Rare Art and Asian Artifacts from the David Alan CollectionDavid Alan Collection
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Han Dynasty Terracotta Musician, Tomb Pottery

Catalogue: Antiques: Decorative Art: Ceramics: Chinese Export: Pre AD 1000   item# 727591 (stock# TOMB03)

Han Dynasty Terracotta Musician, Tomb Pottery
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David Alan Collection
858-481-8044


$2400 

14” Height x 11.75” Width x 8” Depth Han dynasty (206 B.C. – A.D. 220) tomb figurines provided entertainment in the afterlife and an entire troupe might be interred with the deceased. This male figure appears to be playing the “liuqin” or “pipa”, a four-stringed lute common to the era. The gray-pink patina has little variation and the face features an open, smiling mouth and very prominent eyebrows. There are no cracks or damage of any kind.


Han Dynasty Terracotta Musician, Tomb Pottery

Catalogue: Antiques: Decorative Art: Ceramics: Chinese Export: Pre AD 1000   item# 727586 (stock# TOMB02)

Han Dynasty Terracotta Musician, Tomb Pottery
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David Alan Collection
858-481-8044


$2400 

15.5” Height x 8.75” Width x 5.5” Depth Han dynasty (206 B.C. – A.D. 220) tomb figurines provided entertainment in the afterlife and an entire troupe might be interred with the deceased. This male figure has a slight smile on his face as he plays the “guqin”, the most classical Chinese stringed instrument. He has light orange coloration on his robe ranging to a dark pink patina on a head graced with a pointed high hat. There are no cracks or damage of any kind, but there is a small hole on the back that was left by its creator.


Sumatran Guardian Stone Sculpture, Batak Tribe

Catalogue: Antiques: Regional Art: Asian: Southeast Asian: Sculpture: Pre 1900   item# 728367 (stock# MA35-5)

Sumatran Guardian Stone Sculpture, Batak Tribe
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David Alan Collection
858-481-8044


$3000 

26” Height x 11” Width x 16.5” Depth This limestone sculpture of a seated figure holding a bowl on his lap is called a pangulubalang (first fighter) and acted as guardian to the entrance of a village. This classic Batak sculpture is very rare and at least 100 years old. The gray-white limestone shows dense natural wear from the elements with more pitting on the right side. He has an oversized head typical of Batak design with a detailed face and ears. Amulets and fetishes were put on the upper torso of the guardian as a means of protection for the harvest and to keep garden thieves away.


Tang Dynasty Terracotta Horse and Rider [TL tested]

Catalogue: Antiques: Decorative Art: Ceramics: Chinese Export: Pre AD 1000   item# 728991 (stock# DAB06)

Tang Dynasty Terracotta Horse and Rider [TL tested]
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David Alan Collection
858-481-8044


$3900 

12.75” Height x 11.5” Width x 4.25” Depth This horse rider appears to have been a flag bearer (flag no longer intact). He rides an Arabian steed long popular with the Chinese military and aristocracy. This TL tested piece has a gray to pink patina with some remaining patches. There are no cracks or damage of any kind. The horse and rider became popular in the Tang Dynasty (618 – 907 A.D.) with the emergence of elaborate burials that are a defining aspect of Chinese culture. The horse-riding military, which began in the 3rd century B.C., grew rapidly to meet the challenge of horse-riding peoples threatening China along the northern frontier. Upper-class tombs were often filled with images and statues of these great horses for use in the afterlife.


Shaman Medicine Box, Dayak Tribe, Borneo

Catalogue: Antiques: Regional Art: Asian: Southeast Asian: Folk Art: Pre 1900   item# 728118 (stock# DAB80)

Shaman Medicine Box, Dayak Tribe, Borneo
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David Alan Collection
858-481-8044


$7200 

16.5” Height x 12” Width x 12.75” Depth

This rare, richly ornamented portable medicine box (backpack) of Dayak origin was carried by generations of shamans throughout Borneo. Curious fetishes and many other artifacts were collected and tied to the exterior by over three generations of tribal healers (100-140 years).

Three of the sides are completely covered with one clear side that rested against the back.

The left side features seven figures including two with head dresses, an adult cat, a mother and child, a gourd/bottle stopper, and an anthropomorphic bull head with extensive tiny beading, including antique button, and animal claws.

The right side features an engraved ox horn containing four exotic bird feathers and four porcupine quills (additional bird feathers are tucked in elsewhere). The five figures include three with headdresses and two or more are clearly fashioned from branches.

The back features seven figures including a shaman with a Kris knife and a turtle-shaped backpack, a dark ebony figure with red cloth headdress and waistband with glass bead eyes, three gourd/bottle stoppers, and one female and one male “treasure” bearer.

All the figures are secured at the neck and feet by a rattan strand tied to braided six-strand rattan straps surrounding the top and bottom.

Strung along the perimeter of the top band are seven coins of Dutch origin ranging from 1864 to 1945. If the earliest coin was affixed when new, the backpack would be 143 years old.

The carrying straps consist of 2mm braided six-strand rattan (about 5/8 inch wide) secured at the top and decorated with two hand cast bronze bells at each corner.

The pyramid-shaped lid is a single free-standing piece decorated with braided rattan. There are small remnants of tiny beading still inside the box. This rare, complex tribal art is in excellent condition and a terrific acquisition for the serious tribal art collector or shaman-in-training.




Chinese Dragon and Pheasant Temple Carving

Catalogue: Antiques: Regional Art: Asian: Chinese: Architectural Elements: Pre 1700   item# 727157 (stock# TJ-055)

Chinese Dragon and Pheasant Temple Carving
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David Alan Collection
858-481-8044


$7800 

46” Length x 12” Height x 14” Depth

This highly detailed 3-dimensional relief carving is one single piece of pine. It is at least 500 years old and would have been prominently displayed within a Chinese temple. It features a pheasant on the left and two dragons on the right turning away from each other to symbolize Yin and Yang. A pheasant with the dragon represents the bird and animal kingdoms and thus the entire natural world.

Dragons have many meanings in China, but were often used as a symbol of imperial power.



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