Lenox Porcelain Bread Plate, Ca. 1910, 5 1/4" diameter, 1/2" high, with wide etched brilliant gold and cobalt blue rim, green mark "Lenox" "The Bailey Banks & Biddle Co. Philadelphia" on the bottom. The condition is good.

Four(4) Lenox Porcelain Bread and Butter Plates, Ca. 1910, 5 1/4" diameter, 3/8" high, etched brilliant gold and Cobalt Blue rim, green mark "Lenox" "Bailey Banks & Biddle Co. Philadelphia" on the bottom. The condition is good.

Two(2) Lenox Porcelain Saucers, Cobalt Blue and Gold rim, Ca. 1910, with Green "Lenox" mark and "Bailey Bankers & Biddle Co. Philadelphia" in green, 4 1/4" diameter, 1/2" high, with etched brilliant Gold rim and Cobalt Blue inner rim. The condition is good.

A Dutch Delft blue and white wall tile hand painted with a rabbit seated and eating. The animal is surrounded by a circle of a wavy line with dots in the wave troughs. Flowers fill the corners. It is 5 1/8 inches (13 cm) square about ½ inch (1.2 cm) tall. The red clay sides are beveled so that the back is slightly smaller than the front...

A Dutch Delft hand painted wall tile depicting a rabbit pushing off on its hind legs in motion to the left with its ears and tail high. The animal is surrounded by a circle of a wavy line with dots in the wave troughs. Flowers fill the corners. It is 5 1/8 inches (13 cm) square about ½ inch (1.2 cm) tall. The red clay sides are beveled so that the back is slightly smaller than the front...

A hand painted blue and white tile of a wolf, at least that is what it looks like though the head is a little odd, in profile running to the left. The animal is surrounded by a circle of a wavy line with dots in the wave troughs. Flowers fill the corners. It is 5 1/8 inches (13 cm) square about ½ inch (1.2 cm) tall. The red clay sides are beveled so that the back is slightly smaller than the front...

A blue and white hand painted wall tile of a dog rising up on its hind legs. The animal is surrounded by a circle of a wavy line with dots in the wave troughs and flowers in the corners. It is 5 1/8 inches (13 cm) square about ½ inch (1.2 cm) tall. The red clay sides are beveled so that the back is slightly smaller than the front...

Eight dinner plates transfer printed in blue with the Wild Rose border and Nuneham Courtenay pattern, early to mid-19th century. The park at Nuneham House near the Thames was designed by Capability Brown. Many early Victorian potteries produced this pattern and the backstamps reveal a palette of potteries: four plates by Samuel Moore & Co in Tyne & Wear, impressed flowerhead mark for Swansea in Wales, impressed and underglaze blue mark of Bell Cook & Co, Phoenix pottery in Newcastle...

Gorgeous Qing Dynasty Chinese export porcelain vase with Rose Medallion enameled decoration. The body has a beautiful white color and intricate painted decoration of peonies, quince fruit, waterlilies, butterflies and birds. The foot, rim and shoulder are decorated with enameled flowers against a gilt background...

Punch bowl, a mid 19th century copy of the Chinese bowls made for the European market a hundred years earlier. The exterior dark blue and gilt with birds and vases in Famille Rose enamels in reserves, the interior with scattered flowers. Unmarked but most certainly made by Samson of Paris c 1880. Many of Samson’s Chinese Export models derive from a large collection of Chinese porcelain held by French industrialist Ernest Grandidier now to be seen in the Musée Guimet...

A pair of oval dishes with godrooned borders, soft paste / pâte tendre, creamy white with decoration of flowers in underglaze blue. Made c 1780 in Tournai, then France and now Belgium. Ronda was the most popular Tournai pattern, produced all through the 19th century till 1891 when the manufactory closed down. Width "10 ½ / 26.5 cm. Condition: firing crack and two little nicks to underside of rim of one dish (cf. pics).

Alt Wien / Old Vienna dish or plate – originally a stand for a vase or small tureen – with sparse decoration of stylized little tulips within a dark red border. The modern-looking design is a deceiver: the shape of the Royal Vienna Porcelain factory underglaze blue shield mark on the base shows a production date in the Empire period around 1800. Diameter "9 ½ / 24 cm. Condition: two small spots of glaze wear to the center, from the foot rim of vase or tureen.

A feather or shell edge plate beautifully enameled with scattered flowers in typical Rococo style. Late 18th century, made at the Royal Vienna Porcelain factory. Underglaze blue shield mark and painters mark in puce plus an impressed N, probably for Joseph Niedermeyer who was chief modeller 1747-1784. Diameter "9 ¾ / 24.5 cm. Condition: fine.

Small vase, an early piece from the Reissner & Kessel manufactory in Turn-Teplitz in present Czechia. The exterior unglazed with carved and enameled decoration of scrollwork and flowers, the interior white-glazed. Impressed crown mark for 1892 – 1910 to the base, Amphora, Austria, model numbers and more. Near the base the exterior has got another mark, partly illegible and possibly the name of the designer (T Goto (?) cf. pics). Height "5 ½ / 14 cm. Condition: fine.

Pearlware cup and saucer decorated with a silver resist (platinum) border of vines within thin red lines. As a cheaper alternative to luxury silver services and to avoid tarnishing, platinum on porcelain was used in the early 19th century. Silver resist or silver lustre wares were produced mainly in Staffordshire, before silver-plated metals took over the market. This cup and saucer was made around 1820 and is unmarked. Diameter of saucer "5 ½ / 14 cm and of cup "3 ¼ / 8 cm...

An XXL Ming Dynasty pottery figure of a male attendant!

A superb quality and very large pottery figure, dating to the Ming Dynasty, 1368-1644 AD.

He is placed on a rectangular podium and wears a fine robe in matching blue and turquoise glazes.

The unglazed areas have pigmented colors in red, black and white. Finely painted facial details.

The head is attachable as often seen on the largest figures from this period...

A “Salopian” pearlware coffee service: nine cups and saucers, coffee pot, cream jug and slop bowl. Transfer printed decoration and underglaze painting in yellow, light red, blue and green of flower borders and a romantic view of a farm house with cows, meadows and wanderers. The cups of generous bute shape with "London” handles, and inside each cup a very small cottage is to be admired. There is a blueish tone to the white glaze. The service, unmarked, was made in Staffordshire around 1810...

Large lustre-glazed faience or majolica dish by Alfredo Santarelli in Gualdo Tadino, Deruta, Italy. Santarelli (1874-1957) took his inspiration from near-by Urbino, the birth-place of the most exquisite 16th century Renaissance maiolica. Mixing this with Hispano-Moresque lustre glaze effects he created his highly decorative Neo-Renaissance / Istoriato pieces. Early monogrammed AS signature, c 1910. Diameter "12 ¼ / 31.5 cm, height "1 3/4 / 4.5 cm. Condition: fine