Ivory netsuke depicting a dromedary with a long neck that bends backwards. The surface is distinguished by its shine and blonde patina, with color transitions ranging from yellow to lighter ivory. To the touch, the netsuke feels soft and smooth. Origin: Japan Period: Edo 19th century Dimensions: 4 x 3.5 x 1.7 cm. State of conservation: Very good

Ivory netsuke depicting a rat with black horn eyes. The rat is represented resting on its hind legs, while its long tail surrounds an acorn that it is gnawing with its front legs. The object is accompanied by an original label which certifies its origin from the former Tamanini collection in Milan. Origin: Japan Period: Edo 19th century Dimensions: 3.4 x 4.3 x 2.9 cm. State of conservation: Very good

Refined silver bowl with embossed irises cast and chiseled inside on a hand-hammered ground on the bulbous body, raised on an oval foot. Signature engraved under the base Watanabe zo and Junjin. Origin: Japan Period: Meiji end of 19th century. Dimensions: 15 x 27 cm. – Weight: 1320 gr. State of conservation: Very good

Samurai menpo mask with the ressei (fierce) expression, belonging to the me-no-shita "half-face" type, which stands out for its leather surface to simulate finely hammered iron. Remarkable are the generously sized imposing nose and chin, which add a distinctive element to the face of the mask. Origin: Japan Period: Edo 18th century Dimensions: 28 x 23 cm. State of conservation: Very good

Size: 1.8 inches (46mm) Very good condition.

Both Size 5 Excellent condition.

This Menuki has two hallmarks, “服部製(Hattori The Maker)” and “純銀(Solid Silver)”. Size: 1.75 inches (45mm) long

Menuki is a kind of metal fitting of the Japanese sword, which was initially put into the hole of the handle. The meaning of menuki varies depending on the design, but they often symbolize strength, power, and courage. Some menuki also have more specific meanings, such as those that depict animals like tigers or dragons...

A kozuka is a handle of a by-knife that is part of a sword mounting. It is kept in a slot on the reverse of a katana scabbard, often with a matching kōgai (hairdressing tool). Kozuka was used as a craft knife rather than a weapon. This kozuka shows two topless figures and a octopus. It made of bronze and copper-gold alloy (shakudo). Size: 3.75 inches (9.5cm)

Gorgeous Awata cereamic 'suiban' or flower vase by 'Tozan, Ca. 1930 with original box. perfect condition. 11" wide and 8" deep x 3" tall. Ask for shipping quote.

Tarentine bone fibula body in the form of a leaping dolphin with dorsal fin and incised details.
The pierced eyes to bear inlays.
The head with its pointed snout is merged into a heavy catch plate.
The missing iron pin joined to the dolphin's body through a spiral hinge. Remains of the iron pin inside the tail.
Mounted on an acrylic base.
For related examples, cf. lot no. 123 in: Cahn Auktionen Basel, September 2008 sale.
L...

Bow adornment of a fibula in the shape of a bird. The body flat and round with a raised tiny head. Wings and feathers are rendered as incised lines. The wings crossed over the short tail.
The bone element is unpierced and was adhered to the fibula’s upper side. Metal components of the fibula missing.
For closely related examples, cf. lot no. 124 in: Cahn Auktionen Basel, September 2008 sale.
For similar examples in the Getty Museum, cf. inv. no...

Bronze incense burner with brown patina with shibuishi inlays. Composed of an enormous wave or a dragon also in shibuishi emerging from the waves holds the sacred pearl in its claws. The sphere cover grip represents a tengu also holding a sacred pearl in one paw. The base of the wave is decorated with small crabs and octopuses. Period: Meiji (1868-1912). Height: 51 cm.

Chinese hinged triple snuff or medicine bottle made of silver. One side depicting immortals, the reverse with Chinese characters. The stoppers worked en suite, two bottles with spoon. All bases with silvermark. Condition: traces of usage. Dimension: c. 4.2 cm high, total width: c. 6 cm, weight: c. 47 g.

The Eye of Horus/Wedjat was the most inclusive and important ancient Egyptian symbol. It symbolized Horus vs. Seth; life vs. death; good vs. evil; Egyptians vs. foreigners; Egypt; the White, Red, and Double Crowns; a plow; cobra; scorpion; throne; boat; horns; both eyes; female vs. male, the Sun and Moon, and more – see Ancient Egyptian Symbols: 50 New Discoveries abridged...

19th century netsuke of a man with a horn on his head, bent under the weight of a richly dressed woman on his back. The subject of the netsuke is Ikkaku Sennin (single horn Sage), a supernatural being born of a doe. According to a Japanese legend, he grew angry with the Rain Dragons and sealed them away in a cave, causing a drought. Beautiful Indian princess Sendarama was sent to tempt him and when he yielded to her, he lost his magical powers, and the rain returned...

18th century stag antler netsuke of Kan no Koso with a long sword in one hand and a severed head of the slain dragon in the other. Kan no Koso is the Japanese name for Liu Bang, the founder and first emperor (Gaozu) of the Han Dynasty. Very strong early carving, great depiction of of his severe face, graceful flow to the lines of his robe, superb wear and patina...

19th century wooden netsuke of Shoki the Demon Queller getting foot massage from an oni. Rather unusual subject, very nicely carved out of dense sakura wood with beautiful color and patina. Wonderful faces, eyes are inlaid with metal, in great condition. Length 1.36 inches.