When a Taxco maestro goes out on the town and does not... behave, the next morning they go to work and make amends by designing a "St Peter and the keys to paradise" brooch! Or at least, that's how I want to explain the creation of this specific piece by the Los Castillo. Now whether the offender was Antonio or Margot or somebody else from the family is not so important here...

How often does one find an Enrique Ledesma starburst pendant? And if one does come upon an example, how often is it of such astonishing proportions? Let me answer my own question then - not often at all! Yet here I am presenting you with one and it is spectacular. Having a huge flat-cut color-change sapphire (synthetic corundum) at its heart , the pendant shoots out eight elegant sterling rays, their slender bodies curving away from the center to end in flattened drop shapes...

What with their bows and their beading Margot de Taxco's "cornflower" earrings are the epitome of retro elegance. The set presented here is, I believe, the smaller version of the design but I love it for its easy-to-enjoy size and the wonderful patina that enhances the sculptural appeal of the floral dangles. A classic in Margot's repertoire, the pair is always "en vogue" and adds that distinct quality to one's appearance that makes heads turn...

Circa mid-century, offered here is a gorgeous set of necklace and earrings produced by Antonio Pineda. The necklace is a book-piece design shown on p. 135 of "Silver Seduction: The Art of Mexican Modernist Antonio Pineda."

This set is collector quality. Necklace measures 15 1/2" closed, wearable length. It lays perfectly on the neck and has a very luxurious feel. Earrings are 1" tall and have clips...

Circa 1950's, this Salvador Teran modernist piece can be worn either as a pendant or pin.

Measuring 2 5/8" x 2", it's a rare and spectacular piece. The stones are chrysocolla, lapis, and onyx.

Weight is 37.1 grams.

Signed and hallmarked "Salvador Sterling Mexico", with the design # 124.

In excellent vintage condition.

This c. 1949-50 sterling silver with gold vermeil necklace was designed & signed by William Spratling in Taxco, Mexico. The necklace has a wearable length of 18 inches. The pendant measures 4" across & 1 1/4" high & weighs 78 grams. This vintage hand constructed piece is in beautiful condition. This design also in gold vermeil was included in the touring museum exhibit WILLIAM SPRATLING AND THE MEXICAN SILVER RENAISSANCE and pictured p. 85 of the museum catalog written by Penny Morrill...

This handwrought sterling belt buckle designed & signed by Spratling measures 2 1/2" across and 1 1/4" high & weighs 47 grams. This 80+ year old piece is in beautiful condition with normal wear & warm patina. This buckle will fit up to a 1 inch wide belt or strap. The buckle is pictured on Phyllis Goddards' website spratlingsillver.com.

Offered on consignment..... Offered on consignment... Circa 1930's, this is a spectacular bracelet with the highly coveted and seldom seen "Moth" design which Matilde Poulat is known for. This piece, no doubt produced in Mexico City, is hallmarked with a very early "Made in Mexico Sterling". Entirely hand-wrought with superb repoussé silver work, it's an intricately detailed bracelet. At the center of the moth is an oval green stone...

Circa 1930's - early 40's, this amethyst ring is the work of Fred Davis. It's a spectacular piece with a large domed amethyst cabochon set between opposing "V's". This ring is adjustable, currently a size 6.5. The face of the ring measures 1 5/16" x 1 1/8". Weight is 16.7 grams. Signed and hallmarked with a conjoined FD and Silver Mexico. In excellent vintage condition. Amethyst has natural inclusions and quartz marbling.

Hallmarks date this whimsical Hubert Harmon repoussé pin 1944-1948.

Before moving to Mexico in the early 1940's, Harmon had been a fashion designer who worked for Schiaparelli in Paris, and for Elizabeth Arden in New York. His designs are very unique, and as he only produced work for a short time his pieces are rarely seen.

This is a spectacular piece composed of two pins connected with a long chain. There is no end to the many ways you can wear them...

Offered on consignment.....

Dating pre-1948, Doris Silver / Corpus Artisans is well known for their superb creations. I so seldom come across her work and this piece is a real tour-de-force.

This necklace features a floral design with beautiful repoussé silver work and a gold vermeil finish which is perfect.

Measures 16" closed, wearable length...

Spratling designed this quite rare AZTEC MASK pin in the 1930's. The pin measures 3 inches across X 1 1/4 inches high & weighs 20 grams. The WS hallmarks on the pin date the piece to the 1930's. In the 1940's Spratling added additional elements to this design as pictured on Phyllis Goddards' site spratlingsilver.com. Please see the photo of the later design from Goddard's site for comparison. The piece is in great condition. The safety on the pin back is in fine working order.

From his first design period, here is a William Spratling butterfly pin with bronze markings. Hallmarks date 1940-1944. A book-piece design shown on p. 39 of Spratling Silver: A Field Guide, this pin measures 3 1/4" x 2". Weight is 18.8 grams. Signed and hallmarked with the Spratling Made in Mexico Print Circle and Spratling Silver. In fine vintage condition. Pin closes with a roller.

This amethyst ring is an iconic Antonio Pineda design, shown on p. 154 of Silver Seduction. It's a mid-century piece, collector quality, with perfectly matched amethyst cylinders which are channel set in a thick and chunky 970 silver setting. The stones are perfectly matched in color, and this ring can be worn by either a man or a woman. Measures 7 1/4 on a ring sizer, although because of the thickness and width of the band it will fit slightly smaller...

This showpiece from Margot de Taxco is supremely rare. I've not seen another. It's a necklace which instantly commands attention.

The huge centerpiece can be used as a pendant necklace, or detached from the chain to serve as a pin...

This sculptural Spratling design measures 3" X 1 3/4" and will accommodate a 1 inch strap. Each hand carved shell is held in place by 4 eye-catching sterling silver studs. The buckle is in beautiful condition with a warm patina. Signed with a script WS & 925 dating the piece to early 1950's. This design is pictured on Phyllis Goddards' site spratingsilver.com & in her book Spratling SILVER: A FIELD GUIDE. Also pictured on p. 173 of MEXICAN JEWELRY by Greta Pack and Mary Davis.

This sculpturally beautiful design is signed with Spratling's earliest hallmarks dating the piece to c. 1933-38. Each hand forged link is made of solid sterling silver giving the piece a hefty, yet wearable weight of 170 grams. The necklace is 15 3/4" long X 7/8 of an inch wide. Excellent condition with a gorgeously aged patina. The design is pictured on Phyllis Goddard's spratlingsilver.com.

This vintage hand-forged tie bar & belt buckle were designed by Hector Aguilar c. 1940-50's. The buckle measures 1 3/4" X 1 1/2". The money clip/tie bar is 1 3/4" long. Both are in excellent condition and together weigh 45 grams. Each piece carries Aguilar's hallmarks. The buckle is pictured on p. 107 of SILVER MASTERS OF MEXICO by Penny Morrill. Great gift idea!

This beautifully hand forged pin was designed by Mexico City artist Matilde Poulat c. 1930-40's. The pin measures 2" X 2" & weighs 20 grams. Penny Morrill explains on p. 217 of her book MEXICAN SILVER that the horizontal "S" is the symbol of happiness & the cascabeles signify fidelity. The pin is in excellent, unpolished condition. Both the pin back & safety lock are in fine working order. Signed Matl & 925 on reverse. MATL designs are included in the permanent collection of Mexican silver at ...

Frank Patania Sr. (1899-1964) designed this textured necklace in the 1950's. The center panel measures 1 1/4" high x 1 5/8" across. The wearable length is 17" and can be adjusted down to 15" if desired. The necklace weighs 46 grams & is in beautiful condition with a warm, aged patina. Patania's FP STERLING hallmarks are found on the back of the necklace.

Spratling designed this lovely hand carved rosewood necklace and bracelet in the 1940's. Both pieces are inlaid with thick sterling silver wire. The necklace has a wearable length of 15 1/2". The rosewood crescent is 4 1/4" across. The front of the bracelet is 1 1/2" high. It will fit up to a 6 1/2" wrist. The back opening is 1 1/4". Both bracelet and necklace are in beautiful condition and each carry the 1940's Spratling hallmarks. The necklace & bracelet are pictured on spratlingsi...

This Antonio Pineda necklace is composed of eleven diamond shaped pyramidal onyx stones which are framed by silver "X" links. The clasp is a tongue in box which is a silver pyramidal shape as well. It's a design which is rarely seen, and a superb modernist piece which is fully articulated and lays perfectly on the neck. It's difficult to measure, so I've shown it against a ruler. I would say it fits more like a choker necklace and is meant to be worn higher on the neck. Weight is a hefty 11...

Constructed in the mid 1930's, this early 980 sterling Spratling design measures 7" long and will fit up to a 6 3/4" wrist. The piece weighs 51 grams and is in excellent condition with a beautifully aged patina. This design is featured on page 60 of WILLIAM SPRATLING AND THE MEXICAN SILVER RENISSANCE by Penny Morrill. The bracelet also appears on Goddards' spratlingsilver.com where it is noted that Spratling referred to this design as the "pulsera de cocos". Hallmarked on the reverse WS TAXCO 98...

The early Aguilar hallmarks on this piece indicate it was designed and made between 1948-1955. Weighing 90 grams the bracelet measures 1" X 7" but will comfortably fit up to a 6 3/4" wrist. The bracelet has a beautifully aged patina with some surface wear & a pin head size ding noticed on close inspection. This bracelet is pictured on p. 64 of SILVER MASTERS OF MEXICO by Penny C. Morrill.

This carved rough cut fire opal ring was constructed circa 1950's and is a size 6 1/2. The rectangular stone is 3/4" X 5/8". The stone is set in a silver frame and rises 3/8" high. Hallmarked ANTONIO TAXCO SILVER MADE IN MEXICO. The worn outline of the eagle stamp can be seen. Some surface wear on close inspection. Beautiful colors within seem to dance as the ring moves in the light.

Spratling was known to keep pet parrots and other animals on his ranch in Taxco. This handmade and finely detailed inspiration is called Lorenzo. He measures 4 1/2" long and weighs 60 grams. The bezel set amethyst measures 1 3/4" long. Both silver and stone are in beautiful condition. Spratling 1940's hallmarks are on the reverse. This design is pictured in MEXICAN SILVER by Penny Morrill & Carole Berk. It's also pictured on Phyllis Godard's spratlingsilver.com where she calls this design Lorenz...

This rare, vintage, hand forged silver necklace was designed by Taxco, Mexico artist William Spratling. The necklace is 18" long and weighs 80 Grams. The piece is in beautiful condition. The slide in clasp is in fine working order as is the attached safety chain. The WS hallmark with eagle 30 stamp is on the clasp. This design appears to be Spratling's take on the Byzantine design.

This early, hand-forged sterling silver rope buckle designed by Taxco, Mexico artist William Spratling measures 1 3/4" X 1 3/4" and weighs 35 grams. The buckle will take up to a 1 3/8" wide strap. The condition is excellent with a beautifully aged patina. Spratling hallmarks on reverse.

This bold sterling silver belt buckle was designed and signed in the 1940's by Taxco, Mexico designer William Spratling. Weighing a hefty 35 grams the buckle measures 1 7/8" X 1 3/4" & will take a 1 1/4" wide strap. Beautiful condition and patina. No dents or dings. Fully hallmarked WS TAXCO 980 on the reverse. This design is pictured on p.35 of MEXICAN SILVER by Penny Morrill & Carole Berk, p. 172 of MEXICAN JEWELRY by Pack & Davis & on p. 108 of SPRATLING SILVER by Cederwall & Riney.

This bracelet measures 7" long with the largest charm measuring 2" and is in excellent condition. One charm carries the hallmark SPRATLING OF MEXICO SILSON INC. During their 5 year partnership in the 1940's, Spratling provided his original designs to Victor Silson who produced the designs using silver plated pewter. In her very informative book MEXICAN SILVER, Penny Morrill provides details about the years of the partnership and production of the Spratling designs.

Aguilar uses turquoise cabs in this unusual example of his braided wire bracelet which is most often seen with silver domes at the bracelet's ends. Also unusual is the petite size of the cuff. The inside measures 4 3/4" end to end with a one inch gap opening. It is 3/8" wide at the center front and 3/4" high at the turquoise cabs. The wire design is somewhat flexible allowing for a bit more length. The patina is excellent. The stones are rich in color. One stone has a pinhead size nick. Both the...

Spratling often used the butterfly in his jewelry and object designs. His rare bezel set amethyst and sterling silver tray measures 3 3/4" X 3 3/4" and weighs 72 grams. The piece is in beautiful condition. Spratling's hallmarks and eagle 30 impressed on the reverse.

This sterling silver brooch and pendant was handmade c. 1960's by Mexico City artist Anna Morelli (1921-2008). The piece measures 3 1/4" X 2 1/2" and is in beautiful condition. Fully signed by the artist on the reverse. In 1960 Morelli was an early founding member of the Bazar del Sabado in Mexico City along with Ricardo Salas Poulat where she sold her earliest jewelry designs. Morelli achieved international fame when she was asked to design the jewelry for the Conan the Destroyer film. Mexican...

Following in the tradition of Mexico City “jeweled” jewelry closely associated with Matilde Poulat, this Mexican Deco silver and amethyst cross pendant necklace is not signed for maker yet its rich patina, beautiful stones and exceptional chain more than compensate for the absence. I could hardly exaggerate how rare it is to find a repousse chain of this beauty, let alone one adorned with richly colored amethyst cabs. The stones’ circular shape is cleverly reflected in the beading on the c...

Working out of San Miguel de Allende, Carmen Beckmann is one of the “second generation” (if I may be allowed the term here) designer / silversmiths who contributed to Mexico’s 20th c. Silver Renaissance. In her work, Beckmann is often inspired by ancient Maya and Aztec motifs to which she adds her unique modernist “twist” - quite successfully in my opinion at least. The ring at hand, however, habitually referred to as a “cha cha” ring, I always associate with the roaring epoch of C...

Referred to as the “shells” or sometimes even “snails” bracelet, Margot de Taxco’s des. 5104 is a series of fleshy, perfectly swirling repousse links that feel so comfortable around the wrist, you might take them as an extension of your body. The example at hand vibrates with that warm light only well-aged, well-loved silver acquires and the thick sterling sheet used to craft the bracelet has allowed it to mature without burdening it with the scars and blemishes of age. Measuring a wea...