Japanese pair of bronze fu dog sculptures. Nicely detailed and very heavy in weight. Shoawa age c1950.

Size: 9" L x 3.5" W x 7" H

Antique Japanese okimono gilt bronze rooster crafted in the shokado method of casting comprised of bronze, gold, and silver. The cockerel's feathered body is finely chased and carved, delineating each feather with gilding and blackened patinated silver this is infused into the finish.

Detailed gilt feet, beak, and eyes using the same technique except the red lacquered Comb of the cockerel...

A Very Rare/Fine Japanese Bronze Bell Casted with Date, Dadicators and Temple’s Name: Japan, early 20th century, dated: Tahsho 9-1921, The quite large size of Japanese bronze bell casted with 9 nipples per each panel for 3 panels, and dragon head as a bell head is from early 20th century, rare as a casted large 4 characters between square panel, date, dadicators and its temple’s name on the bronze bell, the bell covered over all with old green patina...

Antique Japanese bronze vase, of wide, round, and shortened form, its edges sculpted with dragons flying through clouds. Beautiful original aged patina.

Early Meiji Period (1868 - 1912)

Size: 12" W x 7.5" H

Antique Japanese bronze temple bell, or "bonsho", with a handle of dragon heads called a ryuzu, protrusions called "chi chi" or "nyu" to improve resonance of sound, the "tsuki-za" striking panels, and the "mei-bun" inscription of the bell's history...

Antique Japanese bronze temple bell known as a "bonsho", with a handle of dragon heads called a ryuzu. Protrusions called "chi chi" or "nyu" to improve resonance of sound, the "tsuki-za" striking panels, with lotus shaped "tsukiza"...

A Myochin iron forged Jizai Okimono articulated spiny lobster. Each iron plate is carefully reppouse hammered iron creating a natural realism representing the spiny lobster. The amount of fine detail that goes into this piece is equal to that of one of his most well known helmets. The lobster is fully splayed on a well mounted bronze stand.
All ten legs and long antenna and articulated with multiple joints on each leg...

Antique Japanese bronze temple bell, or "bonsho", with a handle of dragon heads called a ryuzu, protrusions called "chi chi" or "nyu" to improve resonance of sound, the "tsuki-za" striking panels, and the "mei-bun" inscription of the bell's history...

The mask is of dark brown russet lacquer finish and the interior is smoothed lacquered red. The high jaw his two protrusion hooks for strapping the cords, underneath the chin is a vent hole. The mask is fitted with yodare kare of three row of false scale lace and blue silk.

19th Century Edo Period

Size: 6.75" L x 3" W x 8.5" H (12.5" H on stand)

Unusual original Japanese flint lighter netsuke. Constructed of iron and brass, this piece would have been used to create a steady fame in less then perfect conditions. The striker would create contact friction and create a spark igniting the fuel source. Firearms at this time required a flame in order to ignite the fuse. Original russet patina with all parts still intact.

Edo period (1603-1868)

Size: 2" L x 1" W x 1.5" H

Antique Japanese iron tomiodai candleholder. Includes full five tiered with twenty five iron prickets, used in traditional buddhist or Shinto rituals. Forged iron with age consistent to usage.

Meiji Period 19th Century

Size: 27.5" L x 14.5" W x 26.25" H

A small bronze, hakudo (white bronze), early handled mirror 17.2cm long. The mirror portion measuring 7.7cm in diameter. Typically for an early bronze mirror, it is basically a round handleless mirror, even down to a pierced boss for the attachment of a ribbon, with an attached handle...

The design of this mirror has not entirely escaped the conventions of earlier Kagami-e (Long handled Mirrors) of the late Muromachi –Momoyama era, which are essentially mirrors of conventional round form retaining a central boss to which a handle has been attached. In this example the Cranes are arranged directly opposite each other, their beaks meeting with that of the kame, to create a T form; a convention that appears in the late 16th century...

With short neck and ovoid body, this beautiful Japanese copper ‘do-chu' vase is marked 'Hisayoshi' on the side. The brilliant rich color of this type of ware is achieved by adding smoked straw during firing and often deepens over time...

This is an exquisite decorated iron Koro signed Nihonkoku Kyoto ni sumu Komai sei. The condition is excellent and actually better than the images show. A glue/cloth residue was left on the underside and side of the base.This is easy to remove.The piece stands 4 1/8 inches tall and is 3 1/8 inches wide. The delicate lid appears to be silver.

This is a beautiful pair of mixed metal decorated bronze vases. They are highly detailed and stand just 5 inches. Both vases are signed Miyabe Atsuyoshi. One vase has a lightly bent rim otherwise the condition of the pair is excellent.

This finely crafted Japanese yakkan (copper teapot) shows the kind of beautiful patina that can only be achieved with time and careful used and looks to date from the Meiji period of the late 1800s.

The brilliant rich auburn color of this type of metalwork is achieved by adding smoked straw during the firing process and often deepens in character over time...

Considered auspicious symbols of wealth, status, and good fortune; foo dogs—commonly referred to as shishi or koma-inu in Japan—are often seen in pairs guarding shrines, straddling the doorways of shops, and protecting public buildings. This fierce guardian appears to be made from bronze, has very detailed and skillful etching, and a wonderful patina that would place it sometime before the turn of the last century.

Guardian lions are commonly seen in pairs...