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Catalogue: Antiques: Regional Art: Americas (3)

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Fossilized Walrus Ivory Oosik Carved Figural Totem

Catalogue: Antiques: Regional Art: Americas: Eskimo: Sculpture: Pre 1900   item# 820826

Fossilized Walrus Ivory Oosik Carved Figural Totem
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Price upon Request 

This original carved "oosik" or penis bone measures about 11 inches long by 1 inch wide by 1 1/2 inches in depth at it's wide at the base.

Although it has the appearance of ivory, it is actually carved from heavily fossilized walrus penile bone. It is much harder than traditional ivory and as such has been used by native people for generations to producing knives and important implements.

This is likely a fertility totem in as much as it has a hooded woman riding a phallus with the raven and a stylized bear above her.

A work of this quality would have taken a great deal of time talent and effort to create.

The workmanship and details of the carving are outstanding and can honestly be described as museum quality.


Large Aztec or Mayan Carved Jade Figure of Xipe-Totec

Catalogue: Antiques: Regional Art: Americas: Pre Columbian: Stone: Pre 1492   item# 796202

Large Aztec or Mayan Carved Jade Figure of Xipe-Totec
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Price On Request 

This carved jade or hardstone figure of Xipe-Totec measures 8.5 inches tall x 4.5 inches in width x 3.25 inches in depth.

It is in basically good condition, with the loss of the bottom portion of both legs. It also has some old repairs to its left hand and right arm at the shoulder. A few other interior cracks round out it's condition problems.

All things considered, it is in pretty good shape, coming from a culture that ritually killed it's pots and figures on a regular basis (along with numerous human slaves and prisoners).

Although it has some stylistic similarities with Olmec figures (except, not around the mouth), it is more likely to be from the later Mayan or Aztec culture.

It shows a figure wearing a second (flayed) skin, with hanging hands and stitch work up the backside to the head which would hold the flayed skin in place. The level of detail on the reverse stitchwork carving is remarkable and an indication of the importance of this piece.

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Xipe-Totec, the flayed god, originated in Teotihuacán culture and continued in importance into Aztec times. In Aztec mythology, Xipe Totec ("our lord the flayed one") was a life-death-rebirth deity, god of agriculture, the west, disease, spring, goldsmiths and the seasons. He supposedly flayed himself to give food to humanity, symbolic of the maize seed losing the outer layer of the seed before germination. He represented a fertility cult and was said to assist the earth in making her new skin each spring.

Annually, slaves were selected as sacrifices to Xipe Totec. These slaves were carefully flayed to produce a nearly whole skin which was then worn by the priests during the fertility rituals that followed the sacrifice. Some accounts indicate that a thigh bone from the sacrifice was defleshed and used by the priest to touch spectators in a fertility blessing.

Paintings and several clay figures have been found which illustrate the flaying method and the appearance of priests wearing flayed skins. Without his skin, Xipe-Totec was depicted as a golden god. The priests of Xipe-Totec impersonated him by wearing a gold-dyed human skin for twenty days, or until the skin rotted away. The priest would then emerge reborn. .


Pre Columbian Seated Pottery Figure with Jar

Catalogue: Antiques: Regional Art: Americas: Pre Columbian: Pottery: Pre 1492   item# 658263 (stock# PreCol-001)

Pre Columbian Seated Pottery Figure with Jar
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$1895.00 

This large seated pottery figure of a woman measures 11 1/2 inches tall by 7 1/4 inches wide by 7 1/4 inches in depth.

It is in very good condition with the exception of a old repaired break on the leg below the figure's right knee.

It still has remnants of old applied colors on the head band, loin cloth, nose ring, arm bands and jar. It also shows the effect of having been burned black in some areas. The mouth is in an unusual open position, as if singing or chanting.

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