A pair of Sioux buffalo hide moccasins circa 1880. With dark blue, red, white hearts, and green in geometric square and triangular designs. Excellent condition.

A polychrome Hopi wicker tray circa 1920-1930. Depicting a Palik Mana wearing an elaborate tableta and a woman's shawl. On the back of the tray there is an uncommon reversal of the image which shows the figure's backside. It is also rare in that the entire body is shown, rather than just the face. Excellent condition, with normal fading on the front. 13" diameter

A uncommon Hopi polychrome mudhead pottery vessel circa 1920-1930. It is very unusual to have a mudhead depicted on a pottery vessel. Excellent condition, with no loss. 6 1/2" diameter

A San Juan carved wood figure from mid-twentieth century. Secular carving of the Deer Dancer. Excellent condition. 12 1/4" tall.

A New Mexican straw-overlay black-stained pine document box circa 1850. Provenance: Al Luckett Collection, sold at Sotheby's "American Furniture and Decorative Arts from Spain's Northern Colonial Frontier", New York, Thursday January 15, 1998, Lot No. 39. Extremely Fine Condition considering the age. 16 1/8" long, 10 3/8" wide, 7 1/4" high.

A Hopi polychrome wood Kachina doll depicting Hólolo, circa 1915-1920. Description from Colton, "Case mask painted green or brown, with pop eyes, snout, cheeks painted with half moons or small circles. Douglas fir or juniper ruff. Kilt, sash, fox skin, and green moccasins. Body painted red with yellow shoulders, forearms and lower legs. Carriers rattle and bow and arrows. Appears in kivas in spring or in Mixed Kachina Dance." Good Condition consistent with age, some paint loss...

A rare large pictorial beaded Iroquois animal whimsey, circa 1890. Depicting what looks like a mythological deer or elk figure. A great folk art piece. One of the largest and most spectacular whimseys known. With a great sculptural relief, and beaded in white, blue, green, copper, light tan, numerous beaded suspensions with tubular beads, sequins. Excellent Condition. 11 1/8" wide; 12 1/2" tall; 15 3/8" tall (w/suspensions).

Tularosa Black on White Duck Effigy with Dog Head Lug, ca 1175 to 1300 ad., it is in as found condition, no restoration or repaint. It is 4.5"high X 4.75"long. A "Certificate Of Authenticity, Release and Disclosure" Statement will be provided. IF YOU ARE INTERESTED IN BUYING OR MAKING A OFFER PLEASE EMAIL ME TIM JONES AT tejones0433@msn.com

A rare Jimmie Kootz carving of Koshare Clown Kachina in puppet form circa 1940-1950. With articulated arms and legs and two independent strings, one attached to the top of each arm. Koshare's general description from Colton: "Face mask painted white with black eyes and mouth. Two soft black and white striped horns on top of head. Rag ruff. Breech clout. Bare feet. Body painted in black and white horizontal stripes...

A rare Jimmie Kootz carving of a Double Eagle Kachina in puppet form circa 1940-1950. DIMENSIONS: ~5 1/2" tall (arms extended upward); 1 3/4" wide (at midsection including second doll).

A medium sized carved wood Hopi Kachina doll - Hornet Kachina (Tatangaya) circa 1930. Description of Tatangaya from Colton: "Two types...At Second and Third Mesas he wears a green case mask with datura flower ears. Stripes of all colors surround the face. Cloth ruff, breech clout, and green moccasins. Yellow and red body paint. The Hornet Kachina appears in groups or singly in Mixed Kachina Dance, and the Pamuya. He is said to be of Zuni origin." DIMENSIONS: 7" tall.

A medium sized Hopi Kachina doll carved by Wilson Tewaquaptewa circa 1930. Tewaquaptewa (1871-1960) was the last chief of Old Oraibi. He produced Kachina dolls which are a combination of many dolls and figments of his own imagination. He believed that you didn't carve actual Kachinas for the tourist market. His dolls are usually monochromatic in color (brown, ochre and white and black). His use of symbols, painted on the case mask, seems to be arbitrary. DIMENSIONS: 7" tall.

A coin silver cigar band with a primitive, stamped, coin-silver button ring, circa 1890-1900. Similar examples of this button can be found in, "Indian Silver Jewelery of the Southwest 1868-1930," by Larry Frank. Page 66, item 68 shows a very similar set of six stamped buttons with a high domed centers circa 1890s, found at Hopi in 1911.

A small Hopi Kachina Doll hand carved and painted by Wilson Tewaquaptewa circa 1915. Tewaquaptewa (1871-1960) was the last chief of Old Oraibi. He produced Kachina dolls which are a combination of many dolls and figments of his own imagination. He believed that you didn't carve actual Kachinas for the tourist market. His dolls are usually monochromatic in color (brown, ochre and white and black). His use of symbols, painted on the case mask, seems to be arbitrary...

A small Hopi Kachina Doll hand carved and painted by Wilson Tewaquaptewa circa 1930-1940, with chicken feathers. Tewaquaptewa (1871-1960) was the last chief of Old Oraibi. He produced Kachina dolls which are a combination of many dolls and figments of his own imagination. He believed that you didn't carve actual Kachinas for the tourist market. His dolls are usually monochromatic in color (brown, ochre and white and black). His use of symbols, painted on the case mask, seems to be arbitrary...

A cottonwood Hopi Mudhead Kachina doll circa 1900. Depicting Koyemsi, the Mudhead Clown, of slightly attenuated form, arms hugging the torso, the case mask decorated with three circular attachments, representing gourds; painted with red, black and brown pigments. Description by Colton, 1949, p.59: "Koyemsi is the most common Hopi clown. He appears in Mixed Kachina Dances and sometimes a group of Koyemsi appear in a dance of their own, At First Mesa they are said to sing Zuni songs." 8 1/2" tall.

A small Hopi Kachina doll, possibly depicting Samawutaqa, circa 1930-1940. Description of Samawutaqa from Colton, 1949, p. 61: "Appears in Mixed Kachina Dance. This is said to be the only kachina that the Tewa people brought with them from the Rio Grande to Hano about 1700." 7" tall.

If you own the finest Columbia River gem point collection, this will be your centerpiece. It is the only AUTHENTICATED PRECIOUS FIRE OPAL POINT FROM OREGON KNOWN TO EXIST. This opal point was found in 1955 at the foot of Hart Mountain, Crump Lake area, Oregon, by Bob Rock, in the presence of the late Carroll Howe which I confirmed with a telephone call to Carroll. Carroll wrote four books on northwest material. There is an opal outcropping about 30 miles away that matches this type of opal...