Hanakago (Ikebana flower basket). Irregular plaiting technique using bamboo and rattan...

A decidedly different version of this theme, a Festive carved wooden Tai (Red Snapper) fish with removable side for sashimi coated inside in gold with bone teeth and inlayed bone eyes. The craftsman ahs gone to great lengths to make this as realistic as possible, from the textures of the skin to the folds in the fins and coloring. Unusually, most dishes in this vein are one sided, however this is equally realistically carved on both sides...

Namiamidabutsu sho (Praise to the name of Amiddha Buddha) is scrawled in faint verse down the upper right, while on the left is a warning, kono tori, minasama goyojin goyojin (all those on this path, be wary be wary…) The two scripts are separated by a grave marker at the base of which lies a skull and scattered bones among the unkempt dried grasses. A very unusual seal in the shape of a Buddhist ewer hugs the right edge. Early to mid Edo period in the style of Hakuin Eikaku (1686-1768)...

Japanese limited edition sosaku hanga “kappa-ban” (stencil print) on crumpled hand-made momigami paper by Sadao Watanabe (1913-1996) titled “The Crucifixion.” The black and white image of Jesus nailed to a red cross is set against a blue background. Mary and Saint John kneel in prayer at each side. The print is signed and dated 1980 at the lower right and numbered 11/80 at the lower left, all in white ink. The paper measures about 26”V x 23”H...

A pair of unique three part tokkuri by Taniguchi Chojiro consisting of a top, which turned upside down forms the cup, a central ring on which the cup rests, and the bottle, which, when assembled, make the form of a temple bell. These are made after the infamous bell of Hokoji Temple which provided (a rather lame) excuse for Tokugawa Ieyasu to crush the Toyotomi family and claim the country for his own, therefore beginning the Tokugawa Dynasty which ruled Japan for over 250 years...

Veins of green Kai-yu meander over the body of this spectacular example of Edo period Tamba Pottery capping rich red clay rising from an abrupt base. A few bubbles in the clay reveal character about the torso, the lip powerfully rendered over the shoulder, which slumps to one side like some haggard but still proud old soldier. Four looping handles (mimi) would allow the lid to be tied down. Between two a drip from the roof of the kiln has adhered to the clay forming a point of interest...

Smooth black lacquer covers the mirror like surface of this wooden boat inlayed with mother of pearl down the sides, hiding under the low roof a brass tray for flower arranging. The prow is flecked with gold and the roof decorated with karakusa maki-e designs in black on the flecked surface. The tiller is removable for cleaning. It is 28-1/2 inches (72 cm) long, the ship dating to the opening of the 20th century...

A fine wakizashi in saya of crushed aogai shell in lacquer with engraved silver fittings adorned with a family crest wrapped with matching Kozuka. Kyoto license number 59007 Heisei 9.
blade length: 38.9 cm
sori:0.7 cm
motohaba:2.4 cm
motokasane: 0.6 cm It is in excellent condition.

An incredible Flambe glazed vase by Kiyomizu Rokubei V on a black-wood stand enclosed in a massive red lacquered storage box heavily inscribed and signed by the artist. I rarely use the term, but this is Museum Quality, or perhaps I should more rightly say this unprecedented piece should be in a Museum! It is 55 cm tall (22 inches), 41 cm (16 inches) diameter. There is a firing flaw in one side (see close-up pictures)...

Golden cranes soar among clouds etched into the surface of this solid silver Japanese hanging incense burner (Tsuri Koro) dating from the late 19th to early 20th century. Inside is an ash-cup suspended in a triple-hinged gimble which keeps the ash pot upright no matter the angle of the ball itself. On the side is impressed the official Kokuin which reads Jungin (pure silver). The cranes have a soft golden sheen and are likely gilded or damascened with gold...

Japanese Antique Hand-painted Imari Bowl with Colourful Flower Design Meiji Period (1868-1912) Imari ware has been produced in Hizen area of Saga prefecture of Japan since 17th century. Very nice bowl for Japanese art collector. Size Width 5.4in ( 13.7cm ) Length 5.3in ( 13.5cm ) Height 2.6in ( 6.7cm ) Weight 10.93oz ( 310g ) Condition Overall good. No chips, no cracks.

Kokeshi, wooden folk toy of NE Japan. Height: 5.25". This is an example of the "Nambu-kei" tradition of Iwate Prefecture. It was made at Hanamaki Onsen (Hanamaki Hot Spring) by an unidentified artisan. The wood used is "keyaki" (Zelkova-Chinese Elm.) It is not dated, but was most likely made during the past 20 years. This particular tradition of kokeshi is unique in that there is no painting, as in all other traditional kokeshi of Tohoku (NE Japan.) The wood is left bare...

 

Meiping vase measuring 7 3/4' high, signed by Chikusai with Shimazu red crest, high relief enamel decoration of baboo trunks and leaves, with floral and foliate elements, with Gosu blue colors. Excellent condition, no chips, cracks or wear (slight loss of gilding on lip). Very artful, lovely design from all sides, with especially high relief of the enamel work.

 

Japanese Limited edition lithograph of a traditional Japanese country scene in springtime titled “New Green” by Brian Williams (b...

Incredible attention to detail defines this large Pagoda entirely gilded in gold. It is 32 inches (81.5 cm) tall, 16 inches (41.5 cm) square at the base and in excellent condition. This would have been displayed in a Butsuma as a reliquary container. Both upper and lower doors open to reveal gold lined chambers in which the Buddhist objects could be stored. A couple of the small bells dangling from the eaves have been replaced or re-hung with wire. Due to size the cost of shipping will be a...

BECKONING CAT

Old Japanese folk clay doll of ‘Maneki-neko’ (https://en.wikipedia.org/wiki/Maneki-neko), early -mid 20th century, H 18 x W 9 x D 8 cm (7.08 x 5.54 x 3.14in). Aged deterioration with paint-peelings as is.


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