This is a beautiful cloisonne vase from Gonda with a unique form. The Wisteria colors are wonderful. It stands 12 inches tall. Has a bit of crazing at the top but it's very hard to notice.

Excellent 19th century netsuke of a dragon and a tiger about to engage in a fight on a rocky outcrop under swirling clouds. Very nice pairing of two most powerful Zodiac beast, carved with supreme confidence and precision, wonderful detailing of their faces, scales, stripes and cloud textures. Eyes are inlaid with metal, beautiful wear and patina. Signed KAGETOSHI on inlaid mother of pearl rectangular reserve on the bottom - this excellent carver is discussed on p...

19th century marine netsuke of three shirauo (whitebait). Classic design, excellent detailed carving, eyes are double inlaid with horn and mother of pearl. Beautiful wear and warm patina, wonderful sheen to the surface. Signed JUGYOKU for Ryukosai Jugyoku on the back - for discussion of this excellent artist see p. 546 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick. Length 2 .03 inches.

Early 19th century large netsuke depicting flat himono (dried fish - salmon in this case) with a rat gnawing at its head. Clever design, very good carving, eyes of the rodent are inlaid with brown horn, pleasant patina. Himotoshi (cord hole) goes through the mouth to the back of the netsuke. Length 4.7 inches (119 mm).

19th century Asakusa school staghorn netsuke in a form of a bowl of ogival section, decorated with an incised keyfret design along the rim. Exquisite subtle piece, one of the most elegant netsuke that I have had. Superb precise carving, warm brownish patina, brown lacquer on the inside, early himotoshi design. Natural darker porous areas of staghorn perfectly imitate scarred surface of an old ceramic bowl...

1930's Japanese Mixed Metal Bronze Vase with Frog Signed

It is 9.4 inches (23.9 cm) tall by 4.5 inches ( 11.5 cm) wide. It is 3.2 Lb.

It has a dent at the side and surface wears and scratches (as seen in the photos).

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Antique Kano school ink painting depicted ukiyoe landscape with a rising dragon over Mt. Fuji. Painted with ink and gold pigments on paper. Signed Tatenobu, which is the artist name of the Kano Eitoku(1815-1891). There will probably be lightning and a storm raging in the scene where it depicts a person desperately holding onto a torn umbrella as he rushes forward across a bridge that looks like it is about to overflow with river water...

Antique Kano school ink Landscape/suiboku sansui and fukurokuju; god of happiness, prosperity and long life that is said to originate from a Chinese hermit. Usually, he is depicted with a crane or turtle, which are symbols of longevity, and his trademark long head and white beard, but in this painting he is depicted wearing a huge traditional Chinese hand-woven bamboo hat. Painted with ink on silk. Signed Tsunenobu and sealed...

An original pair of plaster Japanese Inari temple foxes. Crushed oyster shell finish with mineral paint detailing in traditional Shinto colorways : orange, purple, green. Each of the foxes has a soft pink underbelly. Wonderful original and complete condition...

Plum Tree. Painted with ink and pigments on silk. Signed Honen and sealed.

Mizutani Hounen(1898-1938) was a Nagoya born Japanese painter. He studied under Nakajima Yuunen(1833-?) and Ishikawa Yuurin(1870-1952). He was adept at painting of bird and flower, especially peacocks...

Antique Kano school inkwash Landscape/suiboku sansui. Painted with ink on silk. Sigend Kano Hakuen and sealed. The signature reads painted by Kano Hakuen at sixty-seven years of age(1710). It is a remounted and restored piece and in fine condition with accompanied by a paulownia wooden storage box.

Kano Hakuen(1642-1726)was a painter from the early to middle Edo period...

This is a rare and exquisite antique Japanese Baku corbel carving from the Edo period (early 19th century). The Baku is a mythical spiritual creature that resides in the Buddhist realm and is known for devouring evil spirits and nightmares. This architectural sculpture is carved from one solid block of Keyaki (Zelkova) wood and has stood the test of time. It is a large example of an antique Japanese Baku corbel used in a temple or shrine...

Pair of painted Japanese interior sliding panels. Depicting wild sparrows amongst the rice fields. Sparrows are regarded as symbols of personal prosperity, rich fruit crops. Stocks of flowing rich reach out. The fields are said to represent providence, creation, blessing, and joy.
Speckled gold throughout the the images radiating warm glow off the paper. A scene of serenity.
Signed by the painter: Kishi Ganku, 1749–1839. Signature: 雅楽助岸駒寫 Utanosuke Ganku. "Utano...

A slender shape patinated bronze vase depicting a naturalistic scene of a cricket sitting on iris leaves. Signed Joun in relief within an oval reserve. Origin: Japan Period: Meiji end of 19th century. Dimensions: 26 x 7.5 cm. State of conservation: Very good

A Japanese ivory okimono depicting a pair of figs decorated in polychrome. One of the fruits is ripe and shows partial peeling, revealing the inside. Origin: Japan Period: Meiji end of 19th century. Dimensions: 6 x 5.8 x 4.5 cm. State of conservation: Very good

VOTIVE PHALLUS

Quite a simple and rustic Japanese wood carving phallus in the form of ultimate, once offered for pregnancy and smooth delivery, 19th - early 20th century, L 20.1 x 3.6 x 3.6 cm (7.91 x 1.41 x 1.41in). Aged deterioration as is.


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A yamatoe painting depicted an aristocratic man is about to go out for a night out on horseback. It is attributed to Hoyama Yuinen(Hananosha)(1823-1894).

Hoyama Yuinen(Hananosha)(1823-1894) was a painter monk at the end of the Edo period and Meiji period. He was a chief priest of Shinshu Rinshuji Temple. The first name was Hanado and later Hananosha. He studied painting with Watanabe Kiyoshi and Ukita Ikkei.

Some light marks and insigificant light crease are present on the painti...

19th century kokutan (ebony) netsuke of a sitting shishi (Buddhist lion), its tail up and its head turned to the left, mouth open in a wide grin. Represented beast is definitely male both because of its explicitely carved bottom and because its mouth is open emitting sound A (the first letter of Sanskrit alphabet), while the female shishi are depicted with closed mouth emitting sound N (the last letter). Wonderful expressive face, oversized powerful paws, superbly voluminous mane and bushy tail,...