A George III Sterling Silver Creamer, or Cream Jug, London, 1792. No Apparent Makers Mark. Dimensions; 3.75" high x 3.5" wide, to the handle; weight, 4 ounces. Excellent condition.
A wonderful antique decorative pair of oval ornate Victorian period sterling silver bowls or baskets, fully hallmarked London, England 1895-96. These high style late Victorian dishes measure 6-3/4" x 5", and are just over 1" deep. They have high relief repousse Gothic designs and pierce-work panels, and they have a W.R.C. maker's mark for William Richard Corke. There is also a British registry number stamped in the rim of both bowls - it looks like RD. 248864...
A George III Sterling Silver Inktray or Stand in the Roccoco Style, with 3 Cut Glass Panel Sided Inkwells with Repousse Tops and Scroll and Shell Legs; Birmingham, 1795. Makers mark rubbed. Dimensions; 8.5" wide x 5.75" deep x 3" high. Excellent condition.
George V sterling silver sugar caster. Made by William Hutton & Sons, Ltd in Sheffield in 1911. Girdled baluster on domed foot. Cover has ornamental piercing and vasiform finial. Fully marked. Excellent condition.
Large dimensions: H 9 1/8 x D 3 in. Weight: 10.5 troy ounces. #BV629
A Fine Georgian Silver Pint Mug from Newcastle, by John Langlands and John Robertson and Hallmarkked in 1780. An Armonial on the front depicts a hand trust through a crown, holding flowers. Dimensions; 4.75" high x 4" base diameter, weight 11 standard, 10.1 Troy ounces. Some banging on the handle (see photo 5) but overall in very fine condition.
A very good first standard (950/1000 pure) silver small-size tastevin by the highly regarded Dijon silversmith Marc Parrod. This example retains the classic round shape with a convex bottom, but the usual "godrons" and "cupules" gare replaced by repoussé grape clusters alternating with raised "perles". Each grape cluster is accented with stylized vines. Parrod was particularly noted for this unique variation...
A Sterling Silver Sugar Basket or Sweetmeat Dish in a Bright Cut Design from the George III period, by Thomas Chawner (makers mark slightly rubbed) and Hallmarked in London, 1786. Dimensions; 4.75" long x 3.25" wide x 6" high to handle; 3.6 Troy ounces. Escellent condition.
Pair of Victorian Classical sterling silver bowls. Made by Tiffany & Co. in New York. Each: Round with plain well and curved and fluted sides. Turned-down lobed rim. Four ball supports Fully marked including maker’s stamp, pattern no. 10374 (first produced in 1889), and director’s letter M (1873-91). Excellent condition.
Dimensions: H 1 1/4 x D 5 3/4 in. Total weight: 7 troy ounces. #BX708
Edwardian sterling silver porringer. Made by R. Blackinton & Co. in North Attleboro, Mass., ca 1910. Round with solid lozenge-form handle. Acid-etched frames depicting nursery rhymes with both old favorites like Humpty Dumpty and Little Miss Muffet as well as the more recherche Queen of Hearts and I Was a Bachelor. Fully marked including maker’s stamp and no. 8402. Very good condition with strong definition.
Dimensions: H 1 7/8 x W 6 7/8 x D 4 5/8 in. Weight: 4.5 troy ounces. #BY690
An English Edwardian Fish Slice or Knife; Silver Plate Blade, Silver Band (hallmarked Sheffield 1907, maker CB), mother of pearl handle. Dimension; 10.75" in length. In very good shape.
Large Art Nouveau glass cologne with engraved silver overlay. Made by Gorham in Providence, ca 1910. Globular with short neck and everted rim in silver collar. Ball stopper. Symmetrical overlay in fluid whiplash tendrils and stylized leaves and flowerheads. Elongated oval frame engraved with shaded single-letter (B). Glass is red. Silver fully marked including maker’s stamp and no. D947. Very good condition.
Dimensions: H 8 3/4 x D 5 in. #BY252
Art Deco sterling silver picture frame with classic linear ornament. Made by Scharling & Co. in Newark, ca 1920. Rectangular window in same surround. Front has vertical plain and engine-turned through stripes. Top center vacant. With glass, silk lining, and velvet back and hinged easel support for portrait (vertical) display. Fully marked including maker’s stamp and no. 32. Very good condition.
Dimensions: Frame: H 10 1/8 x W 7 5/8 in. Window: H 9 x W 6 1/2 in. #BY271
Wonderful antique Russian cigarette box, fully hallmarked with AK 84 mark, depicting foliage design and gilded cupid with bow and arrows on the lid, equipped with push bottom, still retains the elastic fabric cigarette retainers. Measurements: 4 1/4" x 3" and in very good condition.
French Belle Epoque 950 silver tureen, ca 1910. Tapering oval curvilinear bowl on same raised foot with gadrooned rims. Leaf-mounted double c-scroll end handles. Raised cover. Restrained turn-of-the-century Classicism enlivened with a cast still life finial: A couple bird carcasses draped on top of a sweet bunny, with forelegs raised as if to hop away, and hindlegs limp and splayed now that hopping is no longer an option...
RUSSIAN 84 ZOLOTNIK SILVER & ENAMEL BELT. Russian 84 zolotnik (.875 fineness) silver belt with intricate enamel details. Inscribed "W. M." on belt fastener. Weight: 359g. Size: length of this fine item is 30 inches.
Chinese export silver mug, ca 1880. Straight and upward tapering sides with allover low-relief battle frieze depicting soldiers—spearmen, lancers, and swordsmen—with a few hapless members of the flag corps wandering into the thick of things. In background (that is, at top) peacetime is represented by houses and trees. On front applied heraldic shield (vacant). Cast dragon handle—a horned scaly, serpentine serpent gripping the side with talons. Gilt-washed interior. Marked...
A 3-5/8" English sterling silver mustard spoon fully hallmarked for London, England 1859-60. This spoon was made by John Round and it is in excellent original condition with no dents, bends, corrosion, losses, damage or repairs. All items are thoroughly and conservatively graded and all condition issues are noted; all items are secondhand and may have slight signs of gentle use. Air shipping to the U.S. starts at $8.95 (other spots may vary) - insured is higher...
A nice coin silver rattail spoon by John Brown, active in Baltimore from 1799, after apprenticing in Philadelphia. The bowl is rather narrow, suggesting it was to be used as a pap spoon. The spoon must have been an early piece from Brown's shop, as the design is quite clearly drawn from late 18th century styles. The three-letter monogram in a bright-cut cartouche is also characteristic of the period. The back is marked with Brown's punch.
Origin: Baltimore, ca. 1800...