Hand painted with flowers and delicate tendrils on a matt finish by Mount Washington, this lovely mushroom shaped holder was designed to be used as a sugar shaker or flower holder (Ref: "Mount Washington Art Glass" by Betty B. Sisk, 2003). The background has a pale pink blush on the top and again at the base which fades into a slightly off white background. A versatile piece, it could also be used as a hat or hairpin holder...

An elegant and beautiful English ratafia DSOT (double series opaque twist) glass. Ratafia glasses are quite uncommon, and this is a particularly fine example. The elongated conical bowl is has molded flutes in the lower three quarters and leads into a stem with a 14-ply spiral band outside of a pair of spiral tapes.

This glass is in perfect condition with no chips, cracks, or restoration...

A large goblet by Pairpoint engraved in the “Waterford” pattern. The goblet shape is shown as “Unknown 72.” The 6 ½ inch tall goblet is colorless with a cobalt blue stem.

A superb and beautiful Zwischengold wine glass with a slightly flared conical bowl with a solid base. The bowl sits atop a stem with a shoulder merise over a cushion knop, below which is an inverted baluster section above a basal knop. The bowl has a gold and red medallion pressed within 2 layers of glass...

This is a sparkling 19th Century American Brilliant period cut glass bowl in an intricate sixteen point hobstar motif with skillfully executed deep miter cuts. Condition: several very tiny chips on the rim edge; barely noticeable. Measurement: 4" high x 8" diam.

You would be forgiven if you thought that this vase was made by Tiffany since its maker, Alton Manufacturing, hired away several Tiffany glass makers to start its production of competing wares in 1907, the only year the company produced glass.

This example of the Trevaise branding, analagous to favrile, has a flaring bulbous form with mauve ground and freely flowing and lingering tendrils with leaves attached, punctuated with white flowering blossoms...

A beautiful cordial glass with an ogee bowl engraved with stylized flowers and foliage; rare helmet (high dome) foot; DSOT stem; 6.7" tall

This is an intensely iridescent, glass shade, made by Loetz around 1903. As were typical of Loetz products, the shade is unsigned, but it is guaranteed to have been made by Loetz. This shade-shape is shown on page 342 in the catalog of cut-out paper patterns of Ricke, Ploil & Mergl's book, 'Loetz - Bohemian Glass 1880-1940'. The Form/Shape of the shade is: 1090/65...

Offered is this beautiful lamp with an iridescent glass shade and a metal base, that in all likelihood, was made by Loetz. Overall, the lamp is 22 1/2 inches (57 cm) tall, while the shade is 11 1/2 inches (29 cm) wide. Except for a few rim-chips that are typical of these old lamp shades (hidden while the shade is in place - the largest one shown in picture), the glass is in good condition...

This is a wonderful early glass sugar bowl, in a deep cobalt blue color, from Scotland or Northern England. It is delightfully gilded with the saying "Be Canny with the Sugar". The rim is also gilded.

The bowl is on a stem with two flattened knops, above a folded foot with a rough, snapped pontil. It stands 4 1/8" tall and is 4 5/8" in diameter. The condition is excellent, with no chips or restoration...

Offered is this rare cranberry-glass pillow vase, hand-decorated with a marsh scenery, made by Moser around 1900. The vase is 7 1/2 inches (19 cm) long, 6 1/2 inches (16,5 cm) high and 3 1/2 inches (9 cm) wide. In good condition (expected, age-appropriate wear to gold and a small rim flea-bite - see last picture). Unsigned, but guaranteed to have been made by Moser - the scalloped feet are a hallmark of Moser pillow vases (for reference: see Baldwin's book on the Klabin Moser glass collection).

Offered is this beautiful, French glass vase, made by Legras around 1910. The vase is 8 1/4 inches (21 cm) tall and 7 3/4 inches (19,5 cm) wide. It is in excellent condition. Polished pontil.

Offered is this beautiful, aquatic-themed, crackle-glass ewer, made most likely by Bohemian master, Moser, around 1910. The ewer is 7 inches (18 cm) high and 6 inches (15 cm) wide (to handle-tip). It is in good condition. Unsigned, as expected (for similar Moser crackle-glass, aquatic-themed objects, please refer to page 96 of Gary Baldwin's book, 'Moser artistic Glass - edition two').

A beautiful hyacinth bulb vase by the Boston & Sandwich Glass Company, decorated in opaque overlay cut to clear in in a panel and trailing vine design. The top is enhanced with a cobalt blue lip and the bottom is slightly footed and star-cut. The overall form is very elegant. The shape was blown in the company's #123 mold and the cutting is identical to known labeled pieces...

A beautiful, tall, hand-painted, Bohemian glass pokal, made probably by Fritz Heckert or Theresienthal around 1900. The pokal is 18 inches (46 cm) tall and 6 1/2 inches (16,5 cm) wide. Except for a couple of negligible flea-bites (one on lid-bottom and another on rim-top - hidden when lid is in place, see last picture), typical of old glass items where two glass surfaces rub against each other, the pokal is in fine condition...

Although not marked, this art glass piece bears the styling and quality of Victorian pieces made by the Stevens and Williams Ltd of England and in the 1870s under the direction of John Northwood (son Harry Northwood was a glass maker in America). The body is an oval pill-shaped translucent light turquoise glass with an open oval top that is bordered with a scalloped ribbon crest. At each narrow end is a small applique of amber glass. The piece is also supported with four pinched amber glass feet...

An elegant and finely proportioned antique English toasting wine glass with a drawn flared trumpet bowl atop a plain stem and conical foot. Lead metal with a rough snapped pontil. A beautiful and graceful glass, and quite uncommon in lead.

7 1/4 inches tall, 2 3/4 inch bowl diameter, 2 7/8 inch foot diameter. No condition issues.

Very unusual glass paperweight from the New England Glass Company. The weight is worked in a patriotic theme with shards of red, white and blue opaque glass rods making up the scrambled design--possibly in celebration of America's centennial in 1876. The center of the setup is punctuated with a large icepick bubble--a technique I have never seen used in an American scrambled weight...