Catalog (143)

A fine pair of matching square bowls on raised foot. Decoration: the inside, in the centre a gold takamaki-e medalion with a raised design of a couple of Reshiki stems in shakudo and hirame, on red ground, rim decorated with cloud pattern in gold on red lacquer. Outside decoration with 4 pair clams each of which has been embellished with different type of decoration ( dragon flies, birds, thatched house and tree, brushes, etc ) in togidashi-e and nahiji and takamaki-e on a black roiro gro...

A beautiful and decorative object that would have been placed on a scholar’s desk for contemplation. Artistic scholar’s rock (gongshi) made of bronze. This relatively rare type of gongshi was made by dripping red-hot molten bronze onto a pile of fresh pine chips. When coagulating the bronze would then “freeze” into its present form. No two pieces are identical, of course. Bronze with brown and green patina Qing, 18–19th cent. Later base of hongmu. Size: H. 29 cm, L. 26 cm; with ...

A Minimalistic Hanging Scroll Painting by Okada Hanko Hanging scroll painting depicting a group of rocks. Ink on paper. Signed Hanko and two seals. Okada Hanko (1782-1846) a Nanga painter and Caligrapher. He was born in Osaka, the son and pupil of Okada Beisenjin. Like his father, he served for a period as a Confucian scholar to Lord Todo of Tsu; at the age of 43 he resigned and joined the circle of intellectuals in Osaka and started to study Chinese painting specialising in misty landscapes...

A large and very attractive, lobed Kutani vase with a high neck in porcelain. The piece is decorated w. a mottled, preussian-blue glaze over which are purplish splashes covering the upper part. Signed in the bottom with a seal Kutani Yasokichi (1907–1997), (second generation Tokuda, and father of Living National Treasure Tokuda Yasokichi. Accompanied by fully signed kiri-box. Japan, Showa, ca. 1970. H 29 cm. CONDITION: Flawless.

A fine and unusual brush rest in the shape of a dragon-fish or some similar mythological animal. Carved of what appears to be boxwood with a dark-reddish lacquer coating. On the bottom side an illegible signature in raised relief consisting of two Chinese characters. Qing, probably second half of 18th cent. L 15 cm. Condition: Fine all-over, but with wear due to age & handling.

The vase has interesting rugged and leathery texture to it, reminding of elephant skin. H 18 cm. Signed with impressed mark. It comes with inscribed and signed storage box and information paper. Perfect condition. ***** Morimoto Kei was born in Akaiwa City ( Okayama ) in 1948. In 1978 he came under the influence of Master Fujiwara Kei and was taught by him. 1982 became a student of Oi Itsugo 1986 built his first climbing kiln. 1989 opens his studio. Many awards and exhibitions to his n...

Title: Rainbow hair. Silkscreen print. Year: 1973 Edition no 49 / 200 Picture size: L 56 x 38 cm; Frame size: 65 x 50 cm. Very good condition, fresh and vibrant colours! ***** Ay-O (b. 1931) is the artist name of Takao Iijima, born 1931 in in Ibaraki prefecture Ay-O has become famous in and outside of Japan as "Rainbow Man" for his serigraphs and etchings in strong rainbow colors, used in all kinds of shapes and with an abundance of creative imagery - sometimes with a subtle humour. In ...

A powerful Bizen sculptural vessel by Motoharu Kurokawa Of a trapezoidal shape, with irregular cut away parts on both sides. Kurokawa Motoharu ( Tokyo, 1957 - ) is an innovative craftsman from Okayama, who works with Bizen, he has won numerous prizes for the originality of his works. Member of Japan Kogei Association. Impressed artist’s mark in the bottom and information of the artist. Size: H 30 cm, W 30 cm, bottom: L 18 x 7 cm. Perfect condition

A Beautiful Modern Maki-e Lacquer Kogo, Container for Incense. The lid and sides are decorated with stylised rocks among waves rendered in low relief with different techniques: kirigane ( small squares of gold foil), fundame (mat gold ground), nashigi (sprinkled gold powder) and shakudo on a kuro roiro shiage (polished black lacquer) background A beautiful object for tea ceremony! Inscribed and signed wooden box tomobako. Size: Diam 7,5 h 2 cm. Showa Period, probably from the 60’s. Pe...

A Unique Sculpture for the Scholar’s table (Chinese: Gongshi), it looks like made of a kind of cypress wood, Interesting details, with hols and crevasses and high peeks creating an image of high flames with a brown reddish patina. Hard wood fitted base. Size: H 40 x W 23 x D 18 cm. China , beginning of 20 century. Very good condition, the picture do not render well enough the beauty of the piece!

A very rare and highly charming porcelain figure of Budai (Daduze), bare chested with a laughing expression, seated leaning on his sack of treasures. Decorated in famille rose manner with additional gold. Two maker’s seals: “Fujian Huiguan” and “ Made by You Linji). ****These seals are identifying marks of the Jingdezhen artist working at Fujian Huiguan. **** You Linji was the artist name of You Zhangzi /You Linzizi ( 1872-1922 ). Before moving to Jingdezhen, he first trained unde...

Araki Nobuyoshi, silver gelatine print, untitled, Signed on the back and dated ’09. Measurements: 27 x. 40 cm. Perfect condition. Nobuyoshi Araki (b. May 25, 1940) is a well known photographer and one of the most prolific Japanese artist, primarily known for his photographies that blend eroticism and bondage. His works are in Museums and private collections. Inquire for price.

A fine openwork Bamboo Flower Basket, Hanakago by Buseki Suigetsu. A slender and elegant bamboo basket for Ikebana Flower Arrangement made with the hexagonal plating technique called: mutsume ami, using thin strips of madake bamboo. Signed on the bottom: Suigetsu, Buseki Suigetsu. It comes with the Otoshi water container. No box. H 46 cm. Condition: Very good, no brakes. BUSEKI Suigetsu ( Tokyo, 1930-2003)studed under his father Buseki Suishin (1888-1984) which was in the lineage of the great To...

A very attractive votive image of Akshobya Buddha in fire gilt bronze. He is seated on a fairly high, lotus throne. The hem of his robes are accentuated with raised lines made as strings of pearls with the lower parts decorated w. incised patterns. The robe covering the left arm is open underneath and the rim of the seat has large pearls in accordance with 15th century stylistic features for Central Tibetan bronze images of Buddha. Remains of cold gilding on the face and blue pigments on the ch...

Karhu, Clifton (1927-2007) was born in Duluth, Minnesota of Finnish descent. He was one of the most renown American woodblock artists to work in Japan. Round Format woodblock print depicting Medium:Woodblock Print, framed under glass. Date: 1983. Edition: 49/100. Size: D. 31 cm. Title: Nishijin corner. Signature: C KARH. Condition: Very good color, impression and state. Nishijin is a district in Kamiyyo-ku, Kyoto.

Four Arms Avalokiteshvara (Tibetan: Chenrezig; Chinese: Sibi Guanyin), the Bodhisattva who embody the Universal Compassion. Seated in meditation with the upper hands holding a prayer beads and a lotus; the lower ones in worshiping Mudra ( Anjiali Mudra). Made of purple sandalwood (zitan), a very precious type of wood dear to Himalayan worshippers. The image is painted and has remains of gilding in the halo. As it is normal for images of this type, it is assembled from several pieces. The bot...

A fine and complete set of Tibetan saddle Rugs. The set is composed of a woollen saddle blanket in butterfly shape and a matching saddle seat cover. The central medallion decorated with pair of Snow Lions playing with pearls, beige on red ground; borders with stylised dragons, red and blue on beige borders. Snow Lion is the national emblem of Tibet. Large piece: L. 143 cm x 66 cm; 56 x 26 inches. Seat: L. 89 x 64 cm; 35 x 25 inches. Tibet first part of the 20th century. Condition: Very good c...

A charming painting in ink and colors on silk depicting a young, long-haired girl in traditional dress with her back turned to the viewer. Signed: Nobumaru (Mitsubumi 1812–1879), a late Tosa School painter in the Nihonga tradition. Exquisite mounting. Meiji, c. 1865–1875. L 182 cm, W 60 cm. Picture frame: L 109 cm, W 42.5 cm. Condition: Very good.