Japanese bronze vase with a wide, flattened body shape, the tall cylindrical neck rendered with bamboo stalk texture. The handles of the vase are a pair of leaping rabbits over low relief waves. The foot of the vase is imprinted with the artist cartouche.

Meiji Period (1868-1912)

Dimensions: 7 1/2" x 7" x 6"

Elegantly shaped Ki-Seto Chawan from the Edo Period, early 19th century with a rarely seen gold rim. Precious metal rings were added when the chawan was made for the aristocracy and for the high nobility.

The beautiful and glossy glaze (guinomi-de) has a fantastic crazing. The bowl has also a decoration with vivid tanpan marks ( copper green marks ).

This Ki-Seto tea bowl is in very good condition, very unusual for a chawan of this age...

A hirado ware porcelain figure of the mythical creature baku, the dream eater. This beast is a chimera with the features of an elephant, an ox, a rhinoceros and a tiger. The expert artist hand-carved every detail of the figure with fine lines, the flames and spines along its back carved in high relief. The glaring eyes are left bare with black pupils while the rest of its body is glazed white...

Japanese hirado ware porcelain figure of a tiger. With fully hand-carved fur pattern, whiskers, a wide grin with front fangs exposed. The tiger is glazed in white with the pupils of the eyes left buff. The four paws of the tiger have been hand-sculpted with the toes and claws on the bottom of the figure. The bottom and nostrils of the tiger are pierced through for air to escape during firing.

Published in:
"Hirado Ware, by C. Philip Cardeiro, pg...

Thangka of the Bodhisattva of Wisdom, Manjushri, the central figure holding her flaming sword. Depicting the five peaceful manifestations of Manjushri, including the wrathful Mahakala as protector deity of the thangka. There are five monasteries depicted in the painting, each with title describing their identity. WuTai-shan, the five-peak mountain, is shown which contains the five monasteries. At the top of the thangka is Tsongkhapa, the Wisdom manifestation...

Maeda Toshinaga was a Japanese daimyo, who was the second head of the Kasa Domain. He was the eldest son of Maeda Toshiie and married one of Oda Nobunaga's daughters, Ei-Hime. He supported Tokugawa Ieyasu and, after receiving his brother Toshimasa's lands (Noto, 215,000 Koku), controlled a total of 1,250,000 Koku, an amount exceeded only by the Shogunate. Toshinaga built and resided in the Kanazawa Castle. He had no children and adopted his brother Toshitsune as his heir...

Unusual Japanese stacking box comprised of 10 shallow compartments for the storage of important documents or calligraphy implements. The edges of each compartment are reinforced with hand-forged iron plates. The tall box is held together by a long cord.

Edo Period (1603-1868)

Dimensions: 9.5" : x 14" D x 16.5" H

Antique Japanese bar tansu with dramatic natural Keyaki burl front hardwood. The locking bar has hand-forged iron bamboo motif plating; Its handle is a 16 petal chrysanthemum Imperial seal mon. The piece has 4 large drawers and a safe box containing 2 smaller drawers. Original condition lacquer finish.

Meiji Period (1868-1912)

Dimensions: 24" x 12" x 24.5" H

Unusual Japanese single section kannon biraki tansu. This safe chest holds an open top shelf and 2 drawers behind the front hinged locking doors.

Edo period (1603-1868)

Dimensions: 27.5" x 14" x 13.5" H

The pistol has an octagonal russet iron barrel with flat sighting plains on top and bore of 3/8". The dai stock is of a hardwood and brass jiita arquebus's firing mechanism, sakura ramrod intact. Good condition.

Dimensions: 16" L x 3" x 2"

Japanese 2 section kimono tansu. Made with Kiri (paulownia) wood, all natural finish. The upper section holds 8 drawers, which is considered an auspicious number. The bottom section contains 2 drawers with warabite pulls mounted on pierced metal plates. The piece also contains a secret hidden compartment beneath the bottom drawer.

Taisho period (1912-1925)

Dimensions: 39.5" x 17.75" x 66.75" H

One prominent Buddhist story tells of Avalokiteshvara vowing never to rest until he had freed all sentient beings from Samsara. Despite strenuous effort, he realizes that still many unhappy beings were yet to be saved. After struggling to comprehend the needs of so many, his head splits into 11 pieces. Amitabha, seeing his plight, gives him 11 heads with which to hear the cries of the suffering...

A kartika referred to in Tibetan as a "trigug" or "drigug" is a small crescent-shaped handheld ritual flaying knife, used in the tantric ceremonies of Vajrayana Buddhism. The kartika is said to be one of the quintessential attributes of the wrathful tantric deities. It is commonly known as the "knife of the dakinis"...

A Rare Group of 6 Korean Monster/Dragon/Louts Petal Roof Tiles-6th C.: Korea, Silla dynasty, 5th to 7th century. A rare three monster faces, two dragons and one lotus petal roof tiles from the Silla period, appear natural patina with old dark clay due to age. it’s in fare condition in their ages but one has a small chip on the edge, it measures 15.2cm d. and 15cm d. around each

This is a Chinese antique brocade dragon costume of blue and gold satin silk, which draws five nail dragons on the front and back featuring Chinese treasure, longevity sign. In a very good condition No stain, no damage, yarn is not loose. Almost perfect condition. This was brought to Japan in the Qing Dynasty era. It was rarely used c1890. Height about 129 cm Width of a garment - From sleeves to sleeves 199 cm (78.3 "50.7").

House-shaped box with copper hinged lids. Open frame design with copper hard mounts, handles, and Keyaki wood construction. The Kandouko compartments hold the copper rectangular brazier and a square copper water container with lid, spout and a handle. Fitted with the essentials of travel for a hot drink and food. The brazier has a vent hole in the Sakura motif...

Uji is between the two ancient capitals of Nara and Kyoto. The city sits on the Uji River, which has its source in Lake Biwa...

The forked arrowhead (karimata) was named after its resemblance to the V-formation flight of wild geese. Such arrows of different sizes were highly prized on the battlefield and for hunting large game. The Japanese arrowheads, many resembling miniature spears, were made in hundreds of varied shapes of folded, tempered steel.
They were attached to the bamboo shafts by means of long, thin tangs (Nakago). The most common were narrow, roughly-filed, pointed arrowheads used to penetrate armor...