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Featured Antiquities  (13)
featured item Large Ptolemaic Egyptian Relief of a Queen
featured item An Egyptian Very Fine Bull-Headed Apis Bronze


A Large Egyptian Faience Eye of Horus.

Catalogue: Antiques: Regional Art: Ancient World: Egyptian: Faience: Pre AD 1000   item# 845050

A Large Egyptian Faience Eye of Horus.
 click for details

Glenn Howard Ancient Art, Ltd.
phone 303.657.6004


SOLD 

A very large Eye of Horus plaque. Intact, double sided, and a great example of ancient Egyptian craftsmanship.

Late Period 664-332 BC

Ex- British Collection

8 cm wide

Designed to resemble the eye of a falcon, this symbol is called the Eye of Ra or Eye of Horus represents the right eye of the Egyptian Falcon God Horus. As the udjat (or utchat), it represented the sun, and was associated with the Sun God Ra (Re). The mirror image, or left eye, represented the moon, and the God Tehuti (Thoth). (A very similar concept of the sun and moon as eyes appears in many religious traditions) According to legend, the left eye was torn from Horus by his murderous brother Seth, and magically restored by Thoth, the God of magick. After the restoration, some stories state, Horus made a gift of the eye to Osiris, which allowed this solar deity to rule the underworld. The story of this injury is probably an allusion to the phases of the moon as the eye which is "torn out" every month. Together, the eyes represent the whole of the universe, a concept similar to that of the Taoist Yin-yang symbol. Spiritually, the right eye reflects solar, masculine energy, as well as reason and mathematics. The left eye reflects fluid, feminine, lunar energy, and rules intuition and magick. Together, they represent the combined, transcendent power of Horus. The Eye of Horus was believed to have healing and protective power, and it was used as a protective amulet, and as a medical measuring device, using the mathematical proportions of the eye to determine the proportions of ingredients in medical preparations) to prepare medications. The Masonic all seeing eye, the medications.


Very Important Egyptian Sculptors Trial Relief

Catalogue: Antiques: Regional Art: Ancient World: Egyptian: Stone: Pre AD 1000   item# 845037

Very Important Egyptian Sculptors Trial Relief
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Glenn Howard Ancient Art, Ltd.
phone 303.657.6004


Price on Request 

A very fine sculptor's trial relief of a male torso in limestone. A master piece of Egyptian art. The fingers and finger nails carved with perfection.

Trial Relief's were used to teach artists in a small scale before they went on to carve at a larger scale and with compete figures on temples and monuments. They often depict just a certain part of the body, or animal.

This is one of the finest we have even seen. A true piece of Egyptian art at its finest!

Ex Swiss collection

14x14 cm 17 cm tall with base


Rare Faience Tile from King Djoser's Step Pyramid

Catalogue: Antiques: Regional Art: Ancient World: Greek: Pre AD 1000   item# 845035

Rare Faience Tile from King Djoser's Step Pyramid
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Glenn Howard Ancient Art, Ltd.
phone 303.657.6004


900 USD 

Rare faience tile from King Djoser's Step pyramid. Intact with small chip. Hieroglyph on back for place marker.

6 cm

This type of faience tile-decoration was invented by Imhotep, the genius architect of king Djoser (Netjri-khet) to cover some of the walls of the substructures of the Step Pyramid and the so-called " South Tomb ". The panel was reconstructed from original elements found below the Pyramid. This panel was meant to imitate curtains made of reed matting in older constructions, but used now to decorate the galleries and royal apartments surrounding Djoser's funerary chamber. It's colors are quite vibrant and well contrasted with the white stone.


An Egyptian Bronze Figure of Osiris

Catalogue: Antiques: Regional Art: Ancient World: Egyptian: Bronze: Pre AD 1000   item# 845031

An Egyptian Bronze Figure of Osiris
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Glenn Howard Ancient Art, Ltd.
phone 303.657.6004


SOLD 

An Egyptian bronze figure of Osiris.

Late Period 664-332 BC

9.5cm

11.5 cm w/base. Ex Blanchard's Egyptian Museum. One of the first dealers authorized to sell authentic Egyptian antiquities to the public by the Egyptian antiquities department..

Osiris was the Egyptian god of the underworld, although he was also worshiped as a fertility, resurrection, and vegetation god. He was married to Isis, a sky goddess. He was father to Horus, the god of sky, and protector of the dead. Osiris Osiris was killed by his brother Seth, who shut his body in a chest and threw it into the Nile, where it washed up onto the shore and was trapped in a huge tree. The King Byblos turned it into a pillar in his palace. Isis (who had been searching for her husband) discovered the trunk, and retrieved the trunk and the body. While Isis was away, Seth found the body, and chopped it up into many pieces, and scattered them throughout Egypt. Isis and her sister, Nephthys, found the pieces and made wax models of them to give to priests to be worshiped. When they found all of his pieces, they were so sad they wailed loudly enough for Re, the father god, to have pity on them. He sent Anubis and Thoth to help. They mummified Osiris, and put his body in a lion headed pier. Isis changed into a kite and fanned breath into Osiris. He was not allowed to stay in the land of the living, and was sent to the underworld to serve as king, and to judge the souls of the dead.


An Egyptian Bronze Figure of Osiris

Catalogue: Antiques: Regional Art: Ancient World: Egyptian: Bronze: Pre AD 1000   item# 845025

An Egyptian Bronze Figure of Osiris
 click for details

Glenn Howard Ancient Art, Ltd.
phone 303.657.6004


1,950 USD 

An Egyptian bronze figure of Osiris.

Late Period 664-332 BC

19 cm

22cm w/base

Osiris was the Egyptian god of the underworld, although he was also worshiped as a fertility, resurrection, and vegetation god. He was married to Isis, a sky goddess. He was father to Horus, the god of sky, and protector of the dead. Osiris Osiris was killed by his brother Seth, who shut his body in a chest and threw it into the Nile, where it washed up onto the shore and was trapped in a huge tree. The King Byblos turned it into a pillar in his palace. Isis (who had been searching for her husband) discovered the trunk, and retrieved the trunk and the body. While Isis was away, Seth found the body, and chopped it up into many pieces, and scattered them throughout Egypt. Isis and her sister, Nephthys, found the pieces and made wax models of them to give to priests to be worshiped. When they found all of his pieces, they were so sad they wailed loudly enough for Re, the father god, to have pity on them. He sent Anubis and Thoth to help. They mummified Osiris, and put his body in a lion headed pier. Isis changed into a kite and fanned breath into Osiris. He was not allowed to stay in the land of the living, and was sent to the underworld to serve as king, and to judge the souls of the dead.


A Large Blue Turquoise Glazed Faience Thoth Statuette

Catalogue: Antiques: Regional Art: Ancient World: Egyptian: Faience: Pre AD 1000   item# 845015

A Large Blue Turquoise Glazed Faience Thoth Statuette
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Glenn Howard Ancient Art, Ltd.
phone 303.657.6004


Price on Request - ON HOLD 

A large Ibis -headed God. Thoth, in striding position, with left leg advanced, the arms held to the sides and fists clenched, wearing a finely striated tripartite wig, collar and a pleated kilt, dorsal column, on an integral rectangular base.

One of the largest and finest examples of Egyptian faience we have ever offered.

Late Period, circa 600 BC

13 cm

Ex Bonhams- Knightsbridge- London

THOTH

He was originally the deification of the moon in the Ogdoad belief system. Initially, in that system, the moon had been seen to be the eye of Horus, the sky god, which had been semi-blinded (thus darker) in a fight against Set, the other eye being the sun. However, over time it began to be considered separately, becoming a lunar deity in its own right, and was said to have been another son of Ra. As the crescent moon strongly resembles the curved beak of the ibis, this separate deity was named Djehuty (i.e. Thoth), meaning ibis. Thoth became associated with the Moon, due to the Ancient Egyptians observation that Baboons (sacred to Thoth) 'sang' to the moon at night[citation needed]. The Moon not only provides light at night, allowing the time to still be measured without the sun, but its phases and prominence gave it a significant importance in early astrology/astronomy. The cycles of the moon also organized much of Egyptian society's civil, and religious, rituals, and events. Consequently, Thoth gradually became seen as a god of wisdom, magic, and the measurement, and regulation, of events, and of time. He was thus said to be the secretary and counselor of Ra, and with Ma'at (truth/order) stood next to Ra on the nightly voyage across the sky, Ra being a sun god. Thoth became credited by the ancient Egyptians as the inventor of writing, and was also considered to have been the scribe of the underworld, and the moon became occasionally considered a separate entity, now that Thoth had less association with it, and more with wisdom. For this reason Thoth was universally worshiped by ancient Egyptian Scribes. Many scribes had a painting or a picture of Thoth in their "office". Likewise, one of the symbols for scribes was that of the ibis. In art, Thoth was usually depicted with the head of an ibis, deriving from his name, and the curve of the ibis' beak, which resembles the crescent moon. Sometimes, he was depicted as a baboon holding up a crescent moon, as the baboon was seen as a nocturnal, and intelligent, creature. The association with baboons led to him occasionally being said to have as a consort Astennu, one of the (male) baboons at the place of judgment in the underworld, and on other occasions, Astennu was said to be Thoth himself. During the late period of Egyptian history a cult of Thoth gained prominence, due to its main center, Khnum (Hermopolis Magna), also becoming the capital, and millions of dead ibis were mummified and buried in his honor. The rise of his cult also led to his cult seeking to adjust mythology to give Thoth a greater role. Thoth was inserted in many tales as the wise counsel and persuader, and his association with learning, and measurement, led him to be connected with Seshat, the earlier deification of wisdom, who was said to be his daughter, or variably his wife. Thoth's qualities also led to him being identified by the Greeks with their closest matching god Hermes, with whom Thoth was eventually combined, as Hermes Trismegistus, also leading to the Greeks naming Thoth's cult center as Hermopolis, meaning city of Hermes. It is also viewed that Thoth was the God of Scribe and not a messenger. Anubis was viewed as the messenger of the gods, as he traveled in and out of the Underworld, to the presence of the gods, and to humans, as well. Some call this fusion Hermanubis. It is in more favor that Thoth was a record keeper, and not the messenger. In the Papyrus of Ani copy of the Egyptian Book of the Dead the scribe proclaims "I am thy writing palette, O Thoth, and I have brought unto thee thine ink-jar. I am not of those who work iniquity in their secret places; let not evil happen unto me."[38] Chapter XXXb (Budge) of the Book of the Dead is by the oldest tradition said to be the work of Thoth himself.[39] There is also an Egyptian pharaoh of the Sixteenth dynasty of Egypt named Djehuty (Thoth) after him, and who reigned for three years.


An Egyptian Very Fine Bull-Headed Apis Bronze

Catalogue: Antiques: Regional Art: Ancient World: Egyptian: Bronze: Pre AD 1000   item# 845012

An Egyptian Very Fine Bull-Headed Apis Bronze
 click for details

Glenn Howard Ancient Art, Ltd.
phone 303.657.6004


Price on Request 

Egyptian finely detailed rare bronze of an Apis bull or Mnevis.Striding forward hands extended. between his horns, the sun disk with Uraeus. Tripartite wig. Nice red and green patina. With old English marble base. This a very fine and rare bronze, one of the finest we have ever offered.

From old NJ collection.

16 cm.

Bull cults were popular from at least the First Dynasty. The powerful and virile bull was associated with the pharaoh, who sometimes took the epithet "strong bull of his mother". As early as 3100 BC the king is depicted in the form of a bull.A sacred bull was identified by specific sacred markings. Once the bull had been confirmed as the incarnation of a god, it was housed in plush quarters, given only the best food, and provided with a harem of the best cows. The lucky animal would live in the lap of luxury until its death when it would be mummified and buried with full honors.

The Mnevis (Meruur or Mnewer) was the sacred bull of Heliopolis. The bull was usually completely black, but if that was not possible a white bull was also acceptable. The chosen bull was also known as "Kemwer" ("great black"). In time, the bull came to be associated with the more popular Apis bull. The bull was associated with Ra and possibly also with Min. When Akhenaten abandoned the other god in favor of The Aten he claimed that he would maintain the Mnevis cult. The cult may have retained his favor because of its solar associations, but archaeologists have not discovered any indication that the pharaoh made good his promise. There is very little information regarding the Mnevis cult. Only two Mnevis burials have been discovered, dating from the reigns of Ramesses II and Ramesses IV (during the New Kingdom) interred in individual tombs cut into the ground and topped by a huge granite slab. The burials included a set of Canopic Jars which seem to have been purely ritualistic as they were found to be empty.


Large Ptolemaic Egyptian Relief of a Queen

Catalogue: Antiques: Regional Art: Pre AD 1000   item# 845008

Large Ptolemaic Egyptian Relief of a Queen
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Glenn Howard Ancient Art, Ltd.
phone 303.657.6004


Price on Request 

Sculpted sandstone in raised relief,depicting a queen in right profile, wearing a tightly-fitting sheath, her unstriated tripartite wig surmounted by a vulture headdress, the features of the face preserved, including the full lips and protruding chin. This is a wonderful large relief of great appeal.

41 cm high.

Ex Kofler Collection, Lucerne

Ex Christies, New York


An Egyptian Relief from the Tomb of Pehunuka-110 cm

Catalogue: Antiques: Regional Art: Ancient World: Egyptian: Stone: Pre AD 1000   item# 729087

An Egyptian Relief from the Tomb of Pehunuka-110 cm
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Glenn Howard Ancient Art, Ltd.
phone 303.657.6004


SOLD 

Very important Egyptian Frieze of A Shallow Door Relief of Pehunuka's Estate

Egyptian Fifth Dynasty (2494-2345 BC) Limestone 43.4 inches high x 12 inches wide

This shallow frieze relief frieze from the Fifth Dynasty (2494-2345 BC) depicts seven female offering bearers from the estates of Pehenuka, or 'Pehan', an inspector of Wa'ab priests at the pyramid Userkaf at Saqqara. Measuring almost four feet in length, the frieze features Pehenuka wearing a tightly-fitting sheath and walking to the left with the offering bearers carrying the gifts from Pehenuka's holdings. A series of hieroglyphs between each figure notes the contents that are carried:

Wine of Pehen, figs of Pehen, bread of Pehen, two caskets of Pehen, two sycamore-fig trees of Pehen, the roasted grain of Pehen in a woven satchel.

Recovered from the tomb of Pehen discovered in the late 19th century by the famous archaeologist Lepsius, the relief was studied extensively by the French scholar Jaquet-Gordon.

Provenance: From an English collection, 1970

Published: Lepsius, R. Denkmaeler us Aegypten and Aethipien, Volume III, Part2. 1945-1959. Berlin

Illustrated: Malek, J. (ed.) 1962. Las Noms Des Domaines Funeraires Sous L'Ancien Empire Egyptian, page 366. Cairo.

Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Reliefs and Paintings III, Part 2, Saqqara to Dashur, pp. 491-492. 1978. Oxford.

Provenance: American private collection

THIS IS A VERY RARE CHANCE TO OWN SUCH A LARGE AND IMPORTANT PIECE OF EGYPTIAN HISTORY FROM THE TIME OF THE PYRAMIDS!


An Egyptian Wood Panel from a Sarcophagus

Catalogue: Antiques: Regional Art: Ancient World: Egyptian: Pre AD 1000   item# 703945

An Egyptian Wood Panel from a Sarcophagus
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Glenn Howard Ancient Art, Ltd.
phone 303.657.6004


SOLD 

A fantastic Egyptian panel from a sarcophagus featuring one of the Four Sons of Horus, duamutef the protector of the stomach, holding the feather of Maat. Wonderful all original pigments remaining, Green, blue, yellow, red, and pink.

Late Period 664-332 BC

33x16cm

Ex British collection

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