Q: Mimi I notice you are listing your original oils but not
your metalwork. Have you stopped making your studio jewelry? Have
you been painting long?
A: No and yes. When the metal prices soared a few years
ago I, like many, left them alone and switched to copper, et al. Gifts for my clients
are still hammered and commissions are met. As far as painting after
youthful color pencil drawings and sketches, years later I painted acrylics on
my signed wearable fiber art garments when I had my last store, which I
closed in 1999. Later a few acrylic paintings and a handful of watercolors. In
the mid late nineties I rediscovered the yummy feel of painting oils! There
are over 100 of them... I am embarrassed to admit not counting the
few hundred I destroyed in the past.
Q: Have you had formal oil painting instruction?
A: Sadly, no.
A: I dare add that BFAs, MFAs and galleries do not look
too kindly on those of us who dare paint without the benefit of their
education. You can be a self taught painter, you just can't be a self
taught registered nurse. After retiring from nursing at a young age,
I taught myself to paint, yet ... But I
digress... Initially because running my store / gallery
alone 60 - 70 hours a week did not allow time for art instruction.
Not many art instructors giving oil lessons at 10 o'clock at night!
Then after closing my store there were other circumstances and balance
issues that keep me in most days.
Q: Do you paint or work on your paintings on a regular basis?
A: Yes, daily, except during the 9 weeks this summer when
I had casts on both feet. I read, sketch or paint, then practice, paint and
sketch some more. That is the only teacher I have.
Q: Where do you get your ideas if you are not able to get
A: Oh my goodness I have years, and years of sketches,
photos and notes! From out West where I lived and now of this area.
So many... Oh, don't laugh, but I have sketches of many of my dreams!
I also dream of flying a lot, that could explain the unusual perspective of
some of my paintings!
Q: Do you think artists should advertise when she or he
gets a solo art show and or selected to exhibit in a juried art gallery?
A: Why yes, if they are able to swing it by all means. It
shows that they are serious about promoting their paintings and the juried
art gallery that believes in their work.
Q: Any gallery?
A: Well when we are talking about thousands of dollars,
that expenditure should be reserved for select galleries...
Q: Mimi what is the difference between your antique
button jewelry and that of others?
A: I do not destroy, mutilate, glue nor solder antique
button gems, because when you see the work that went into making them
100 years ago, they are little gems!
A: Only when buttons had broken loop shanks.
Q: How do you secure them?
A: With wire. I remember when I was a teenager, examining
Miriam Haskell pieces and how she used wire to secure all those tiny
beads and ornaments. I do not however compare my wiring process to
hers. Who can?
Q: When did you start making button jewelry?
A: I remember giving up my button bracelet
to an elementary schoolmate for her sterling bracelet. She really
had to have my button bracelet! When her parents found out and asked
for it back, she cried until they relented and okayed the trade.
Q: Did you make more?
A: When I was in college and later even I made and sold
various headbands, and accessories that had vintage buttons sewn on them.
None of them were of the Victorian picture variety I discovered so many
A: How did you use them when you found them?
A: When I had my store, they were sewn on my art to
wear tunic vests, coats, wraps and on pins, after promising the lady who sold
me her multi decade collection that I would not destroy them.
I began to wire some buttons onto surfaces that allowed me. This
many years later I am at it again!
~2006 and back to the late 70s
Q: I see that you were true to your word. When your
store went online your one of a kind signed jewelry
work was at give away prices and now have gone up in price. Is it
solely due to the increase in precious metal prices?
those were 2002 Introductory Prices to celebrate the
introduction of www.mimideeartwear.com and
Mimi Dee Artwear Online Catalog.
Will these same prices hold in the future?
A: Probably not with metal prices going up. Just as
the prices of my Wearable Art
Apparel and Signed Jewelry went up slowly, by virtue
of demand and my refusal to have anyone assist me in
making these pieces, when I had my Studio/Store/Gallery,
so will the prices of these Original Mimi Dee Signed
Pieces likely go up.
Q: Why don't you make lots of
chunky, gem necklaces and bracelets that you see in all
the popular stores and magazines?
just answered your question. I look around, if it is
being done, I am not interested in following. I am an
innovator, not a duplicator.
Q: Can you expound?
A: Yes, when one is given a little
bit of talent in one area, many times one is creative
in many other areas...therefore, there will never be
enough days in our lives to create all the pieces we
can think of. On the other hand, those who can not
come up with their own original ideas, have to follow
the crowd. That's not to say that there is something
wrong with that, it's just not necessary for me to do
what others are doing!
Q: Can you mention some instances?
A: Yes, in 1990, when I was
still participating in craft shows, I was making jewelry
with Hand Painted Watercolor Paper and real stamps.
Well, at one show a visitor stopped at my booth and
said, 'what a cool idea!'. Not 2 months later, she
brought suitcases full of stamp jewelry to a craft
show! I complimented her on her jewelry and said to
her that there was no need for 2 of us showing the
same and that I would pull mine off the show, since
I had been showing same for months. She was very
happy with that idea!
Q: But why, wasn't
that a waste?
A: No, as I said before, when
you are an artist/innovative designer, you would have
to live a few life times to create everything that comes
Q: What did you do with all that jewelry?
A: Not a waste! I donated it, as
I did dozens of painted clothing, etc. per year for
many years, to various churches, women's shelters,
synagogues, health organizations, schools, senior
citizens centers and any group who walked in to my
store to ask for a donation.
Q: Do you still show at craft fairs?
A: Oh no, I left that
behind me years ago.
Q: Why not?
A: When I, like many other serious Artists and Artisans,
began to see the craft show business deteriorate as I
was still painting every garment myself and the booth
next to me had hundreds of screen printed gaments with
the person's 'original' ideas, I knew it was time to
Q: Is that the only reason?
A: No, it took a little longer doing it the
hard way. The last nail on the coffin came when at a
supposed juried show, I saw a man set up with a table
covered with hundreds of mass produced jewelry that
he hadn't even bothered to take off the 'Made in... you
fill in the blank' overseas country's, plastic card!
Q: What is wrong with importing this kind
of jewelry from some of these third world countries
and reselling it here?
A: Oh it is not about
reselling it, there is a market for that sort of thing,
but it does not belong in a venue where Artists who
are trying to make a living with their craft, in the
true meaning of craft, creating every piece by hand
themselves, emphasis on the 'by themselves'. Don't
forget that this imported jewelry is often made by
forced child labor, getting pennies a day for their
unfortunate circumstance, while we, Artists and Artisans
alike are still creating each one of a kind piece
ourselves, not mass-producing it as it is done overseas,
even if they call it 'handmade'. Would you work for
pennies a day?
Q: Absolutely not! Is it then a matter of competition?
A: That is an
amusing and often heard declaration by those peddling
the mass produced things! In order for it to be true
competition it has to be apples to apples and oranges
to oranges. If you were an afficionado of good horse
flesh, would you enjoy betting on a race that was
touted to be exciting, worth your time and money spent
to veiw, only to see a bunch of nags were running in
the same race with the quarter horses? No! Of course
you wouldn't! Or would you enjoy paying to see Leon
Spinks fight Lenox Lewis? Or Go to an NFL game to see
high school kids playing against the big boys? Of
course not! There is no competition there!
Q: why should you care?
A: Because the public deserves to be told the truth. Seasoned
Collectors have no problem differenciating between the
worthy pieces and the others, but a new, would be
collector needs gentle guidance and the truth whether
the jewelry they are buying and collecting is just mass
produced 'hand made' overseas or created by Artists
and Artisan with a Studio whose Signed Work is sold
in Galleries, Collected or Commissioned by Museums and
has a good chance of becoming a Signed Collectible.
Q: How have you changed your craft in the last
A: Well, actually I began making
wearable art when I was 15 years old, don't care to
tell you how long ago that was, making a lined vest
made with and embellished with upholstery fabric no
less! Back in the 70's I joined a Co-op of
women who hand made one of a kind pieces that we called
Q: I noticed you don't use
that word to describe your work, why?
A: Puleeez! As long as it continues to be
misused and abused by those once hip designers hawking
their mass produced stuff, made overseas no less, shown on TV shopping clubs.
You have heard the words, 'Original one of a kind wearable
art. We have already sold 1000! Still 2000 left to go!' It
doesn't always mean what it did 30+ years ago!
Q: Then what happened? When did you start making
jewelry and why?
A: I opened my first little shop in 1978 where I sold my
Apparel & jewelry. Also other women's hand crafted
items on consignment. Fast Forward to late 80s when I
couldn't find any accessories that could tie in
chartreuse and royal blue. So I bought $80 worth of
supplies to make a pin and earrings to tie it all in.
I asked my friend Beth, 'now what do I do with the
rest of the supplies?' She said, 'make more painted
watercolor jewelry!'. Where will I sell it? I had
never even attended a craft fair until the first one
I participated in! By the 3rd one 3 months later, I
had made a couple of vests that I had handpainted,
sold them all and was being asked 'where is your store?'.
Five months after the first craft show that I
participated in I opened my second small studio shop
to see my clients. Within 3 months I outgrew that and
had to wait for my lease to come up at year's end to
more than double my space...
Q: Now that
you don't have your store nor show at craft shows, is
this Online Venture your only Venue?
in addition to limited Gallery Wholesale Accounts and
the hundreds of Clients I have have had the pleasure
of meeting and creating for, in almost 30 years of
being in business.
Q: Do you now, or did you
ever have clearance sales?
A: Not at all!
Don't believe in them!
Because when a collector acquires a Signed Collectible
Piece, that is special in itself. Besides why should
one collector purchase at one price and another at a
lesser price? It's like saying that it was not worth
the original price to began with!
Q: No Sales
or discounts? What did you do with what didn't sell?
A: Well, although I did not have sales, nor
did ever a Friend Collector ever insult me by asking
for a discount on my own pieces, once a year my
clients were treated to a yearly "Client Appreciation
Day" when they came in by mailed Invitation Only for a
Mystery % off on their purchases in addition to gift
drawings and once a year on their Birthday Month another
% off and another free gift.
Q: Yes, but what
of the unsold inventory?
A: Well, when one
makes one piece at a time it is much easier to control
inventory. When I had the Store Studio Gallery, some
of what did not sell, I gift wrapped and donated at
year's end as holiday gifts to various groups...Of
course when a client purchased or ordered a sizeable
amount, I enjoyed, without being asked, giving them a
little extra something. But remember...none of my
good, friend, client collectors ever ask for a discount
on my Own Signed Pieces!