A Japanese porcelain koi dragon resting on the enameled base to simulate bronze with an open mouth and a sphere on the tongue. Entirely in glazed white porcelain with gold decorations on the fins, tail and long whiskers. Legend has it that a Koi carp leaping from the depths of the river attracted the attention of local demons, who stepped up the waterfall out of mischief. After a hundred years of jumping, a Koi finally reached the top of the waterfall...

A charming Japanese boxwood okimono of a peapod. Smooth, fine hand-carved work. Original warm natural finish.

19th Century

Size: 6" L x 1.25" W x 1/3" thick

A bronze okimono depicting a young geisha walking barefoot with an elegant kimono and a smiling face, with her hands raised behind her head. I have the perfect haircut to match the quality of the Tokyo school and the high quality of the foot to highlight the elegance and elegance of the movement. Signed Harumitsu (Seikō) entered a square uppercut. Origin: Japan Period: Meiji end of 19th century. Dimensions: 30 x 11.5 x 10 cm...

Beautiful boxwood okimono of a Hazel Grouse/Ptarmigan, native bird to Hokkaido. Feathers and feet are naturalistically rendered and delightful carved details all over. In excellent condition. Signed Ryoshun. Age: Meiji Period (c1900). Size: 3.875" height x 9" length.

Superbly executed ceramic monkey eating a berry with a whimsical expression of innocent delight. As an okimono or if incense was placed in the hollow cavity, would make a great incense burner as the scented smoke would exit holes in ears. Late Meiji or early Taisho Period, C.1900-1920. Great condition. H: 10" x W:5". Ask for shipping quote.

Japanese carved boxwood large Okimono, Mino-Kame turtle. Late 19th Century, Meiji Period. Mino (straw raincoat) Kame (turtle/tortoise) are named as such because Japanese believe the turtle lives such a long time that they grow algae on their on their shells, symbolizing longevity. A magnificent carving made of a single block of fine boxwood, showing amazing details and a beautiful wood grain throughout this masterpiece. 18 x 8.5 x 4 inches, 45.75 x 21.5 x 10 cm.

A cute dog Fushimi doll. The dog has an interesting collar possibly in the form of a fabric collar, often seen with domesticated animals portrayed in Japanese paintings. Fushimi dolls were created as dolls made for pilgrims visiting the Fushimi Inari Shrine. Age: Meiji-Taisho Period Size: length 9.25" Width 3" Height 9"

Late Taisho - early Showa (1920s) small Japanese 2-toned chosen matsu (Korean pine wood) okimono of a floating mandarin duck. Perfectly captured essence of the bird, excellent sense of volume, skillfully carved in characteristic style of Hida school with clever use of wood colors and structure to add to the charm of the piece. Eyes inlaid in dark horn, superb patina. Signed SHOO on the bottom. Length 2 1/4 inches.

A bronze and ivory okimono depicting a street entertainer playing the shamisen, a Japanese musical instrument. The player wears a traditional kimono, rests his right foot on his box which he carries along with his umbrella on his traveling journey. It is signed Jōnan 城南 with engraving on the bronze. Origin: Japan Period: Meiji 19th century Dimensions: 21 x 20 x 15 cm. State of conservation: Very good

One of the best examples of Japanese bronzes we have seen in an increasingly sparse market, this beautiful piece is worth a second look. Deep, rich Meiji Period (c.1867-1912) bronze with carp swimming over waves in raised relief on one side; geese frolicing among grasses, also in raised relief on the other side. Handles come out of baku's (bad dream eaters) mouths. Absolutely stunning. c.1890. (10½" x 5½") (27cm x 14cm). EMS Shipping/Insurance to USA or Western Europe $90.

Turn of the century antique Japanese bronze flower vase. Thick rings create an art deco feeling. Beautiful lines and rich coloration. c.1900. (9" x 5") (23cm x 11cm). EMS Shipping/Insurance to USA or Western Europe $80.

This antique Japanese Edo Period c.1840 red bronze utsubata flower vase is actually a Japanese proverb, "Hyotan Kara Koma". Literally, 'a horse from a gourd' meaning "the unexpected can be wonderful". The base of the vase is a wisteria wrapped gourd with an old man climbing on it. It was made so his head can move. On the underside of the top vase is a horse in raised thick bronze. Gourds are regarded as a lucky charm in Japan. Beautiful patina. c.1840. (10" x 11") (26cm x 28cm)...

A very attractive and rare Pair of Mandarin Ducks OSHIDORI made of slightly modified and patinated root wood. The male wIth raised head and the female looking at the ground after food. Meiji, c. 1880/1900. H 16 cm, L 25 cm. Mandarine ducks are symbol of long life fidelity as they stay together forever. It comes with inscribed Storage Box Tomobako. Condition: Excellent

A bronze crane in dark almond colored patina of superb craftsmanship dating from the late 19th to early 20th century (Meiji period). It is quite large at 48.5 cm tall (19 inches) and is in excellent condition.

Antique bronze sculpture of a male lion. Standing with head raised, he lets out a roar. Beautifully rendered with naturalistic details especially in mane and face. Signed with a raised cartouche on the underside of his belly: 誠谷作 Seiya saku "Work of Seiya". His full name is Genryūsai Seiya (源龍斎誠谷) and he was the master craftsman of a studio specializing in high quality wares for export...

Heights: 16 cm and 15.8 cm (6.3 in and 6.1 in)
Lengths: 24 cm and 24.5 cm (9.6 in and 9.8 in)
Depths: 8 cm and 6.5 cm (3.5 in and 2.7 in)
Weights: 1.55 kg and 1.21 kg

Fine pair of Japanese okimono Meiji period bronze elephants; by the same artist; good modelling throughout; excellent condition

A fine Japanese Aka-gashi wood okimono of a recumbent shishi (chinese lion). Pleasant patina and grain. Masaharu engraved signature under the base. Meiji period late 19th century Sizes: 14,4 x 35,5 cm Condition report: Very good condition

Japanese antique large censer depicting the fisherman Urashima Taro from the fairy tale, Otogi Banashi. In the story, the fisherman discovers some children on the beach toying with a turtle. Urashima Taro buys the turtle from them and sets him free. The turtle grows in size and carries Urashima Taro down beneath the sea to the Dragon Palace (Ryugu-jo) where he is met and thanked by the Princess Otohime. After a few days, Urashima Taro decides to return to the world above the sea...