Rare Chinese Song / Yuan Dynasty Qingbai Porcelain Bottle / Vase

This porcelain vase was made during the 13th - 14th century, during the latter part of the Song Dynasty (AD 1279 - 1368), or possibly the following Yuan Dynasty (AD 1279 - 1368). Its moulded decoration is most unusual with two bands of raised studs surrounding the body at its waist. Around the shoulder is a more conventional floral scroll...

Chinese Song / Yuan Dynasty Qingbai Porcelain Jar / Rice Measure

This small jar was made during the 13th - 14th century, during the latter part of the Song Dynasty (AD 960 - 1279), or possibly the following Yuan Dynasty (AD 1279 - 1368). Its form is often referred to as a "rice measure". It has moulded decoration around the shoulder and is coated in a finely-crackled blueish-green qingbai glaze save for the rim and base that remain unglazed.

Diameter 8.5 cm, height 6 cm...

Thai 14th - 15th Century Underglazed Sukhothai Bowl

This stoneware bowl was made at the Sukhothai kilns during the 14th - 15th century. The striking floral / geometric pattern is in underglaze iron-brown on top of a white slip. The honey-coloured clear glaze is finely-crackled. The glaze is at its thickest to the upper surface. On the underside the glaze is thinner and has degraded in places leaving a matt surface. To the centre are five "spur marks". The base remains unglazed...

Thai 14th - 15th Century Sawankhalok Celadon Tall Bowl / Jar

This stoneware bowl was made at the Sawankhalok kilns around the 14th - 15th century. It is "heavily-potted" and coated in an attractive and finely-crackled glossy celadon glaze that has just a hint of blue in places. Decoration is minimal with none to the inner surface and simple incised bands to the outer surface just below the rim and above the foot...

Fine Vietnamese 14th / 15th Century Monochrome Bowl

This simple yet attractively-shaped bowl was made during the 14th - 15th century. It is coated in a translucent and finely-crackled honey-coloured glaze that has just the faintest hint of green in places. To the inner surface are five spur marks from manufacture. As is often seen on Vietnamese blue & white wares of this period, within the recessed base is a chocolate-brown wash...

Chinese Song Dynasty Longquan Celadon Porcelain Dish

This porcelain dish was made during the 12th - 13th Century at the celebrated Longquan kilns in Zhejiang province. The cavetto is decorated with a carved pattern and it is coated in a celadon glaze save for the foot edge where the pale grey porcelain body is exposed...

Large Chinese Tang Dynasty Glazed Stoneware Jar

This attractively-shaped stoneware jar was made during the Tang Dynasty (AD 618 - 906). It is made from a very pale, almost white, stoneware and quite "heavily-potted". The upper body and inside mouth have been coated in a very finely-crackled translucent pale greenish-yellow glaze, the colour of which varies a little in places according to the glaze's thickness.

A good size with a height of 29 cm. Overall condition is very good...

Rare Chinese Han Dynasty Glazed Pottery Milling Shed

This rare and very interesting pottery model of a milling shed was made during the Eastern Han Dynasty (AD 25 - 220). The building has a doorway at the back and a gabled roof. Inside is the rice pounder and mill. It is made from a fairly high-fired red pottery...

Rare Chinese Yuan Dynasty Burnished Black Pottery Bowl

We have recently been lucky enough to have acquired a collection of very rare examples of burnished black pottery items made during the Yuan Dynasty (AD 1279 - 1368). Such items are relatively unknown and very little has been published about them. They are found in the northern provinces, particularly Gansu province in the north-west.

This bowl is fairly thinly-potted and has a flared rim and quite a sturdy foot. Diameter 12.25 cm...

A very unusual Toyoraku Usubata vase covered outside in black lacquer decorated with geometric gold maki-e designs, the inside nearly swamped by organic green flowing to the center. It comes enclosed in the original somewhat dilapidated wooden box signed: The 75 year old man Toyosuke...

Fabulous carved florals rise in vibrant color off the surface of this yellow glazed vase by Kato Keizan II enclosed in the original signed wooden box. It is 31 cm (12-1/2 inches) tall, 24 cm (9-1/2 inches) diameter and in excellent condition.
Kato Keizan I (1886-1963) was born in Tajimi city, Gifu, a pottery center in its own right, however came to Kyoto to apprentice under Kiyomizu Rokubei IV. He established himself in the same neighborhood in Kyoto, where he became well known for cela...

Japanese Taisho to early Showa period Satsuma earthenware charger finely decorated in polychrome enamel and gilt with a single large foliate form cartouche set against a black background that extends to cover the back walls. The cartouche features a landscape scene with temples set among high mountain peaks. A bridge over water holds a single figure. The decoration is set against a cream colored finely crackled glaze background. Koshida workshop mark to the base. Potted with three small holes in...

A fabulous baluster form vase by the first generation Kato Keizan enclosed in the original signed wooden box titled Gaoji Ryumimi Chokoku Kabin(Ivory Porcelain Dragon Ear Carved Vase). Low on the flaring neck two dragons form handles, and the body of the vessel as carved with archaic symbols reflecting continental taste popular from the Meiji through Taisho to early Showa period. It is 33 cm (13 inches) tall 19.5 cm (7-3/4 inches) diameter and in excellent condition. Attached to the base is a ...

Fine Chinese Song Dynasty Qingbai Porcelain Bowl with Peony Pattern

This fine and delicate bowl was made during the Southern Song Dynasty (AD 1127 - 1279). Its body is particularly thin and translucent. The outer wall is decorated with an incised peony pattern. Both inner and outer surfaces are coated in a finely-crackled pale greenish-blue qingbai glaze. The rim remains unglazed, showing that this bowl was fired upside-down and placed in a firing ring (as opposed to a saggar as were qingbai...

A very unusual set of three scrolls depicting the women of Shimabara looking down with trepidation at a Fumi-e (a Christian symbol) before lotus enclosed in a wooden box titled Shizan Shimabara-me Sanpuku Tsui (Shizan, Women of Shimabara Three Scroll Set). The Fumi-e was a bronze or wood placard embellished with a Christian symbol upon which people were forced to step to prove that they were not Christians during the ban on Christianity throughout most of the Edo period. Any who refused to ste...

Two austere Bodhisattva play music and spread lotus petals before the benign countenance of Kannon while a fierce green God (god of thunder or wind) recoils, flame spouting from his mouth. This is a very unusual triptych enclosed in the original age darkened compartmentalized kiri wood box signed Urata Tenka titled Daiji Kannon no Zu (Image of the most merciful Kannon), Takahashi Koko Sho (Painted by Takahashi Koko). Urata Tenka was the first art-name (go) used by famed Meiji artist Takahashi...

The benign figure of Monju Bosatsu bearing the sword of knowledge and a sutra astride a fierce Shishi lion exquisitely painted by Takagi Shunrin in 1920. The compassionate being appears in royal regalia and white robes seated on a lotus shaped saddle upon the fierce creatures back. Pigment on silk in the original silk mounting with large ivory rollers enclosed in the original signed wooden box dated Spring of Taisho 9 (1920). The Rollers will be changed if exporting. It is quite large at 87 x ...

Chinese 17th Century Dehua / Blanc de Chine Porcelain Lion-Mask Censer

This censer was made in the 17th century (c. 1650 - 1700) at the famous Dehua kilns in Fujian province. It is "heavily-potted", the outer surface and inner mouth coated in an ivory-coloured glaze. The inner surface and base remain unglazed.

Diameter 15 cm. There are a couple of firing fissures to the thickly-cut foot, no doubt caused during firing due to the thickness of the clay. There is a small filled chip to the r...