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Yoon Kwang Cho Punchong Vase, Artist of the Year

Catalogue: Artisan and Design: Ceramics: Pottery: Vases: Contemporary   item# 587971 (stock# 0095)

Yoon Kwang Cho Punchong Vase, Artist of the Year
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Korean Art and Antiques
917-675-1369


$2750 

Yoon Kwang Cho recently had an acclaimed solo exhibition that started at the Philadelphia Museum and traveled to other major museums in America. He is widely recognized as the world's foremost practitioner of Korean Punchong Art. This is an exemplary piece by one of Korea's most famous, most exhibited, and most collected ceramic artists. His work is in the permanent collections of many major museums around the world. He was just recently selected by Korea's National Museum of Contemporary Art as Artist of The Year. 8.5 inches (21.5cm)h x 4.5 inches (11cm)w x 3.5 inches (9cm)d.


Woo Jong Taek, Ink and Color on Paper Painting

Catalogue: Artists: Paintings: Contemporary   item# 949055 (stock# 0433)

Woo Jong Taek, Ink and Color on Paper Painting
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Korean Art and Antiques
917-675-1369


Price On Request 

Woo Jong Taek paints on both sides of the paper, just as Koryo Dynasty monks would do when painting Buddhist paintings hundreds of years ago. Ink and Color on Paper. Frame: 48.5 x 23.5 inches, 123.5 x 59.5 cm; Painting: 41 x 15 inches, 104 x 38 cm.


Woo Jong Taek, Large Painting, Ink and Acrylic on Paper

Catalogue: Artists: Paintings: Contemporary   item# 949047 (stock# 0432)

Woo Jong Taek, Large Painting, Ink and Acrylic on Paper
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Korean Art and Antiques
917-675-1369


Price On Request 

Woo Jong Taek paints on both sides of the paper, just as Koryo Dynasty monks would do when painting Buddhist paintings hundreds of years ago. Ink and Acrylic on Paper. 60 x 60 inches, 150 x 150 cm.


Chung Dong Soo Painting, The Ancient Land

Catalogue: Fine Art: Paintings: Watercolor: Pre 1990   item# 919052 (stock# 0407)

Chung Dong Soo Painting, The Ancient Land
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Korean Art and Antiques
917-675-1369


Price On Request 

The Ancient Land by Chung Dong Soo. In this painting, the Korean women are farming on top of what used to be a castle wall in Manchuria. The castle wall was built with dirt 2000 years ago by the ancient kingdom of Korea (Koguryo) when Manchuria was part of the Kingdom of Korea. There are many of these ancient earthen castle walls remaining in that part of ancient Korea. Chung Dong Soo is the recipient of many awards in China and Korea and has been exhibited in numerous galleries in both countries. His work is in the permanent collection of Korea's Suwon Art Center and is currently on view at the Museum of Korean Culture in New York. His paintings can best be classified and understood as the modern day expressions and interpretations of Koguryo paintings. Chung Dong Soo is a Chinese artist of Korean descent living in Manchuria, but the subjects of his ink paintings are clearly and purely Korean. His paintings show the life of Koreans living in Manchuria. Their lives, their faces, their expressions, their wishes and their agonies express their Koreanness. According to an official Chinese travel web site about Koreans living in Manchuria, there are about 2 million Koreans that live within the Yanbian Korean autonomous region in Manchuria. They speak and write in Korean and live as Koreans following Korean traditions and customs. What are these traditions and customs? According to Chinese official publications, “People from the Korean ethic group are famous for their expertise at singing and dancing.” No wonder Korean movies, dramas, songs, singers and actors are always at the top of the charts in China. Chung Dong Soo's paintings express the resilience of the people whose country has been usurped under their feet. They express the vigor that was once the national expression of Koguryo that ruled much of East Asia. At the same time, there are subtle senses of sadness that evoke the feeling of a lost nation that resonates in much of his paintings. Ink and colors on paper mounted on silk. 26.75 x 17.75 inches, 68 x 45 cm.


Chung Dong Soo Painting, The Way of Returning

Catalogue: Fine Art: Paintings: Watercolor: Pre 1990   item# 919051 (stock# 0406)

Chung Dong Soo Painting, The Way of Returning
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Korean Art and Antiques
917-675-1369


Price On Request 

The Way of Returning by Chung Dong Soo. He expresses here his longing, and the longing of his community of displaced Koreans in Manchuria, for a return to the Korean homeland. Chung Dong Soo is the recipient of many awards in China and Korea and has been exhibited in numerous galleries in both countries. His work is in the permanent collection of Korea's Suwon Art Center and is currently on view at the Museum of Korean Culture in New York. His paintings can best be classified and understood as the modern day expressions and interpretations of Koguryo paintings. Chung Dong Soo is a Chinese artist of Korean descent living in Manchuria, but the subjects of his ink paintings are clearly and purely Korean. His paintings show the life of Koreans living in Manchuria. Their lives, their faces, their expressions, their wishes and their agonies express their Koreanness. According to an official Chinese travel web site about Koreans living in Manchuria, there are about 2 million Koreans that live within the Yanbian Korean autonomous region in Manchuria. They speak and write in Korean and live as Koreans following Korean traditions and customs. What are these traditions and customs? According to Chinese official publications, “People from the Korean ethic group are famous for their expertise at singing and dancing.” No wonder Korean movies, dramas, songs, singers and actors are always at the top of the charts in China. Chung Dong Soo's paintings express the resilience of the people whose country has been usurped under their feet. They express the vigor that was once the national expression of Koguryo that ruled much of East Asia. At the same time, there are subtle senses of sadness that evoke the feeling of a lost nation that resonates in much of his paintings. Ink and colors on paper mounted on silk. 26.75 x 53 inches, 68 x 135 cm.


Large Framed Painted Photograph by Kim Myung Mi

Catalogue: Artisan and Design: Photographs: Contemporary   item# 854681 (stock# 0326)

Large Framed Painted Photograph by Kim Myung Mi
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Korean Art and Antiques
917-675-1369


Price On Request 

1.5 meters x 1 meter, 59 x 39 inches. Kim Myung Mi is the recent recipient of Korea's Kukmin Ilbo Photographer of the Year Award. She is the protege of Korea's most famous photographer, Choi Se Hyun.


Large Framed Painted Photograph by Kim Myung Mi

Catalogue: Artisan and Design: Photographs: Contemporary   item# 854678 (stock# 0325)

Large Framed Painted Photograph by Kim Myung Mi
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Korean Art and Antiques
917-675-1369


Price On Request 

1.5 meters x 1 meter, 59 x 39 inches. Kim Myung Mi is the recent recipient of Korea's Kukmin Ilbo Photographer of the Year Award. She is the protege of Korea's most famous photographer, Choi Se Hyun.


Large Framed Painted Photograph by Kim Myung Mi

Catalogue: Artisan and Design: Photographs: Contemporary   item# 854675 (stock# 0324)

Large Framed Painted Photograph by Kim Myung Mi
 click for details

Korean Art and Antiques
917-675-1369


Price On Request 

1.5 meters x 1 meter, 59 x 39 inches. Kim Myung Mi is the recent recipient of Korea's Kukmin Ilbo Photographer of the Year Award. She is the protege of Korea's most famous photographer, Choi Se Hyun.


Large Framed Painted Photograph by Kim Myung Mi

Catalogue: Artisan and Design: Photographs: Contemporary   item# 854656 (stock# 0323)

Large Framed Painted Photograph by Kim Myung Mi
 click for details

Korean Art and Antiques
917-675-1369


Price On Request 

1.5 meters x 1 meter, 59 x 39 inches. Kim Myung Mi is the recent recipient of Korea's Kukmin Ilbo Photographer of the Year Award. She is the protege of Korea's most famous photographer, Choi Se Hyun.


Large Framed Painted Photograph by Kim Myung Mi

Catalogue: Artisan and Design: Photographs: Contemporary   item# 854655 (stock# 0322)

Large Framed Painted Photograph by Kim Myung Mi
 click for details

Korean Art and Antiques
917-675-1369


Price On Request 

1.5 meters x 1 meter, 59 x 39 inches. Kim Myung Mi is the recent recipient of Korea's Kukmin Ilbo Photographer of the Year Award. She is the protege of Korea's most famous photographer, Choi Se Hyun.


Large Framed Painted Photograph by Kim Myung Mi

Catalogue: Artisan and Design: Photographs: Contemporary   item# 854646 (stock# 0321)

Large Framed Painted Photograph by Kim Myung Mi
 click for details

Korean Art and Antiques
917-675-1369


Price On Request 

1.5 meters x 1 meter, 59 x 39 inches. Kim Myung Mi is the recent recipient of Korea's Kukmin Ilbo Photographer of the Year Award. She is the protege of Korea's most famous photographer, Choi Se Hyun.


Large Framed Painted Photograph by Kim Myung Mi

Catalogue: Artisan and Design: Photographs: Contemporary   item# 854644 (stock# 0320)

Large Framed Painted Photograph by Kim Myung Mi
 click for details

Korean Art and Antiques
917-675-1369


Price On Request 

1.4 meters x 1 meter, 55 x 39 inches. Kim Myung Mi is the recent recipient of Korea's Kukmin Ilbo Photographer of the Year Award. She is the protege of Korea's most famous photographer, Choi Se Hyun.


Large Framed Painted Photograph by Kim Myung Mi

Catalogue: Artisan and Design: Photographs: Contemporary   item# 854641 (stock# 0319)

Large Framed Painted Photograph by Kim Myung Mi
 click for details

Korean Art and Antiques
917-675-1369


Price On Request 

1.4 meters x 1 meter, 55 x 39 inches. Kim Myung Mi is the recent recipient of Korea's Kukmin Ilbo Photographer of the Year Award. She is the protege of Korea's most famous photographer, Choi Se Hyun.


Lee Sung O, Sunrise And Sunset

Catalogue: Fine Art: Mixed Media: Two Dimensional: Contemporary   item# 828543 (stock# 0258)

Lee Sung O, Sunrise And Sunset
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Korean Art and Antiques
917-675-1369


Price On Request 

72 x 36.25 inches, 183 x 92 cm. Winner of the Seoul Arts Center Young Artist Prize, Lee Sung O's innovative paper assemblage, Sunrise And Sunset. It is said of Lee Sung O that he is an old spirit with a young mind. While so many young Korean artists are looking to the West for guidance, Lee Sung O has found inspiration in the soulful symbolism of traditional Korean folk art. His work is a most inventive and unrestrained interpretation, true to the defiant spirit of Korean folk art and its long history of preserving the people’s traditions while being heretical regarding official dogma. He has created an entirely new technique of gluing stacks of colored paper together, soaking, drying, and cutting the stacks into strips, and then assembling them so that only the edge of the paper is visible, creating exciting works of great textural density that are composed entirely of the paper’s edge. His work uses an everyday material to make us look at objects (and the world) from a different viewpoint and in an entirely new way, reminding us that innovation and beauty shouldn’t be forced or contrived and needn’t be sought in unknown regions, but can be rooted in tradition and found naturally.


Lee Sung O, Facing The Truth

Catalogue: Fine Art: Mixed Media: Two Dimensional: Contemporary   item# 828541 (stock# 0257)

Lee Sung O, Facing The Truth
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Korean Art and Antiques
917-675-1369


Price On Request 

36 x 28.75 inches, 91 x 73 cm. Winner of the Seoul Arts Center Young Artist Prize, Lee Sung O's innovative paper assemblage, Facing The Truth. It is said of Lee Sung O that he is an old spirit with a young mind. While so many young Korean artists are looking to the West for guidance, Lee Sung O has found inspiration in the soulful symbolism of traditional Korean folk art. His work is a most inventive and unrestrained interpretation, true to the defiant spirit of Korean folk art and its long history of preserving the people’s traditions while being heretical regarding official dogma. He has created an entirely new technique of gluing stacks of colored paper together, soaking, drying, and cutting the stacks into strips, and then assembling them so that only the edge of the paper is visible, creating exciting works of great textural density that are composed entirely of the paper’s edge. His work uses an everyday material to make us look at objects (and the world) from a different viewpoint and in an entirely new way, reminding us that innovation and beauty shouldn’t be forced or contrived and needn’t be sought in unknown regions, but can be rooted in tradition and found naturally.

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