was born in Tokyo in 1953. He entered the world of ceramics in 1990 after having left behind his ...click for details
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Honjo Guinomi by Ema Hiroshi
Catalogue:
Archives:
Regional Art:
Asian:
Japanese:
Contemporary item# 740224
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 click for details
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Vessels.jp
sold
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This splendid guinomi is part of series of sake cups, which I have brought back from a recent trip to Ema Hiroshi’s kiln. All of these wonderful vessels are evidences to the potter’s evolving craftsmanship and and his motto that any clay can become pottery. This particular piece is one of the last Bizen works of Ema Hiroshi, who now concentrates on working with Honjo and Someya clay. Ema Hiroshi was born in Tokyo in 1953. He entered the world of ceramics in 1990 after having left behind his ...click for details
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Honjo Guinomi by Ema Hiroshi
Catalogue:
Archives:
Regional Art:
Asian:
Japanese:
Contemporary item# 740221
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 click for details
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Vessels.jp
sold
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This splendid guinomi is part of series of sake cups, which I have brought back from a recent trip to Ema Hiroshi’s kiln. All of these wonderful vessels are evidences to the potter’s evolving craftsmanship and and his motto that any clay can become pottery. This particular piece is one of the last Bizen works of Ema Hiroshi, who now concentrates on working with Honjo and Someya clay. Ema Hiroshi was born in Tokyo in 1953. He entered the world of ceramics in 1990 after having left behind his ...click for details
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Honjo Sakazuki by Ema Hiroshi
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Contemporary item# 740219
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Vessels.jp
sold
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This splendid sakazuki is part of series of sake cups, which I have brought back from a recent trip to Ema Hiroshi’s kiln. Sakazuki tend to be wider than guinomi. All of these wonderful vessels are evidences to the potter’s evolving craftsmanship and and his motto that any clay can become pottery. This particular piece is one of the last Bizen works of Ema Hiroshi, who now concentrates on working with Honjo and Someya clay. Ema Hiroshi was born in Tokyo in 1953. He entered the world of ceram ...click for details
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Bizen Guinomi by Ema Hiroshi
Catalogue:
Archives:
Regional Art:
Asian:
Japanese:
Contemporary item# 740218
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 click for details
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Vessels.jp
sold
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This splendid guinomi is part of series of sake cups, which I have brought back from a recent trip to Ema Hiroshi’s kiln. All of these wonderful vessels are evidences to the potter’s evolving craftsmanship and and his motto that any clay can become pottery. This particular piece is one of the last Bizen works of Ema Hiroshi, who now concentrates on working with Honjo and Someya clay. Ema Hiroshi was born in Tokyo in 1953. He entered the world of ceramics in 1990 after having left behind his ...click for details
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Bizen Guinomi by Ema Hiroshi
Catalogue:
Archives:
Regional Art:
Asian:
Japanese:
Contemporary item# 740215
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 click for details
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Vessels.jp
sold
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This splendid guinomi is part of series of sake cups, which I have brought back from a recent trip to Ema Hiroshi’s kiln. All of these wonderful vessels are evidences to the potter’s evolving craftsmanship and and his motto that any clay can become pottery. This particular piece is one of the last Bizen works of Ema Hiroshi, who now concentrates on working with Honjo and Someya clay. Ema Hiroshi was born in Tokyo in 1953. He entered the world of ceramics in 1990 after having left behind his ...click for details
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Bizen Guinomi by Ema Hiroshi
Catalogue:
Archives:
Regional Art:
Asian:
Japanese:
Contemporary item# 740214
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 click for details
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Vessels.jp
sold
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This splendid guinomi is part of series of sake cups, which I have brought back from a recent trip to Ema Hiroshi’s kiln. All of these wonderful vessels are evidences to the potter’s evolving craftsmanship and and his motto that any clay can become pottery. This particular piece is one of the last Bizen works of Ema Hiroshi, who now concentrates on working with Honjo and Someya clay. Ema Hiroshi was born in Tokyo in 1953. He entered the world of ceramics in 1990 after having left behind his ...click for details
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Bizen Guinomi by Ema Hiroshi
Catalogue:
Archives:
Regional Art:
Asian:
Japanese:
Contemporary item# 740211
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 click for details
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Vessels.jp
sold
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This splendid guinomi is part of series of sake cups, which I have brought back from a recent trip to Ema Hiroshi’s kiln. All of these wonderful vessels are evidences to the potter’s evolving craftsmanship and and his motto that any clay can become pottery. This particular piece is one of the last Bizen works of Ema Hiroshi, who now concentrates on working with Honjo and Someya clay. Ema Hiroshi was born in Tokyo in 1953. He entered the world of ceramics in 1990 after having left behind his ...click for details
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Bizen Guinomi by Ema Hiroshi
Catalogue:
Archives:
Regional Art:
Asian:
Japanese:
Contemporary item# 740209
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 click for details
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Vessels.jp
sold
|
This splendid guinomi is part of series of sake cups, which I have brought back from a recent trip to Ema Hiroshi’s kiln. All of these wonderful vessels are evidences to the potter’s evolving craftsmanship and and his motto that any clay can become pottery. This particular piece is one of the last Bizen works of Ema Hiroshi, who now concentrates on working with Honjo and Someya clay. Ema Hiroshi was born in Tokyo in 1953. He entered the world of ceramics in 1990 after having left behind his ...click for details
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Bizen Guinomi by Ema Hiroshi
Catalogue:
Archives:
Regional Art:
Asian:
Japanese:
Contemporary item# 740208
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 click for details
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Vessels.jp
sold
|
This splendid guinomi is part of series of sake cups, which I have brought back from a recent trip to Ema Hiroshi’s kiln. All of these wonderful vessels are evidences to the potter’s evolving craftsmanship and and his motto that any clay can become pottery. This particular piece is one of the last Bizen works of Ema Hiroshi, who now concentrates on working with Honjo and Someya clay. Ema Hiroshi was born in Tokyo in 1953. He entered the world of ceramics in 1990 after having left behind his ...click for details
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