An unusual and exquisite pair of wooden twins, oruba People, Oyo Region, Nigeria, 19th. century.

Provenanced to an important collection, we offer a large selection of high-end wooden african figures, all with the original surfaces and elaborate carvings, dating back to the 19th.-early 20th. century.

The lovely set with large headdresses, and exceptional facial features and both richly adorned with jewelry...

NUDE

Hand-drawn Japanese painting on thin silk backed with paper, Meiji-Taisho period, early 20th century, Japan, 39 x 28 cm (15.35 x 11.02in). Very early unique Japanese modern style with traditional Japanese technique and method combined with the taste of Western romance and decadence. Aged deterioration as is, and backing paper pasted on just one side among the four sides, as seen...

A magnificent stand of root wood writhing upward to a flattened cluster, a perfect example of the Japanese esteem for things natural enclosed in a period custom made wooden storage box. It is 48 cm (19 inches) tall and in overall excellent condition. Perfect for elevating a koro incense burner or tiny bonsai...

Fine rectangular lime box made of bronze, decorated with numerous silver inserts representing floral and geometric designs. Inside the box are four compartments with their lids, also decorated with silver inserts showing stylised flowers. Philippines archipelago, Mindanao island, early 19th century. Dimensions: length: 9.3 cm, height: 6.1 cm. Slight abrasion due to age, otherwise very good condition. Provenance: Acquired in Luzon island in 1978.

An unusual and exquisite pair of large wooden female twins, Nigeria, Yoruba, 19th. cent.

The lovely fine set with large headdresses, and exceptional facial features including large teeth and pubic hair finely outlined! Both richly adorned with jewelry incl. silverish metal bangles and Kauri shells. Note the preserved body pigments, that is often washed off on older figures!

A very early pair with an exceptional patina...

An unusual and exquisite pair of wooden twins, Nigeria, Yoruba, 19th. cent.

The lovely fine set with large headdresses, and exceptional facial features including large teeth! Both richly adorned with jewelry.

A very early pair with an exceptional patina. This pair was part of Lau Sundes personal collection, see below.

Size: 28,5-29 cm...

A very large porcelain basin decorated with gold and red fish among green, gold and red flora by Miyagawa (Makuzu) Kozan enclosed in the original signed wooden box titled Gosu-Aka-e Sakana no Zu Hira Bachi. Inside the box bears the Teishitsu Gigein seal, followed by an annotation denoting the artist age at 75 years old. After a long verse which also appears to be by the hand of Kozan it is dated 5th day, 5th month of Taisho 6 (1917). It is 38 cm (15 inches) diameter and in excellent condition...

Pair of pottery fragments including a head with torso from the La Tolita culture, c. 200 BC-300 AD. and a very interesting head, that wears a mask that looks like a divers mask or an astronauts mask. Closely fitted over the eyes and nose. Peculiar!

Size: 44 mm. and 35 mm. tall.

Ex. Old German private Collection.

A large and attractive gilt wooden buddha, Burmese, c. late 19th.- early 20th. century.

The Buddha standing on a small throne and a black painted plint. He is righly addorned in a fancy dress with multiple glass stones in red and green colours.

Size: c. 74 cm. tall, incl. plint.

Condition: Choice and intact with remaining gilt overall.

Provenance: Collection of Gunna Munkvad, Denmark, aquired from the 1960s-1980s.

Superb covered incense box entirely gold lacquered with decoration of bamboo leaves and wisteria in a lake environment and on a base of nashiji gold powder. The 2 parts of the box are surrounded by shibuishi (silver and copper alloy). Edo period 18/19th century. Diameter 6cm x Height 3,5cm.

Mask of the traditional Noh theater representing the character of Obeshimi. Wood, with polychrome painting meant to enhance the features of the face. Japan, end of 19th century. Height: 20.2 cm. A few chips onthe painting, obvious signs of great age, otherwise good condition. NOTE: Obeshimi is used for Noh plays featuring "tengu", mythical demons that defy Buddhist law.

Matching pair of heavy high quality silver cuff bracelets, Tekke people, Turmenistan, c. late 19th.-early 20th. cent.

Women in the nomadic communities of what is today Turkmenistan often wore heavy, conspicuous jewellery. Girls were provided with such pieces on marriage as part of their dowry and the pieces were added to as the couple grew more affluent...

Height: 16.5 cm (6.7 in)
Width: 12 cm (4.8 in)

Quality Chinese sapphire blue porcelain tea caddy depicting Eliza images in domestic and rural settings, all surrounded by rocks, bamboo and plantain; the lid is decorated with a young boy; minor scuff marks; good condition; email for more pictures

Red ivy clings to the pale crackled glaze of this tsubo by Miyagawa (Makuzu) Kozen enclosed in the original signed wooden box. Below glistening black glaze covers the bottom, in a style well known for this artist. It is 24.5 (just less than 10 inches) tall and in excellent condition...

An ancient Egyptian Scarab, c. 400 BC. It is 9/16” long (14 mm) and made of steatite, an easy-to-carve stone that hardens when heated. Scarabs empowered life and resurrection and were often placed under mummy wrappings to protect the body and to help it resurrect. This Scarab comes in a jewelry display cup.

An ancient Egyptian Scarab, c. 500 BC. It is 9/16” long (14 mm) and made of steatite, an easy-to-carve stone that hardens when heated. Scarabs empowered life and resurrection and were often placed under mummy wrappings to protect the body and to help it resurrect. This Scarab comes in a jewelry display cup.

A lovely ancient Egyptian Scarab, c. 1500 BC, XVIII Dynasty, 5/8” long (16 mm) and made of violet-blue steatite, an easy-to-carve stone that hardens when heated. Scarabs empowered life and resurrection and were often placed under mummy wrappings to protect the body and to help it resurrect. This Scarab comes in a jewelry display cup.

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted in rather exaggerated fashion...