An exceptional style early Thai bronze buddha in a massive size for the period, Northern Thailand, c. 13th. century or perhaps slightly later.

Buddha is standing performing the gesture of absence of fear (abhaya mudra), dressed in a long monastic cloak revealing the shape of the body and the garment beneath, and held at the waist by a belt. He is displaying the roundel in his palm.
The figure shows clear elements from Lopburi / Khmer art with it's large lips and round faces etc...

Burmese wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base.

Age: Burma, Mon Period, 18th Century
Size: Height 40 C.M. / Width 19.5 C.M.
Height including stand: 44.8 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Ivory okimono which portrays an affectionate scene of daily life: a father holding his child in his arms while holding the toy desired by the child. The okimono is signed Tomokata under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 17.5 x 6.3 x 5.3 cm. State of conservation: Very good

A large Chinese snuff bottle, well hollowed, carved from a celadon jade pebble with brown sections. The front side showing a relief of a monkey at a vine. The stopper is made from turqoise glazed ceramic with bone spoon. Condition: few traces of usage. Dimension: total length: c. 9.3 cm, c. 5.5 cm wide, c. 3.2 cm deep.

Satsuma vase, with slender neck and terminal part adorned in pure gold decorated with a garden of chrysanthemums, made with enamel and gold in relief. Different varieties of chrysanthemums are depicted, with precision and detail, which differ in the shape, color and size of the petals, creating a fascinating visual effect. Signed under the base Kinkozan in gold on a framed black background and signature imprinted in the ceramic. Origin: Japan Period: Meiji end of 19th century. Dim...

Kogo box in maki-è lacquer, with a rounded lid depicting a naturalistic scene. The gold decoration depicts the Japanese pine, known as Matsu, and a typical house with a thatched roof along the banks of a waterway. Sold with its tomobako. Origin: Japan Period: Meiji end of 19th century. Dimensions: 3.5 x 7 x 8 cm. State of conservation: Very good

This is the indigo-dyed cotton Tsutsugaki Nobori flag dedicated to the Inari Shrine during the Edo period. Among the characters of tsutsugaki, it is an item written with very high technology. This is an indigo-dyed cotton fabric with a very nice texture that was made in 1825 during the Edo period　bunsei 8 years. Hand-spun natural indigo-dyed cotton...

Large Chinese Qing dynasty oval form lidded jar densely decorated on the front in underglaze blue on a faintly celadon tinted white ground with a phoenix bird among peonies. Three blue clouds are on the lid. The base and interior are glazed while the foot is unglazed. Late 19th century. 12 1/2" high. Very good overall condition. The unglazed mouth rim has tiny imperfections. There are a few glaze losses to the tip and side of the finial that might be from the original production...

A fine shoe-shaped - katsugata tea bowl of black Oribe (oribe-kuro chawan), the coarse Mino clay is covered with a thick black glaze, on one side a cartouches featuring irregular strips patterns in iron-brown glaze on creamy ground. Japan, Edo, Meiji period, 19th cent. L 13.5 cm, H 6.5 cm. Condition: Excellent with signs of use and wear.

A Chinese White Glazed Brush Washer. Circa, 14th Century, Dehua Kilns, Yuan Dynasty. Found in the Philippines. In bamboo form with its gently rounded sides divided into upright segments and is joined by a raised horizontal band around its exterior wall...

Chinese Qing dynasty Tongzhi mark and period (1862-1874) cylindrical food container decorated around the circumference with four overglaze iron-red five-clawed dragons in profile above a band of underglaze blue waves. Each dragon is among underglaze blue clouds and separated from each other by a pair of vertical blue cloud bands shaped like opposing bats. A geometric blue band extends along the top. Each side has twisted metal handles supported by two animal mask lugs with gilt highlights...

Large bronze vase depicting an egret, in relief, on a perch in the center of a watercourse, surrounded by four swimming fish. The figure of the egret emerges from the vase with remarkable three-dimensionality and depth. Signature engraved under the base within a rectangular reserve. Origin: Japan Period: Meiji end of 19th century. Dimensions: 46.5 x 22 x 23 cm. State of conservation: Very good

Satsuma ceramic plate adorned with polychrome and gold decorations within numerous reserves of unique shape and size, depicting scenes of Japanese daily life. The plate is signed under the base 'Dai Nihon Yokohama Hotoda shōten seizō'. Origin: Japan Period: Meiji end of 19th century. Dimensions: 4 x 29 cm. State of conservation: Very good

An ivory okimono, carved from a single block, depicting a hunter accompanied by an onagadori rooster and a child with a net in his hand. Yukiharu 之晴 signature in relief seal under the base within a rectangular reserve in red lacquer. Origin: Japan Period: Meiji end of 19th century. Dimensions: 29 x 7.5 x 6 cm. State of conservation: Very good

A glistening incense burner in the shape of a court cap by Eiraku Zengoro enclosed in the original signed wooden box dating from the 19th century. Gold designs gleam on the regal plum surface. It is 15cm×10.5cm,18cm (6 x 4 x 7-1/4 inches) and appears to be in perfect condition.
The Eiraku family is one of Japan’s most important and historically significant lines of pottery artists in Kyoto, tracing back to the 16th century...

Interesting early brass figure of the reclining Bull Nandi, Southern India, c. 18th. century.

A finely made figure, much older than most we've seen on the market.

Size: c. 9 cm. tall and 6,5 cm. wide.

Condition: Choice Very fine, smooth wear from use and polishing, redish patina inside, remnants of pigments.

Ex. Private collection of Ulf Gudmundsen from the 1950s and onwards. An important collection of Tribal African and Asian antiques.

Festival costumes for children made and used in the Kanto region. Since this item was used in the summer, men-chijimi is used. This material was the highest quality item for children in the late Edo period. The finest materials are used by skilled craftsmen to draw the finest lines, which are extremely sharp and delicate. The blurring technique gives the hawk movement and makes it dynamic. The cotton material is hand-spun men-chijimi. There are some small stains, but they are not noticeable...

A museum piece. Dated Manji 2 (ca. 1659) April Auspicious Day. Large, heavy bronze shrine lantern with hoju embossed under the top petals. Beautiful diaper patterns on the panels. Originally used as an oil lamp. Very good condition. 15" wide x 22" tall. Ask for shipping quote.

This is an authentic Qing dynasty pendant known as a "Huang." The piece measures 3-3/4" in length and 1-1/4" in height. PLEASE NOTE: if you collect in this area, you are undoubtedly aware that the market is flooded with later copies and fakes, often labeled "archaistic" and selling for relatively low prices. This piece has been examined and authenticated by an expert who is a preeminent authority on Chinese jade...

19th Century Chinese Cinnabar Lacquer Carved Box with Lady Figure

It is 2.36 inches (6 cm) tall by 5.79 inches (14.7 cm) wide. It is 1 Lb.

It has chips, peeling lacquers, hairline cracks, surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Fine Large Chinese Han Dynasty Glazed Pottery Hu Jar (with Oxford TL Test)

This fine and impressive pottery jar (hu) was made during the Han Dynasty (206 BC - AD 220). It is made from a fairly high-fired reddish pottery and coated in a particularly attractive glossy thick streaky green and finely-crackled glaze, the colour of which varies according to its thickness. Interestingly, the drips of glaze to the mouth rim and the pooling of glaze to the flat base show that this jar was fired upsid...

A bag which is hand-plaited with indigo dye hemp string. It is carried on the back with various items. 19th to early 20th century. One string is cut. W:15cm, L:62cm

A fascinating Jar-shaped set of stacking food boxes known as a Jubako in multi-color dating from the early 20th century. Jubako were used to serve food to groups or family on festive occasions, where the food was presented in the box, and each person would take what they wanted, rather than have the meal served on individual dishes as in more formal Kaiseki meals. Assembled it is 20 cm (8 inches) diameter 32.5 cm (13 inches) tall and is in overall excellent condition.

Very large tile in the shape of (and virtually in the size of) a handscroll decorated in underglaze blue with a crashing wave and a full moon. The image is surrounded by borders of geometric flowers and medallions filled with a phoenix. Some of the phoenixes looks left, others look right. Medallions colored in underglaze pink and yellow.

On the back are two ‘loops’ to hang the tile up.

Japan, Seto, Meiji era, 1870s-1900.

H 10.6 x W 39.25 x D 0.25 in.

Excellent condi...

Unusual late 19th century Chinese export cufflinks, their fronts are turtle shell with silver Chinese character for HAPPINESS, and the backs are silver in a shape of bamboo stems. Very well made, in excellent condition. Length 0.87 inches, total weight 4.7 grams.

A fine and heavily cast Chinese bronze censer and stand cast as a finger citrus, the stand with trailing leaves. The burner with a beautiful honey brown patina suffused with gilt flecks. Late Ming/early Qing dynasty, 17th century. Length 20 cms. Weight 1580g.

Chinese Tang Dynasty Painted Pottery Horse (AD 618 - 906)

This attractive pottery model of a horse was made during the Tang Dynasty (AD 618 - 906). It is made from a buff-coloured pottery that has been "cold painted" in a white pigment with details picked out in black pigment.. This horse is well-modelled and stands upright and alert with its head turned slightly to its left.

Height 21m (8.25 inches). A nice example in good condition with any possible repair having been performed to a p...

Chinese Tang Dynasty Painted Pottery Horse (AD 618 - 906)

This attractive pottery model of a horse was made during the Tang Dynasty (AD 618 - 906). It is made from a buff-coloured pottery that has been "cold painted" in white and reddish-brown pigments. This horse is well-modelled and stands upright and alert.

Height 23 cm (9 inches). A nice example in good condition with any possible repair having been performed to a professional standard.

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Chinese Tang Dynasty Painted Pottery Horse (AD 618 - 906)

This attractive pottery model of a horse was made during the Tang Dynasty (AD 618 - 906). It is made from a buff-coloured pottery that has been "cold painted" in white, reddish-brown and black pigments. This horse is well-modelled and stands upright and alert.

Height 22.5 cm (8.75 inches). A nice example in good condition with any possible repair having been performed to a professional standard.

*** TO ORDER THIS ITEM PLEASE E...

Ivory netsuke of a craftsman making a bucket.

Signature below, the first unidentified character : ?光.

Japan – Late Edo period (1603-1868) ou Meiji era (1868-1912), 19th century – ?光
Width: 1.2 in (3.8 cm) – depth: 1.2 in (3.7 cm) – height: 1.2 in (3.8 cm)

Ivory netsuke of a craftsman with a fan. Near the holes reserved for the rope (himotoshi), maple leaves.

Signed below, the first character unidentified: ?夫 .

Japan – Late Edo period (1603-1868) or Meiji era (1868-1912), 19th century – ?夫
Width: 1.9 in (5 cm) – depth: 1.6 in (4.5 cm) – hauteur : 1.6 in (4.2 cm)

Boxwood netsuke of two chestnuts, one smaller on top of the larger.

Chestnuts, found all over Japan, are considered a symbol of victory and a good omen.

Japan – Meiji era (1868-1912)
Width: 2 cm (5 cm) – depth: 0.8 in (2.8 cm) – height: 1.6 in (4 cm)

Okimono bronze sculpture of a garlic head with a few cloves visible.

Unidentified mark on the base, most likely from the foundry.

Japan – Meiji era (1868-1912)
Width: 2 in (5 cm) – depth: 1.5 in (4 cm) – height: 1.8 in (4.7 cm)

Ivory netsuke of a guardian lion, komainu in Japanese or shishi in Chinese, with golden eyes. Resting on its front paws, its head is turned backwards on a four-lobed base.
The komainu is inspired by the Chinese guardian lion shishi, which dates back to the Tang dynasty (581-618). Supposed to ward off evil, it appears on both sides of doors and portals in Shinto shrines and Buddhist temples.

Japan – Meiji era (1868-1912)
Width: 13 in (3.3 cm) – depth: 1.2 in ...

Height: 4.8 cm (1.9 in)
Width: 2.8 cm (1.2 in)
Depth: 2 cm (0.7 in)

Japanese carved netsuke of an Oni carrying Okame on his shoulders; fine details throughout; natural material; lacquer tablet on the base; good condition

Height: 16 cm (6.3 in)
Width: 12.5 cm (5 in)
Depth: 7.5 cm (3 in)

Fine Chinese porcelain tea caddy in hexagonal form; decorated with two main panels of individuals in grisaille colour-way; the original lid and shoulders decorated in famille rose colours and shows florals and a young boy; minor frits and hairline to the lid