Extremely Rare 18th Century Japanese Musha Ningyô (Boys Day) Dolls, Samurai Set. Ningyô this early almost never appear for sale, much less with all of its original accessories, as we have here with this very fine, scarce, museum quality pair. We are very proud to offer this set. They have finely carved faces, and are lacquered with many coats of Gofun (Oyster Shell). They are adorned with sumptuous silk brocades and silk armor, indicative of mid Edo Period Ningyô artists...

A sometsuke o-zara decorated with an elaborate Tako-karakusa, so called Octopus scroll, ground inset with three hexalobed shaped reserves each containing a Shishi, Buddhist lion, flanked by Peonies, botan ni shishi zu...

Japanese woodblock print of a beautifully poised geisha, holding a paintbrush in her hand. Signed and titled in right margin.

Size: 8.25" W x 12.5" H

This is a finely hand-carved netsuke in Ebony wood of a Nasube (Aubergine or eggplant). Netsuke was carved by an unknown artist from the Iwami Province sometime during the 19th century. The carving exhibits similar material and carving characteristics of a netsuke (Photo #7) made by Kyokusui; item 133* of Bonhams catalog. Observe the smoothness of the surface, and the realistic form of the piece. Netsuke is unsigned. It measures 2.44 inches (6.2cm) tall...

Wonderful playful expression on this Bizen ceramic Shishi. Showa Period Ca. 1930. Excellent condition. 9" long x 7" tall x 5" deep. Ask for shipping quote.

This is a wonderful cabinet vase by Gonda. This vase is not signed but Gonda was the master of this style of cloisonne. These wireless iris vases are not only highly desirable, but are also not easy to come by. The vase measures 3 3/4 inches tall. Condition is excellent.

Ivory okimono depicting Hotei, one of the seven Sages of Good Luck. He is depicted smiling and sitting on his sack, while he holds the stick. Next to him there is a child who hugs the end of the sack. Signed Tomihiro under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 5.5 x 17 x 4 cm. State of conservation: Very good

A symbol of longevity and hope for happiness Minogame temple party headpiece. Gilt gold embossed details over leather hide. The detailed head resembles on of a dragon. Horsehair depicts the long flowing seaweed from the back of the turtle. Condition consistent with age...

A fine so-called “Deshima”, or more likely a scene of Scheveningen in the Netherlands or an imaginary composition based upon it, after an unknown original by Frederik van Frytom. Although this is the most reproduced version in the literature the design is actually a sinofication of the original Dutch landscape...

An interesting and rare dish, something of a homage both to Nabeshima ware and root vegetables. The central motif is a Daikon painted in underglaze blue, following a similar motif found on Nabeshima porcelain, see Les Cadeaux au Shogun page 155, plate no 28, for a large Nabeshima dish decorated with a similar representation of a daikon set against a repeating wave ground,...

Bronze incense burner representing an old man, riding a carp hands joined, in a tumultuous sea.

The man could also remind the deity of fishermen and prosperity, Ebisu, which is often represented with a carp. However, it is usually represented with a large hat called kazaori eboshi.

The carp is a fish symbolizing perseverance, courage and wisdom, as it swims up rivers and waterfalls against the current...

Late Meiji (1890s to 1912) Japanese temple boxwood seal of round section with original boxwood cover. Excellent quality crisp carving in seal script, old red seal paste in the grooves. Plastic peg indicates the position of the top of the imprint. Beautiful patina on the surface of wood, signs of use adding to the presence of the object. The impression of the seal is shown on Enlargement 4 (photo is flipped left to right to present the image as it will print on paper)...

An antique Japanese Kyodai (mirror stand) made of Toneriko (Tamo Ash) and Tochonoki (Horse Chestnut) woods. Original bronze fittings and finish. The bottom support panel features a relief hand carving of a flying crane, a sea turtle, a pine tree and bamboo, all good luck symbols representing longevity and strength...

This is an amazing boro futon cover made of almost countless fragments which are hand-spun and natural indigo dyed cotton(katazome and shibori (Tie-dye) From Edo to Meiji era.In this boro, patched does a piece with a thick hemp thread and indigo dyed cotton thread of the Edo era.The stain & damage & discoloration used for a long time are very charming for that.It can enjoy both sides. size:Length 146cm (57.4inch) Width 90cm (35.4inch)

This is an Edo period Japanese book reprinted in the Taisho period (1920).It depicts everyday life in Japan during the Edo period. There is some rubbing on the cover, but there are no noticeable stains or damage. Size:length:19㎝　/　Width:13.5cm / 10 pages

This is a layer of stencil-dyed cotton and indigo-dyed plain cotton, with hand-stitched stitches all over...

19th century small netsuke of theatrical mask of Okina (old man) used in Sambaso dance. Wonderful quality carving, great smiling face, expert staining, beautiful patina, in perfect condition. Signed RAKUTANI on the back - this rare artist is listed on p. 859 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick. Height 13/16 inches.

19th century boxwood netsuke by Nagamachi Shuzan of an actor in a role of Kiyohime turning into a demon. Kiyohime was a daughter of an innkeeper whose advances on a monk were not reciprocated, so her love turned into wrath, and she trapped him under a temple bell, turned into a dragon and melted the bell killing the monk. She is holding a bell striker in her hand and has a very unusual feature for the carver - the mask is inlaid, probably a unique model by the artist...