This glazed ceramic or stoneware figure dates to the Meiji (1866-1912) in Japan.

It measures 7 1/4 inches tall by 5 1/4 inches in width and about 3 3/4 inches in depth at it's widest point.

It is in outstanding condition and has extremely vibrant colors. There is one extremely small circular spot of glaze loss which appears to be a kiln flaw on the sleeve.

This Japanese Satsuma pitcher or condiment jar measures about 6 inches tall by 4 inches in diameter at it's widest point.

It dates from the late 19th century ( Meiji Period) (circa 1850-1895).

It is in excellent condition with some minor losses to the gilding on the handle.

It is covered overall with a finely detailed series of patterns, which include a bird and dragon motif with fans.

Based on it's rounded and smoothed edges, it appears that this small vessel never originally had a permanent top or stopper.

This forest green glazed Kochi ware vase with handles measures 12 cm tall by 12 cm in diameter by 19 cm wide (handle to handle). It most likely dates to the beginning of the 20th century. The glaze pools dark green in the crevices.

There are NO marks or signatures on this vase.

It is in excellent condition. No chips, cracks, hairlines, repairs, etc. It does have a few very light surface scratches to the glaze. There are four round felt pads on the bottom of the vase (see enlargement photos).

The glaze is even and complete. Any white spots or lines are from the flash and are NOT on the vase itself.

Japanese Awaji ware was influenced by or copied after, Chinese Cochin ware: a 16th century pottery originally produced in Southern China or Vietnam. It consisted primarily of green glazed wares with low relief decoration* (*Ceramic Art of Japan, Seattle Art Museum, Page 164)(CAJ).

This Japanese 19th century blue and white Imari or Seto/ Sometsuke ceramic bowl measures about 5 3/4 inches (14.5 cm) in diameter and 1 3/4 inches (4 cm ) in depth.

This antique bowl is in outstanding condition.

It dates circa 1870-1900.

This antique Japanese bronze in the form of a wooden well bucket measures 6 inches (15.3 cm) tall by about 5 inches square (13.3 X 13.5 cm).

It was cast to simulate a wooden well bucket, including wood grain, knot holes and dovetailed joints.

It is unmarked except for a small square with illegible marks on the interior of the bottom.

This old bronze dates from about the late Edo to early Meiji period (to call it 19th century should about cover it, although it may actually be earlier!).

This 19th century Japanese carved ivory okimono measures approximately 9 inches tall by 2 1/2 inches in diameter at it's widest point.

It is intricately carved with fully delineated scales and teeth on the fish. The figure riding a fish is carved from one solid walrus tusk and it sits on a separate oval section as a base. The crystalline pattern that is so indicative of walrus ivory can be seen in many places on the carving, including Kinko's robe( interior front left) and the belly of the carp or koi.

It dates from the Meiji Period in Japan (circa 1870-1900).

It is in very good condition with some stabilized antique ivory fractures as are seen on many of these okimonos that are well over 100 years old.

Japan originally imported and adapted many Taoist and Buddhist teachings from China, which were then combined with native Shinto beliefs.

One Taoist figure incorporated into Japanese artwork was Kinko, a holy hermit. He is often depicted mounted on the enormous carp that carried him to the Undersea Kingdom. There, sea creatures taught him that all life is sacred.

This Meiji period JAPANESE KUTANI VASE measures 7 inches in diameter and 11 inches tall. We date this one circa 1880-1910.

It is in excellent condition overall with the raised gilding in outstanding condition.

This small stone figure of a standing Jizo Bosatsu (Buddha)with both hands holding the sacred jewel.

It dates to the Meiji Period: circa 1900.

It is in excellent condition with a softening of the lines and contours and very minor losses.

It's origin would be Sadogashima Island, off the coast of Japan, which is famous for its production of figurative stone Jizo.

It is carved from Sado granite from the island and known as Sado Jizo.

This Japanese painted bronze figure of Daikoku measures approximately 13.5 inches tall by 6 inches wide by 5 inches in depth.

It is a substantial bronze figure, weighing around 13+ pounds or about 6 kilos.

It is signed or marked on both the figure and the separate base of rice bales (see two of the enlargement pictures).

It dates from the late Meiji to Taisho Period (circa 1890-1912).

It is in excellent condition with most of it's original colored and patinated surfaces intact. An exception to this is the loss of a small triangular shaped piece which was apparently once attached at the figure's midsection (see photo enlargement of loss). This most likely was originally a separate attachment (see the drill hole?) in the shape of a small pouch (or treasure sack) which Daikoku traditionally carried.

Since the 17th century, Daikoku has been known as the Japanese god of wealth, the household and of farmers, although in earlier centuries he was considered a fierce protector deity (Mahakala).

In Japan, artwork of this deity usually shows him wearing a hood and standing on two bales of rice, carrying a sack of treasure and holding a magic mallet. Daikoku is often clad in robes, with a smile on his face.

In some traditions, Daikoku is also considered to be a provider of food, and images of him can still be found in monastery kitchens and in the kitchens of private homes. He is recognized by his wide face, smile, and a flat black hat.

He is often portrayed holding a golden mallet (called a Uchide Nokozuchi), also known as a magic money mallet, and is seen positioned on bales of rice, occasionally with mice nearby (mice signifying plentiful food).

Originally a Hindu deity called Mahakala, he was introduced to Japan in the ninth century, and merged with the Shinto deity of good harvests, Oo-kuninushi-no-Mikoto (or Okuninushi-no-Kami, translated as "Prince Plenty"). The lucky mallet in his right hand is called the uchide nokozuchi. This mallet is said to have magical properties that can produce anything desired when struck. Some stories say that coins fall out when he shakes his mallet. Others say that believers are granted their heart's desire by tapping a symbolic mallet on the ground three times and making a wish.

The symbol of the precious Buddhist Jewel, sometimes found on Daikoku's mallet or belt, represents the themes of wealth and unfolding possibility. It is said to give its holder the ability to see all things (like a crystal ball).