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An Egyptian Stone Heart Scarab
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Pre AD 1000 item# 678661
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Glenn Howard Ancient Art, Ltd
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An Egyptian 3rd Intermediate – Late Period, 21 st – 26 th Dynasty, 1075 – 525 BC. A deep greenish basalt heart scarab of simple, but elegant style with well defined legs. The base is uninscribed and may have originally been set in a piece of jewelry. minor traces of bitumen still on the surface.
2 3/8” x 1 5/8” x ¾”.
Ex Joel L. Malter collection.
The heart was very important to the ancient Egyptians and great care was taken to preserve it. They believed it was the seat of intelligence, rather than the brain, which was discarded during the mummification process. The heart was left within the body and the heart scarab was placed over it. Spell XXXB from “The Book of the Dead” is inscribed on the base of some heart scarabs. It requests that the heart does not speak out against the deceased on judgment day.
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An important Egyptian Limestone Stele - Meroitic Period
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Pre AD 1000 item# 676510
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Glenn Howard Ancient Art, Ltd
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A rare Egyptian limestone stele from Egypt's Meroitic period(270 BC-350 AD). The deity figure with a Atef crown, holding the Ankh symbol in his right hand, the Was scepter in his left. Above the scepter two columns of hieroglyphs(now unreadable). Figure framed by two papyrus scepters. Traces of ancient dendrites on surface.
25x16cm
A rare piece of top quality Egyptian art!
Ex- Marie Thorpe Collection of Ancient Art 1920-2006. Renowned oceanographic researcher, and a world traveler.
The Meroitic period, the later phase of rule by the Kushite kings, is named after the royal burial ground at Meroe. In the third century BC the royal cemetery was moved there from Napata, though Meroe had long been one of the major centers of the Kushite state. This move broadly coincided with the arrival of Greek culture in Egypt, following the country's conquest by Alexander the Great. The resulting Graeco-Egyptian culture rapidly influenced the Kingdom of Kush giving its later phases a distinctive character. This was in contrast to the preceding Napatan period, which was influenced by the Pharaonic culture. The Kushite kingdom prospered, its rulers and the élite deriving wealth from control of the trade routes along the Nile valley from Central Africa to Ptolemaic and Roman Egypt.
Throughout the Meroitic period Egyptian elements introduced into Kushite royal burial practices under the early Napatan kings were retained and reinterpreted. The sculpture and architecture of the period shows much influence from the Greek and the Graeco-Roman world. The fine pottery decorated with geometric forms and floral and animal motifs shows a similar influence. Monumental inscriptions were traditionally written in the hieroglyphic script but, from the second century BC onwards, the use of the native language of the Kushite Kingdom, Meroitic, became common.
EARLY MEROITIC PERIOD: 270 - 90 BC
The move to Meroe weakened the Egyptian influence and enlivened the Sudanese character of Kush. Trade with Egypt (Now under the rule of the Ptolomies) and with Asia was growing, and Kush even entered into joint building projects with Egypt at their common border.
MIDDLE MEROITIC: 90 BC - 1 AD
Trade routes from the interior of Africa passed through Kush and up the Nile to the Mediterranean and apparently through Kush to Asia as well. Images of the Kushite god Apedemak from this era show strong Indian influence as they were rendered in a classic Indian style. Kush enjoyed an economically strategic position, bolstering its power and importance in the Classical World.
This time marks the height of Meroitic Civilization. Kush is ruled by both kings and queens equally, with the queen, or Kandake (from which we get the present day female name of Candice) often taking the leading role in civil and international affairs.
Rome gained control of Egypt and all of the north African coastline and exacted tribute from Kush. Kush, called "Aethiopia" by the Romans (not to be confused with the present Ethiopia which was called Abyssinia by the Romans - see Axum), seeing Rome edge into lower Nubia, attacked and sacked the Roman outposts at Elephantine and Syene. the Romans retaliated and conquered the Kushite towns of Dakka and Premnis. Then Rome marched on Napata where the queen was in residence. She sued for peace and was refused. Rome then attacked Napata and razed it to the ground, making slaves of their captives. After that Rome fortified Premnis and kept it as their southernmost border while waging a three year war with Kush.
Finally, the Kandake marched upon Premnis and sued for peace, appealing to August Caesar. Impressed with the Kandake's appeal, and probably being aware that Rome had overextended itself at so distant a border, He accepted at about 20 BC. Kush was freed from further tribute, the borders were established at their Ptolemaic location, and Premnis was returned to Kushite control.
LATE MEROITIC: 1 - 350 AD
While the Kushite kingdom was economically and politically strong at the beginning of the Late Meroitic period, it was soon to enter a cycle of decline. With the rise of Axum, trade routes shifted, and Kushite commercial interests faded. Decline was further complicated with an ecological decline of the area causing less agricultural production and the gradual migration of the population from the area. Border skirmishes with tribal factions and internal struggles also added to the decline.
With Rome trading with Axum and shifting its interests from Kush, the Kushite Kingdom became more and more isolated. In 298 AD, Rome finally evacuated the northern borders of Kush. In an apparent bid to regain some economic parody, Kush seems to have attacked Axum, in retaliation for which Axum over-ran Kush, occupied Meroe, and brought about the total
collapse of Kush as a civilization in 350 AD.
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An Egyptian Wood Stele Decorated in Polychrome 664-30BC
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Pre AD 1000 item# 630933
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Glenn Howard Ancient Art, Ltd
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A very fine ancient Egyptian round-topped polychrome wood stele. The upper portion decorated with a winged sun disk and two uraei underneath. Below, the female owner of the stele is represented in the framed register, depicted standing, wearing sandals and a long gown, with arms raised in adoration, before the God Osiris on the left, depicted mummiform, wearing the plumed atef-crown and false beard, arms emerging with hands holding an implement. To his right, a falcon-headed deity, depicted mummiform with a disc-crown, holding a was scepter in both hands. Between the owner and figures is an offering stand with libation vessel on top. Hieroglyphic inscription underneath figures, above figures and between both deities. Egypt's Late Period- Ptolemaic period 664-30 BC. 36 tall x 20 wide.
Ex- Private collection, Belgium. Acquired in the early 1960's.
Includes export license from Belgium.
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An Egyptian Wood Chest Panel From A Mummy Coffin
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Pre AD 1000 item# 630720
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Glenn Howard Ancient Art, Ltd
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Wooden chest panel from a mummy coffin from Egypt's Third Intermediate period. Including the wooden proper left hand, with ending of the wig above. Falcon headed seated deity with feather of Maat on the head, and flail protruding from the body. Osiris with curled ram horns, sun disk, and plumes seated with an offering table before him. The arm of a figure (probably Thoth) to the right. Nephthys and probably her sister Isis (crown missing) standing behind. Wonderful vivid all original paint with no restoration. Many wooden pegs through out for connection to other sections. 30x26 cm. The piece is made from a sold piece of cedar which had to be imported in from Lebanon in ancient times, making it much rarer than the typical sycamore used in most mummy coffins. Thus assuring this coffin was made for a person of high status.
Comes with copy of original receipt from Mohamed Abdel-Rahim El-Shear antiquity merchant. License number 75, Cairo, Egypt June, 15th 1966.
For another example showing the upper part of a mummy coffin from the same period with both hands intact please see our item #481773 on our website.
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An Egyptian Limestone Canopic Jar 1085-709 BC
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Pre AD 1000 item# 630704
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Glenn Howard Ancient Art, Ltd
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Limestone "dummy" canopic jar with the head of Duamutef. The jackal headed Deity, protector of the stomach. 31cm high. Comes with the original receipt from Mohamed Abdel-Rahim El-Shear antiquity merchant. License number 75, Cairo, Egypt June, 15th 1966. Old repair on the proper left ear, and end of nose. Large amount of ancient encrustation. Age cracks through out. Nice inexpensive piece of ancient Egyptian mummification equipment...........The Sons of Horus were minor deities who protected the internal organs which were removed during the mummification process. These were embalmed in the same way as the body, wrapped and placed in stone or wooden jars, which were sometimes kept together in a canopic chest.
Initially, the jars had plain disc lids but human-headed lids later became more common. After the late Eighteenth Dynasty (about 1550-1295 BC), the stoppers often actually represent the four Sons of Horus. They are: the falcon-headed Qebhsenuef (intestines); the jackal-headed Duamutef (the stomach); the baboon-headed Hapy (the lungs), and the human-headed Imsety (the liver).
A change took place in the embalming practice during the Twenty-First Dynasty (about 1069-945 BC).The internal organs were returned to the body cavity after being wrapped, protected by wax or clay figures of the Sons of Horus. This made the canopic jars redundant, though they were still included in the tomb as they were viewed as an essential element of a good burial. The jars were often not hollowed out and were simply dummy jars.
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101:Complete Egyptian Mummy Coffin
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Pre AD 1000 item# 630432
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Glenn Howard Ancient Art, Ltd
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We are pleased to offer this complete mummy coffin from Egypt's Late Period.The piece is in great condition with vivid original paint. Nice Isis on the front, with Anubis God of embalming under. Offering text from the book of the dead down the front.The whole coffin is rare in that it is completely covered with linen, gesso, then painted. Thus keeping the pigment sealed in the linen, and very bright. Not cut in half like most coffins on the market. Traces of mummy linen on the inside. 68 inches tall 18 inched wide. Please email us for more photos, price, and all other questions.
This mummy coffin was one of three found in the same tomb. They were on exhibit in the Geneva museum in Switzerland.
This coffin has been Carbon-14 tested by Professor Austin Long, University of Arizona which tested the "Shroud of Turin". It has been dated to between 806-420 BC.
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An Egyptian Bronze Standing Figure of Osiris
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Bronze:
Pre AD 1000 item# 610746
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Glenn Howard Ancient Art, Ltd
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Finely detailed bronze standing figure of the God Osiris. Nice patina. Mounted. From Egypt's Late Period 12.3 cm tall Ex-private Canadian collection.........From the hieroglyphic texts of all periods of the dynastic history of Egypt we learn that the god of the dead, par excellence, was the god, whom the Egyptians called by a name which was commonly known to us as "Osiris." The oldest and simplest form of the name is written by means of two hieroglyphics, the first of which represents a "throne" and the other an "eye," but the exact meaning attached to the combination of the two pictures by those who first used them to express the name of the god, and the signification of the name in the minds of those who invented it cannot be said. In the late dynastic period the first syllable of the name appears to have been pronounced Aus or US, and by punning it was made to have the meaning of the word usr, "strength of the Sun-god Ra. This meaning may very well have suited their conception of the god Osiris, but it cannot be accepted as the correct signification of the name. For similar reasons the suggestion that the name AS-ar is connected with the Egyptian word for "prince," or "chief," ser, cannot be entertained. It is probable that the second hieroglyphic in the name As-ar is to be understood as referring to the great Eye of Heaven, i.e., Ra, but the connection of the first with it is not clear, as we have no means of knowing what attributes were assigned to the god by his earliest worshipers the difficulty is hardly likely to be cleared up. The throne or seat, is the first sign in the name of As-t, who is the female counterpart of Osiris, and it is very probable that originally the same conception underlay both names. It is useless to argue that, because the dynastic Egyptians at a late period of their history substituted the disk of Ra, for the god hymns in which they identified him as the source of light and as Ra, therefore As-ar, and because they addressed to the god hymns in which the priests resorted to whenever they attempted to find etymologies for the names of their gods.
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