Ten creamware dinner plates, transfer printed in puce with a cottage, a farmboy and cattle within a lace border, the outer rim with hand painted vine leaves, also in puce (one vine wreath partly in orange). From Herculaneum in Liverpool c 1810, all with the impressed mark of the pottery as a straight line, in the style of Wedgwood, the name of the pottery also competing with Wedgwood’s Etruria. Diameter "10 / 25.5 cm. Condition: all fine except for a hairline to one of the plates.

Yellow Shell, part tea service: a slop bowl and a dish, three cups and two saucers. This very popular folk art or naïve style pattern was produced in more than one Staffordshire kiln in the early 19th century, among them Ridgway & Sons and Machin. The pattern number used by Machin was 208, a number that can be seen on the back of the slop bowl. The diameter of the slop bowl is "6/ 15,5 cm and of the saucers appr. "5½ - 5¾ / 14,5 / 13,5 - 14.5 cm. Condition: minor star crack to the dish (cf...

A wonderful example of a creamware dish made by Sewell and Donkin of Newcastle (St. Anthony's until 1819). The painted central scene shows a dying patient receiving his unction above the motto "T Oliesel" (Last Rites), and is surrounded with a colorful floral border. The reverse of the dish has the partial impressed manufacturer's name.

The condition of this 10" diameter piece is excellent, with good color, no cracks, chips, or restoration...

Three plates with orange ground lip, transfer border on the edge of the well and the center hand painted with different complex bouquets of wild flowers. All have the Royal Worcester mark on the bottom with the date of 1877 below. Also, the number 9522/A (?) is written in overglaze enamel. The plates are 9 inches (23 cm) diameter.

Condition: no chips, cracks, hairlines or repairs. Some gilding wear on the edges and minor scratches.

A stoneware dinner plate with a shaped edge transfer printed in light blue with an elaborate floral border on the lip and an equally elaborate alpine view with flowers and chalet in the well. On the back a floral cartouche with the title, “Genevese” in the center and “Opaque China” on the lower edge with a script capital “A.” This pattern was made by Minton with the letter “M,” this plate was probably made by them with a different letter. English circa 1830...

A very well molded pitcher with floral decoration on each side, molded foot, lip and handle. Across the front of the pitcher and on either side of the neck are hand painted flowers, very much in the Adam’s Rose” style. This form of molded pitcher closely resembles those in porcelain of J. and R. Riley of Burslem. The body is very white, but isn’t porcelain. 8 3/8 inches (21.5 cm) to the top of the handle and approx. 6 ½ inches (16.5 cm) across the handle...

A group of three Staffordshire plates. The first a small (6 ½ inch diameter) pearlware plate with good handpainted roses and a solid colored border with lines and dots. The second plate (8 3/8 inches diameter) also pearlware handpainted with a border of small roses, leaves and ovals over two lines. The third a ceramic plate with a shaped edge (10 1/8 inches diameter) with a very bold free hand painted single Adam’s rose dominating most of the area. All are unmarked...

A Creamware Basket and Stand Of oval form, the rim pierced with diamonds and hearts. Scrolling pierced shell shaped handles. Probably Shorthouse L18thC. Length of stand 10 1/2″ (26.6 cm). Condition; very good, small glaze bruise to rim of basket. Some firing speckling to underside of stand.

Circa 1830, historical dark blue Staffordshire teapot with a different scene on each side. One side shows 3 men chopping down a tree with a house in the background. The opposing side depicts a train engine pulling a coach. This teapot was produced by Enoch Wood & Sons (1818 - 1846) of Staffordshire. The deep blue color is remarkable as well as its excellent condition. Measures 10.5ʺ wide, 5ʺ deep, 7ʺ high.

A blue transfer printed “Stone China” or ironstone dinner plate by John and William Ridgway, marked on the back with the pattern and ‘J. W. R.” 10 ¼ inches (26 cm) diameter. Gadroon edge and good clear printing in dark blue. Circa 1820.

Condition: No cracks or hairlines. Two chips to the foot ring and a minute flake to the glaze on the rim and one at the edge of the well. Very minor knife scratches.

Very rare, circa 1888, English tapestry ware biscuit jar with hand painted scenes of a pair of quail and a pair of herons in their appropriate settings. The surface is very clean and feels smooth to the touch. Marked on bottom is the Taylor,Tunnicliffe & Co. of Hanley with the rare Kings Crown logo which was registered in 1886. In excellent condition, no chips, cracks or repairs, it measures 6" high With handle down x 5.5 diameter...

A 12 ¼ inch (31 cm) diameter blue and white delft charger made at Lambeth, London toward the end of the 18th century. The “Chinese garden” is well executed as is the border on the lip. A plate with the same decoration is at the Victoria and Albert Museum in London.

Condition: chips around the edge and a few places on the lip where the glaze has flaked off.

An English stoneware plate, salt-glazed and enameled in rust-red, blue and green, c 1800 or somewhat earlier. Diameter "9½/ 24 cm. Condition: a small glaze-burst to rim, otherwise fine.

A pair of blue and white plates, transfer printed with the temple of Serapis in Pozzuoli – also to be seen in the well in writing. One in a series of Italian and Sicilian Views produced by the Don Pottery in Swinton, Yorkshire, c 1820. Unmarked. Diameter "10 / 25.5 cm. Condition: hairline and rim chip to one plate (cf. pics).

Black basalt milk jug with an elegant leaf handle. Engine turned in a bamboo-like pattern. England, Wedgwood style, c 1800-1820. Height "4 ½ / 11.5 cm. Condition: hairline near the base of the handle (cf. pic).

This Victorian copper luster pitcher practically dances with joy for the colorful flowers strung around the blue band of its bulbous form. Beading borders the blue and rim of the pitcher. Equally exciting is the mythical figure on the beaker spout. Condition is excellent and still retains luminous shine even after 170 years of life.

6 1/2" h

This fine Staffordshire copper luster pitcher is decorated with a blue band of enamel, creating a very clean, simple design, accented with beading around the border and rim of the pitcher. The fancy serpentine and strap handles give it grace. The warmth of the copper makes it an attractive accessory to a bookshelf or cabinet.

5 1/2" h

An English creamware mug probably either Yorkshire or Staffordshire elaborately decorated with a brown body on which is painted in green black and yellow a very stylized house with fences and trees all within a yellow band at the foot and the lip. The squared off handle is also yellow. The shape of the handle leads to the fairly late date. 4 ¾ inches (12 cm) tall and 5 5/8 inches across the handle (14.2 cm).

Condition: no cracks, hairlines or repairs...