"Bauche" chair model 18, France, 1940s
Oak with new rush seat and back
28" ht. x 18" w. x 20" d.
Produced by L'Equipement de la Maison, Grenoble, 1945-48. After World War II, Perriand used this chair in furnishing the interiors of mountain inns in Savoy.

Literature: Charlotte Perriand: An Art of Living, 2003, illustrated on page 136.

Charlotte PERRIAND (1903-1999)
Perriand is best known for her extensive work with Le Corbusier. As she tells it in her recently published memoirs, Une vie de cré¡´ion, she was so inspired by his Towards an Architecture that she sought him out at his studio and invited him to her show at the Paris "Salon d'Automne" in 1927. He came and liked her work enough to establish what would become a lifelong collaborative relationship with her. They worked together to create buildings in which there was no disassociation between the interior furnishings and the exterior form. In the 1920s they, along with Pierre Jeanneret, designed a successful group of armchairs and a chaise longue which were later reissued by Cassina. The chairs were produced in chrome plated or matte enamel tubular steel frames with a variety of upholstery choices including ponyskin and cowhide. This work, the chaise longue in particular because Perriand was photographed lying in it for an exhibition, has become one of the defining icons of Perriand's career.

Perriand, born in Paris, was trained at l'Ecole de l'Union Centrale des Arts Decoratifs. She was one of the founding members of the Union des Artistes Modernes, where she met Jean Prouvé and with whom she would design furniture and interiors to showcase his furniture. She worked with Prouve, Pierre Jeanneret, and Georges Blanchon, at "Les Ateliers Jean Prouve" designing prefabricated aluminum buildings.

A trip to Japan, planned for six months in 1940, evolved into a stay that lasted throughout the war. She was the acting adviser on arts and crafts to the Japanese ministry of commerce and she became a sort of design ambassador to both countries. In Japan she organized two exhibitions of French design. Back in France, her own work reflected the materials and the aesthetics of space that she had worked with in Japan. In 1953 she produced a simple, bent plywood chair which she called a "synthesis of arts" of Western and Japanese culture and design. In 1993 she designed a tea pavilion for UNESCO as part of the Japanese Cultural Festival in Paris.

The furniture that she designed throughout her life was sold mainly out of the Steph Simon Gallery in Paris. The conference rooms of the United Nations in Geneva are one of Perriand's largest non-collaborative interior design commissions. Perriand describes her working life as "a sincere and constant search for a modern living art."