Here is an amazingly detailed dragon or griffin stick pin with a tiny accent diamond in her mouth. She tests as 14k gold, and measures 5/8 x 1/2" with a total length of 2-1/8". She weighs in at 2.4g. In excellent condition and circa 1900. Display your inner fantasy or mythology geek on your lapel - or simply your love of beauty and history. The photos are part of the description, so please examine them carefully. Thanks! We do lay-away. Shipping, handling & insurance within the USA included.

Antonio Pineda cuffs don't surface very often and this specific design is even more difficult to find. An ode to the art of a-symmetry, the cuff is wrought in the maestro's favorite fine ,.970 alloy and quite substantial. The stone that adorns its widest end, rich in greens and blues, is agate, I think, but it might be a very special kind of turquoise as well. Warm patina, perfectly conveyed less-is-more attitude and Antonio's exquisite finishing are all present here to please the eye...

A stunning Antonio Pineda modernist bracelet, its rectangular, slick links held together with bezel-set carnelian connectors, each one of which features a daringly protruding silver “tongue”. I love the gutsyness of the design and the mischievous sense of humor behind it but I am also taken with the rich color in the stones which changes hue as it responds to the changing light...

Made in the very late 1940s or in the opening years of the 1950s at the latest, this Marcel Boucher sterling silver necklace is a Mexican piece from the renowned designer’s “Parisina” line. Parisina pieces are not easy to find - Boucher had them made in Mexico for a few years around WWII because the war effort had put restrictions in the availability and use of silver. Yet this specific design, I have never encountered before ...

An early Mexico City (I will suggest) maestro, P. Ochoa must have been a contemporary of Matilde Poulat’s and M. Velazquez’s. His work, wrought in the same “Mexico City” style of repoussage which for me represents the country’s Arts and Crafts version in jewelry-making, is very rare to come upon but, I think, of the highest quality...

Handwrought in the early 1940's, this trapezoid design by Spratling measures 17" long and 1" high. The panels catch and reflect light beautifully as the wearer moves about. The necklace is in excellent condition. Spratling hallmarks are found on the slide-in clasp and on one panel.

One of the few female designers of Mexico’s 20th c. Silver Renaissance that we know of, Erika Hult de Corral excelled in the creation of slick abstract and brutalist jewelry. She started creating her own work in Taxco’s “middle period” and continued being active in the post-1980 years as well. Big, bold and beautiful, the result of the artist’s few yet perfectly placed brushstrokes, the dove-shaped pendant at hand conveys that precious sense of elegant, unimpeded motion...

Here is a lovely Victorian cameo, set in flourishes of yellow gold and decorated with 4 pearls. The background is a slightly darker pink than the lady. The attention to detail in the carving is very nice, and she is in excellent condition. There is one missing pearl, but it’s unnoticeable. It seems to say “SIG” in script across the back. The bale is signed with “10K” inside what looks like a stylized “C”. It measures 1-13/16” not including the bail, by 1”...

This brilliant vintage squash blossom necklace is anecdotally from the 1950s but stylistically typical of the 1970s (the leaves surrounding the turquoise cabochons were popular at that period.) It is sterling silver and turquoise but unmarked. The 1/4” sterling beads are bench-made. The necklace is 27” in length, with a naja that measures 2 5/8 in width by 3 inches in length. The necklace is set with 17 turquoises...

Circa mid-century, this heavy chunky modernist onyx ring was produced by Antonio Pineda.

It's a rarely seen design, wide, solid, and absolutely killer, with inlaid onyx in a 970 silver setting.

Measures a 6 on a ring sizer. The side is quite wide, so may fit a little more snug than that...

One of my favorite sub-genres in the world of vintage Mexican silver jewelry includes those early Deco repousse brooches wrought in the usually referred to as the “Mexico City style”, the most famous proponent of which is, undoubtedly, Matilde Poulat. Quite often anonymous, as in our case, these pieces can be fascinatingly weird, at times even bordering on the surreal...

Set in a raised bezel on a hand-hammered sterling platform the “mask” in this vintage Carmen Beckmann brooch is carved out of dyed calcite, often - and mistakenly - referred to as “jade”. Oxidation and a geometric glyph applique add complexity to the design and the portrait’s minimalist rendition brings to mind the more austere of ancient artifacts unearthed from the Mexican soil...

In the last couple of years I found myself drawn closer and closer to the jewelry created by the Los Ballesteros workshop. I am especially attracted to their “mask” pieces in all the forms they can be found as well as to what I like to call their “hinged bangle” bracelets. I consider both kinds the absolute jewel in the taller’s creative crown and it seems that there is always something new and different to discover...

Here is a pretty woman’s face in profile. Her long golden hair trails down to end with a tiny baroque or freshwater pearl. Total length of the face, hair and pearl a little less than 3/4”. This design was based on a drawing by Charles Dana Gibson – a Gibson Girl! (See the final photograph.) It is marked 14k, weighs 1.2g, and is in excellent condition. It doesn’t have a maker’s mark, but we have seen this same stick pin with Alling’s mark. Circa 1910. The photos are part of the descr...

Symbols of hope for fresh, new beginnings swallows are an integral part of the advent of Spring in my home country and I grew up waiting for a glimpse of their bifurcated tails and soft, white bellies as a sign that the end of the school year and the fun-filled days on the beach were not far away. In Victorian symbolism the birds express enduring love and loyalty and the promise of a safe return back home and it is these hopes the set of Mexican silver earrings at hand encapsulates. Very sculptu...

Based in Mexico City Plateria FarFan created some of the most impressive and well-made collar necklaces, many in the multi-row "mesh" style and others in puzzle “Cleopatra style” designs. The necklace presented here is one of the latter, a pretty handsome one at that and a favorite of mine for the comfortable, just-at-home way in lies around the neck. I consider myself most lucky because I have also the matching bracelet to it and even though the two will be listed separately, there is nothi...

With delicately carved features, this silver and tiger’s eye Egyptian Revival “Cleopatra” bolo tie is a small work of art that came out of the Los Ballesteros workshop. One of the best - and definitely the most persistent - Taxco talleres involved in the creation of exquisite “mask” jewelry, the Los Ballesteros used an array of semi-precious and hard- stones to create serene, out-of-this-world effigies for brooches, rings, bracelets and pendants. This is, however, my first bolo tie b...

Here is a delightful lioness with emerald-green glass eyes, and a diamond in her mouth. The detailing of her face – whiskers, mane, etc. - are very nicely done. She is made from unmarked but tested 14kt yellow gold. Her head measures 1/2” x 5/8”, and the total length is 2-3/4”. The pin is very straight, which is rather unusual! In excellent antique condition. Circa 1900. The photos are part of the description. Please examine them carefully. Thanks! We do lay-away. Shipping, handling &...