English School (ca. 1850-1870)
Two Antique English miniature watercolors with printed borders.
Frame size: 7.5" x 8.5"
18th Century Gouache and Watercolor painting, on wove paper, by Louis Gabriel Moreau (1739/40-1805/06) Paris, France, unsigned, noted or signed on verso card, "Louis Moreau L'Aine." Highly detailed and skilful painting showing figures among ruins, mountains, lakes and boulders. It is not clear what the figures are engaged in, although we venture a guess that one is fishing and the others are observing the ruins...
Nice quality watercolor on paper, late 18 or early 19 century representing a scene with various musicians playing music dressed in a very noble outfits. The painting is signed on the lower left corner but it is impossible to read the Artist name. Probably from Greece or from Turkey. Good condition.
Pair, original 18th Century Watercolor miniatures (or wash drawings) by Louis-Felix De La Rue (1720/31-1765/77) France, unsigned, although artist noted (or signed) on verso. The scenes likely depict Venus at her bath, with her attendant putti. Each watercolor on laid paper measures about 5.75" x 4".
Both paintings have been professionally restored so that all foxing was removed, and further deterioration has been expertly arrested...
Circa 1830. Original watercolor from the artist Seisei Shugetsu's sketchbook of a mythical unicorn type animal. Bears label to verso from Brentano's Galerie Moderne with artist's name, date, and the title "Mythical Animal" In very good condition with just some light foxing, it measures sight size: 7" high by 9.75" wide, framed size 15.5" x 20.75".
Pair of Italianate Gouaches of Figures and Architectural Ruins, on paper with arched tops. Probably French, 18th/19th Century. (foxing)
n.b. These may be 18th Century wallpaper panels.
Frame: 32" x 13.25"
In original frame, 20.5" x 25", inscribed to the memory of Susannah Osborn, Susannah Southwick and Ebenezar Southwick, (apparently from Peabody, Massachusetts.)
Undoubtedly the most popular disciple of Buddha for artistic portrayal was the Japanese monk Daruma, most likely because his extreme devotion lent itself easily to ludicrous interpretation. Here, however, is a more eerie aspect of the legend: the reappearance of the aesthete some years after his death when he was seen in the western mountains of China, to whom he had introduced Zen Buddhism, traveling towards India, barefoot with one sandal in his right hand...
East Horsley, Surrey, The House of William Currie, Esq.
Broom House Near Dorking, Surrey
John Hassell (English, 1767-1825)
Pair of watercolors on paper, the latter signed and dated: “1822”.
Image size: 6” x 8”
Frame size: 13.5” x 15”
John Hassell was an engraver and drawing master as well as a prolific author...
Watercolor on paper, 24" x 38", view of Subiaco (Italy)--unsigned
Ramsay Richard Reinagle,1775-1862, British, Returning Home, a shepherd ad his flock, watercolor on paper, signed and dated 1807, L.L. image size 20X27 inches, period gilt frame
This is a very nicely done signed watercolor by artist M.S. Parker, 1842, in an oval frame (see photos). M.S. Parker was an active artist in Philadelphia from 1835-1846. In January, 1939 an antiques magazine published this image. Condition is good; frame has some wear/tear (age-related) and there are 3 water spots above and to the left of the head of the sitter. Dimensions: height 13.75" by width 11.5"
10" x 7.5" original giltwood frame, note label. Signed clearly but I can't quite decipher it--the date is clear 1834. Watercolor on paper.
After Raphael’s “The Hours,” attributed to
Michelangelo Maestri (1779-1812), Italy.
Image 17.5” x 12.5”; Frame 27.5” x 22.5”.
ELC does not provide shipping for this item, but we will be happy to assist buyer in securing a shipper.
Provenance: Estate of Quinton & Cora Lee
Little, Ardmore, OK, oil family. From noted
New York Antique Dealer, Edward Garratt,
via celebrated Interior Designer, Mario Buatta
in the 1950s.
A finely done silhouette of a gentleman, in its original frame and convex glass. Most silhouettes are hollowcut or cut and paste, with the painted examples, as this one is, being much rarer. The artist, using watercolor and pen and ink, showed his skill with his beautiful rendering and interesting attention to embellishments along the skull line, neck, etc.
The painting and frame are in excellent condition, with no tears, folds, restoration...
Circa 1798-1818, an exceptional watercolor by J. W. Williams of Scarborough’s South Bay. In the background on the tall cliffs are the remaining ruins of ancient Scarborough Castle. A lighthouse unrecorded prior to 1806 is in the foreground. In excellent condition, any perceived imperfections are from camera reflections on the glass. Two of Williams’ watercolors were accepted for the Royal Academy Exhibition of 1808. Sight size: 6.5” x 10.5” (Framed: 14” x 20”)...
French J. Dodd House in a Park watercolour landscape painting 1837. This wonderful landscape watercolor depicts a large estate with horse, people, cows, horses, haystacks and a church in the distance. This watercolour was painted by J Dodd of Paris in 1837. Dodd exhibited from 1832 through 1839. The original birdseye maple frame measures 20 and one half inches by 15 and one quarter inches and the watercolor measures 12 and one half by 18 inches. Very good to excellent condition...
Watercolor on velvet, with eglomise mat and what appears to be the original gilt frame 27.5" x 32"--Depicting Pharaoh's daughter and the baby Moses.
Provenance: The Edith Halpert Collection--Sotheby's1973. Exhibited : The Jewish Museum, NYC--"Biblical Themes." 1954-55. Sotheby's June Americana sale 1999.