An American Coin Silver Mug (Christening Mug or Childs Cup) of an Octagonal Form, by Francis W. Cooper of New York, circa 1850. Dimensions; 3.5" h x 2.75" d; weight 3 ounces. Some slight base compression, but in very fine condition overall.

George V sterling silver picture frame. Made by Docker & Burn Ltd in Birmingham in 1923. Rectangular window in flat cutout curvilinear shaped surround. A simplified postwar Edwardian design. With glass, silk lining, and wood back and hinged easel support. Very good condition. Wear and warping to wood.

Dimensions: Frame: H 10 1/2 x W 8 1/2 in. Window: H 8 x W 6 in. #BY909

An American Federal Period Coin Silver Creamer by John McMullin of Philadelphia. Gadrooning on both the top and the midsection. Elegant handle. Circa 1800. Dimensions; 6" high x 5" long x 2.5" deep; weight, 6 Troy ounces. Excellent condition.

Edwardian glass rouge pot with sterling silver cover. Made by William Neale in Chester in 1901. Pot clear and round with straight and faceted sides. Cover flat with inlaid ribbon-bedecked oil lamp, and sterling silver sides. Fully marked. Very good condition.

Dimensions: H 1 3/8 x D1 1/2 in. #AY667

Fine George II Silver Tea Caddy, by Samuel Taylor, having a reverse pear-form body embossed with floral garlands centering a blank cartouche on each side, removable lid with shell-form finial. Marked on underside of base.

Samuel was the son of Thomas Taylor and started his apprenticeship with John Newton in 1737. His first marks was entered in 1744...

Silver and brass very large Catholic votive item with decorative silver heart, three cherubs, and a flame. And, in applied brass(or other gold metal) there is a cross atop a crown with the initials "RCR". Quite large, it measures 7 1/2" long by 5 1/4" wide. This was placed in Catholic churches when asking for assistance......$12 for insured USA shipping plus applicable NY tax.

A Coin Silver Fish Slice or Knife by Albert Coles of New York, Prominent NY City Silversmith who worked from 1836-1880 (died in 1886). A Faint Script Monogram is on the Handle. Dimensions; 9" length x 1.5" width; 4.6 Troy ounces. Circa 1840-1850. Excellent condition.

A phenomenal Victorian sterling silver soup ladle in Whiting’s “No. 26” pattern. The top of the handle features incredibly detailed peony foliage. The twist stem leads to the fluted and scalloped bowl. At the junction of the bowl and stem, a full-blown peony blossom is delicately engraved into the silver. The bowl is parcel gilt. “No. 26” is an extremely rare pattern. It is always very finely made and exceptionally heavy, even by Whiting’s standards...

Romantic Edwardian Art Nouveau sterling silver frame. Made by Tiffany & Co. in New York. Heart-shaped window in same and curved surround flowing into bracket feet. Acid-etched leafing scrollwork and flowers. At top shaped cartouche vacant for engraving a lovey-dovey message. With glass, silk lining, and velvet back and hinged easel support for portrait (vertical) display. Fully marked including maker’s stamp, pattern no. 14282, and director’s letter C (1902-7)...

Large turn-of-the-century German 800 silver figural spice box. A bird grips a gnarly branch with scaly talons. Sweet and downy with tucked-down wings. Head detachable. Marked. Very good condition.

Dimensions: H 12 3/4 x L 8 1/2 x W 7 in. Weight: 27 troy ounces. #BW899

English Georgian sterling silver salver, 1926. Retailed by Tiffany & Co. in England. Round with molded serpentine rim. Four scroll-mounted hoof supports. Fully marked including maker’s stamp (Thomas Bradbury & Sons Ltd) and London assay stamp as well as retailer’s stamp (“Tiffany & Co / England”). Very good condition.

Large dimensions: H 1 5/8 x D 16 3/8 in. Heavy weight: 64 troy ounces. #BY289

A Superb Pair of Sterling Silver Candlesticks by Jenkins & Jenkins of Baltimore, in business from 1908-1915 and successors to Jacoby and Jenkins (1894-1908). Dimensions; 6.25" high x 3.5" at the base. Unweighted (total weight is 11 Troy ounces) and in excellent condition.

A 1-3/8" wide and 1-1/2" across the interior sterling silver napkin ring c1900-20. This table decoration has a JLR script monogram, it is stamped with the Roden sterling mark and it weighs 21.9 grams. It is in good condition with no corrosion, losses, damage or repairs other than two dents and some slight out-of-roundedness. All items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or antique and may have slight signs of gentle use...

Sterling silver berry spoon in Knowles' 1900 "Lexington" pattern. Simplicity of decoration is the rule, so that the ribbed bowl with its bright matte gilding is the focal point.

Origin: America, c. 1900. Condition: near mint, no monogram, gilding intact. Size: 7" long.

A Rare Early American Coin Silver Footed Dish (probably for Candy) Made by Albert Coles, Prominent NY City Silversmith who worked from 1836-1880 (died in 1886). Dimensions; 5" wide (9.25" to handles) x 2.5" high; weight 5.5 Troy ounces. Gold washed interior. Circa 1840's. Excellent condition.

French Belle Epoque Classical 950 silver gravy boat on stand, ca 1910. Boat has ovoid bowl with helmet mouth and raised oval foot with imbricated leaf rim. High-looping and split leaf-mounted handle with armorial engraved in beaded oval frame. Stand oval with open well and four trefoil supports. Both have stippled tubular frames alternating with stylized flower heads. Reeding. Fully marked with Minerva head and maker’s stamp (Alphonse Dutac)...

Art Nouveau sterling silver table mirror. Made by William B. Kerr in Newark, ca 1910. Oval glass in rectangular surround. On front acid-etched ornament with dense and fluid leafing scrolls and berries; sides plain. With velvet back and hinged easel support for vertical display. Fully marked including maker’s stamp and indistinct number. Very good condition with strong definition.

Large dimensions: Frame: H 18 x W 14 5/8 in. Window: 14 3/4 x W 11 1/2 in. #BX553

Outstanding sterling silver soup ladle in a repousse pattern. The design is a very finely worked pattern of roses and other flowers and foliage. The bowl is deeply lobed and has a scalloped edge. The pattern is similar to Kirk’s “Repousse”, but not identical. The back is marked “Sterling” but is not marked with a maker’s name (a frequent practice until around 1910)...