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Catalogue: Antiques: Regional Art: Ancient World: Egyptian: Faience (21)

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Rare Egyptian Faience/Bronze Scarab Ring- 600 BC

Catalogue: Antiques: Regional Art: Ancient World: Egyptian: Faience: Pre AD 1000   item# 1099031

Rare Egyptian Faience/Bronze Scarab Ring- 600 BC
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Glenn Howard Ancient Art, Ltd



$ 1,500 USD 

Very Finely detailed Faience ring with original bronze band. VERY RARE! Sobek on the back Egypt's Late Period Guaranteed Authentic Ancient Antiquity. Ex London Art Market 30mm


An Egyptian very Fine Faience Seated Open-work Sekhmet

Catalogue: Antiques: Regional Art: Ancient World: Egyptian: Faience: Pre AD 1000   item# 846774

An Egyptian very Fine Faience Seated Open-work Sekhmet
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Glenn Howard Ancient Art, Ltd



SOLD! 

An Egyptian lion-headed goddess Sekhmet seated on an open-work throne, the sides of which are decorated with figures of the snake god, Nehebka. The goddess carries a sistrum. Bright blue with added details in black.

Third Intermediate Period, c.950-700 BC.

Intact with no restoration. A real gem!

6 cm.

Sekhmet

Sekhmet was the lioness-headed goddess of war and destruction. She was the sister and wife of Ptah. She was created by the fire of Re's eye. Re created her as a weapon of vengeance to destroy men for their wicked ways and disobedience to him (see The Story of Re). Having once unleashed her powers for the destruction of mankind, the Egyptians feared a repeat performance by Sekhmet. The Egyptian people developed an elaborate ritual in hopes she could be appeased. This ritual revolved around more than 700 statues of the goddess (such as the one to the left). The ancient Egyptian priests were required to perform a ritual before a different one of these statues each morning and each afternoon of every single day of every single year. Only by the strictest adherence to this never-ending ritual could the ancient Egyptians be assured of their ability to placate Sekhmet. She is generally portrayed as a woman with the head of a lioness surmounted by the solar disk and the uraeus. The name "Sekhmet" comes from the root sekhem which means "to be strong, mighty, violent". She was identified with the goddess Bastet, and they were called the Goddesses of the West (Sekhmet) and the East (Bastet). Both were shown with the heads of lionesses although Bastet was said to wear green, while Sekhmet wore red.


Egyptian Glazed Compisition Set of Four Sons of Horus

Catalogue: Antiques: Regional Art: Ancient World: Egyptian: Faience: Pre AD 1000   item# 846742

Egyptian Glazed Compisition Set of Four Sons of Horus
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Glenn Howard Ancient Art, Ltd



SOLD! 

Complete set of the Egyptian Four Sons of Horus. Brown glazed composition. Intact, not restoration.

Late Period 664-332 BC

Ex-New Jersey collection

17 cm average hight

Imsety Imsety's jar held the liver - Since the liver was thought of as the seat of emotion, a broken heart was the form of death attributed to the deity. Thus the name of this deity became the kindly one, which is Imsety in Egyptian. Guardian of the South Protected by the goddess Isis - Appearance human headed - Because the Egyptians saw the liver as the seat of human emotion, the depiction of Imsety was of a mummified human.

Hapy Hapy's jar held the lungs - Since drowning was the form of death associated with the lungs, the deity gained the name geese, in reference to floating on water, and later gained the name runner, in reference to river currents. Guardian of the North Protected by the goddess Nephthys

Duamutef Duamutef's jar held the stomach - In war the most significant cause of death was from injuries in the torso and stomach. The deity protecting this organ was associated with death by war, gaining the name Duamutef meaning adoring his motherland Guardian of the East Protected by the war goddess Neith. Appearance - jackal headed

Qebehsenuef Qebehsenuef's jar held the intestines - this organ was used in sacrificed animals, by soothsayers, to predict the future, whereas the intestines were also the victims of poison. With death by poison, the canopic jar deity was given the name Qebehsenuf meaning the poisoner. Guardian of the West Protected by the poison goddess Selket Appearance - falcon headed


Very Rare and Important Egyptian Faience Sow Amulet

Catalogue: Antiques: Regional Art: Ancient World: Egyptian: Faience: Pre AD 1000   item# 845071

Very Rare and Important Egyptian Faience Sow Amulet
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Glenn Howard Ancient Art, Ltd



SOLD! 

An Egyptian Faience amulet of the God Nut. Sow Goddess with her piglets.

We have yet to see a finer example EVER produced from ancient Egypt in this form of the Sow amulet, this includes the Egyptian museum in Cairo. We know of no other example finer than this one!

Egypt's Third Intermediate Period - 26th Dynasty.

3.2 cm

Ex-Drouot-Montaigne - Paris

In Ancient Egypt, the sky-goddess, Nut, was depicted as a sow suckling or swallowing her piglets which are the sun and the stars. According to their beliefs, Nut would swallow the stars every morning and vomit them into the sky every evening. She would also swallow her piglet, the sun, every evening and spit him out in the morning. In this way, the sun and the stars were reborn each day before beginning their journeys across the sky. In honor of Nut, Ancient Egyptians wore pig amulets. Another pig was thought to follow the evil god of darkness, Set, brother and murderer of Osiris. Black pigs were sacred to Set and thought to be malevolent. Early Egyptians kept, sacrificed, and occasionally ate pigs even though they considered them unclean.


A Large Egyptian Faience Eye of Horus.

Catalogue: Antiques: Regional Art: Ancient World: Egyptian: Faience: Pre AD 1000   item# 845050

A Large Egyptian Faience Eye of Horus.
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Glenn Howard Ancient Art, Ltd



SOLD 

A very large Eye of Horus plaque. Intact, double sided, and a great example of ancient Egyptian craftsmanship.

Late Period 664-332 BC

Ex- British Collection

8 cm wide

Designed to resemble the eye of a falcon, this symbol is called the Eye of Ra or Eye of Horus represents the right eye of the Egyptian Falcon God Horus. As the udjat (or utchat), it represented the sun, and was associated with the Sun God Ra (Re). The mirror image, or left eye, represented the moon, and the God Tehuti (Thoth). (A very similar concept of the sun and moon as eyes appears in many religious traditions) According to legend, the left eye was torn from Horus by his murderous brother Seth, and magically restored by Thoth, the God of magick. After the restoration, some stories state, Horus made a gift of the eye to Osiris, which allowed this solar deity to rule the underworld. The story of this injury is probably an allusion to the phases of the moon as the eye which is "torn out" every month. Together, the eyes represent the whole of the universe, a concept similar to that of the Taoist Yin-yang symbol. Spiritually, the right eye reflects solar, masculine energy, as well as reason and mathematics. The left eye reflects fluid, feminine, lunar energy, and rules intuition and magick. Together, they represent the combined, transcendent power of Horus. The Eye of Horus was believed to have healing and protective power, and it was used as a protective amulet, and as a medical measuring device, using the mathematical proportions of the eye to determine the proportions of ingredients in medical preparations) to prepare medications. The Masonic all seeing eye, the medications.


A Large Blue Turquoise Glazed Faience Thoth Statuette

Catalogue: Antiques: Regional Art: Ancient World: Egyptian: Faience: Pre AD 1000   item# 845015

A Large Blue Turquoise Glazed Faience Thoth Statuette
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Glenn Howard Ancient Art, Ltd



SOLD 

A large Ibis -headed God. Thoth, in striding position, with left leg advanced, the arms held to the sides and fists clenched, wearing a finely striated tripartite wig, collar and a pleated kilt, dorsal column, on an integral rectangular base.

One of the largest and finest examples of Egyptian faience we have ever offered.

Late Period, circa 600 BC

13 cm

Ex Bonhams- Knightsbridge- London

THOTH

He was originally the deification of the moon in the Ogdoad belief system. Initially, in that system, the moon had been seen to be the eye of Horus, the sky god, which had been semi-blinded (thus darker) in a fight against Set, the other eye being the sun. However, over time it began to be considered separately, becoming a lunar deity in its own right, and was said to have been another son of Ra. As the crescent moon strongly resembles the curved beak of the ibis, this separate deity was named Djehuty (i.e. Thoth), meaning ibis. Thoth became associated with the Moon, due to the Ancient Egyptians observation that Baboons (sacred to Thoth) 'sang' to the moon at night[citation needed]. The Moon not only provides light at night, allowing the time to still be measured without the sun, but its phases and prominence gave it a significant importance in early astrology/astronomy. The cycles of the moon also organized much of Egyptian society's civil, and religious, rituals, and events. Consequently, Thoth gradually became seen as a god of wisdom, magic, and the measurement, and regulation, of events, and of time. He was thus said to be the secretary and counselor of Ra, and with Ma'at (truth/order) stood next to Ra on the nightly voyage across the sky, Ra being a sun god. Thoth became credited by the ancient Egyptians as the inventor of writing, and was also considered to have been the scribe of the underworld, and the moon became occasionally considered a separate entity, now that Thoth had less association with it, and more with wisdom. For this reason Thoth was universally worshiped by ancient Egyptian Scribes. Many scribes had a painting or a picture of Thoth in their "office". Likewise, one of the symbols for scribes was that of the ibis. In art, Thoth was usually depicted with the head of an ibis, deriving from his name, and the curve of the ibis' beak, which resembles the crescent moon. Sometimes, he was depicted as a baboon holding up a crescent moon, as the baboon was seen as a nocturnal, and intelligent, creature. The association with baboons led to him occasionally being said to have as a consort Astennu, one of the (male) baboons at the place of judgment in the underworld, and on other occasions, Astennu was said to be Thoth himself. During the late period of Egyptian history a cult of Thoth gained prominence, due to its main center, Khnum (Hermopolis Magna), also becoming the capital, and millions of dead ibis were mummified and buried in his honor. The rise of his cult also led to his cult seeking to adjust mythology to give Thoth a greater role. Thoth was inserted in many tales as the wise counsel and persuader, and his association with learning, and measurement, led him to be connected with Seshat, the earlier deification of wisdom, who was said to be his daughter, or variably his wife. Thoth's qualities also led to him being identified by the Greeks with their closest matching god Hermes, with whom Thoth was eventually combined, as Hermes Trismegistus, also leading to the Greeks naming Thoth's cult center as Hermopolis, meaning city of Hermes. It is also viewed that Thoth was the God of Scribe and not a messenger. Anubis was viewed as the messenger of the gods, as he traveled in and out of the Underworld, to the presence of the gods, and to humans, as well. Some call this fusion Hermanubis. It is in more favor that Thoth was a record keeper, and not the messenger. In the Papyrus of Ani copy of the Egyptian Book of the Dead the scribe proclaims "I am thy writing palette, O Thoth, and I have brought unto thee thine ink-jar. I am not of those who work iniquity in their secret places; let not evil happen unto me."[38] Chapter XXXb (Budge) of the Book of the Dead is by the oldest tradition said to be the work of Thoth himself.[39] There is also an Egyptian pharaoh of the Sixteenth dynasty of Egypt named Djehuty (Thoth) after him, and who reigned for three years.


An Egyptian Faience Bes Amulet

Catalogue: Antiques: Regional Art: Ancient World: Egyptian: Faience: Pre AD 1000   item# 694084

An Egyptian Faience Bes Amulet
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Glenn Howard Ancient Art, Ltd



SOLD 

An Egyptian fine double sided amulet of the God Bes.

35mm

Third Intermediate period 1085-709 BC

Ex- Swiss Collection

Bes was an Egyptian deity worshiped in the later periods of dynastic history as a protector of households and in particular mothers and children. In time he would be regarded as the defender of everything good and the enemy of all that is bad. While past studies identified Bes as a Middle Kingdom import from Nubia, some more recent research believes him to be an Egyptian native. Mentions of Bes can be traced to the southern lands of the Old Kingdom; however his cult did not become widespread until well into the New Kingdom. His name appears to be connected to a Nubian word for "cat" (besa) which literally means "protector", and indeed, his first appearances have the suggestion of a cat god[citation needed]. Egyptians kept cats in order to attack snakes, and creatures that might ruin crop stores, such as mice, and so Bes was naturally singled out as worthy of worship in Egypt.


An Egyptian Very Fine Large Uraeus Amulet

Catalogue: Antiques: Regional Art: Ancient World: Egyptian: Faience: Pre AD 1000   item# 694074

An Egyptian Very Fine Large Uraeus Amulet
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Glenn Howard Ancient Art, Ltd



SOLD 

An Egyptian very rare and large faience uraeus amulet. Perfect and intact.

Late Period 664-332 BC

Ex-French Collection

44mm


An Egyptian Large Brilliant Blue Faience Falcon

Catalogue: Antiques: Regional Art: Ancient World: Egyptian: Faience: Pre AD 1000   item# 610805

An Egyptian Large Brilliant Blue Faience Falcon
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Glenn Howard Ancient Art, Ltd



2500.00 USD 

Bright glassy turquoise-blue faience Horus falcon amulet with crown (now missing). Details in black glaze. Loop on back for suspension. From Egypt's Third Intermediate Period. Very Rare in this size and quality. Small chip to back of tail. 5.2 cm tall. Ex Belgium collection


An Ancient Egyptian Faience Scarab Ring

Catalogue: Antiques: Regional Art: Ancient World: Egyptian: Faience: Pre AD 1000   item# 573254

An Ancient Egyptian Faience Scarab Ring
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Glenn Howard Ancient Art, Ltd



SOLD! 

Intact very fine Egyptian scarab ring with papyrus blossoms on each shoulder. From Egypt's New Kingdom. Ex-Elfreda Dirmont collection London, England.

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