AUCTIONS (2)
 | Fine quality Ohi Ware Macha bowl by Yoshio Iwamura |
 | Antique Tibetan painted wood image of Green Tara Bodhisattva |
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BECKONING CATS IN THE SHRINE
For thriving business and rising fortune.
Wooden 'kamidana' (Shinto/Buddhist altar), Meiji-Taisho period, early 20th century, Japan. H 23 x 13 x 16 cm (9.05 x 5.11 x 6.29in).
White porcelain 'maneki-neko' (https://en.wikipedia.org/wiki/Maneki-neko), Showa period, 20th century, Japan...
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Mr. EZAKI'S PALETTE
Wood, oil paints, 1970s, Japan. 30 x 27 cm (11.81 x 10.62in)
selected by Jinta
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This pottery model of a kneeling lady was made during the Eastern Han Dynasty (AD 25 - 220) and excavated from Sichuan province. It is made from a reddish-coloured pottery. A variety of figures of this general type are known. They are often musicians and entertainers, and were made in a variety of sizes. This is a particularly well-detailed and rare example...
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ROSES
Anonymous Korean oil painting on canvas, late 20th century, 52.5 x 40.5 x 2 cm (20.66 x 15.94 x 0.78in)...
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THREE WISE MONKEYS
See no evil, hear no evil, and speak no evil. Wood carving, Showa period, 20th century, Japan. Tallest (as Speak no evil): approx...
This rare and interesting pottery model of a foreign groom was made in the early part of the Tang Dynasty (AD 618 - 906). It is made from dense solid pottery (as opposed to being hollow as are the majority of Tang figures). The figure stands upright with his head turned to his right. His left hand is placed against his chest whilst his right arm and hand are outstretched...
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PHALLUS THAT DON'T STAND ON ITS OWN
Dedicatory wood carving phallus as ‘Goshintai’ (lit. ‘Body of Kami (God)’) based on Japanese phallus worship. Showa period, 20th century. approx. 31.5 x 5 x 5 cm (12.40 x 1.96 x 1.96in). Cracked but won't split soon as is...
This interesting pottery vessel was made over 3,000 years ago during the Chinese Neolithic or early Bronze Age. The form is of a cooking vessel and the three wide udder-shaped legs allow it to be stood in a fire with as much heat as possible being transmitted to its contents. It is not always easy to determine exactly which culture such vessels come from as similar vessels were made by various Chinese cultures...
This interesting pottery vessel was made over 3,000 years ago during the Chinese Neolithic or early Bronze Age. The form is of a cooking vessel and the three wide udder-shaped legs allow it to be stood in a fire with as much heat as possible being transmitted to its contents. It is not always easy to determine exactly which culture such vessels come from as similar vessels were made by various Chinese cultures...
This interesting pottery vessel was made over 3,000 years ago during the Chinese Neolithic or early Bronze Age. The form is of a cooking vessel and the three wide udder-shaped legs allow it to be stood in a fire with as much heat as possible being transmitted to its contents. It is not always easy to determine exactly which culture such vessels come from as similar vessels were made by various Chinese cultures...
This interesting pottery vessel was made over 3,000 years ago during the Chinese Neolithic or early Bronze Age. The form is of a cooking vessel and the three wide udder-shaped legs allow it to be stood in a fire with as much heat as possible being transmitted to its contents. It is not always easy to determine exactly which culture such vessels come from as similar vessels were made by various Chinese cultures...
This attractive pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is made from a fairly highly-fired pale buff-coloured pottery, the surface colour varying a little in places due to uneven firing conditions...
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STONE BECKONING CAT
Japanese stone carving 'Maneki-neko' (https://en.wikipedia.org/wiki/Maneki-neko) with such a lovely easygoing face, 20th century, H 19 x W 9.5 x D 9 cm (7.48 x 3.74 x 3.54in), in aesthetically weathered condition as is with no major damage as seen.
selected by Pottari
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EEL HOOKS
Two pieces set of traditional long iron hooks for catching eel as the popular Japanese mingei tool for all the time for its unique aesthtic form. Meiji-Taisho period, early 20th century. approx. L 77 cm (30.31in). Slight distortion due to aging as is.
selected by titcoRet
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HANGING FLOWER BASKET
Japanese hanging 'Hanakago' (Flower basket) made of bamboo so-called 'Kake-hanaire', late 19th - early 20th century, H 26.5 x D 13.5 cm (10.43 x 5.31in). Attached with a glass 'otoshi' (inner cylinder for the use of fresh flower arrangement). Some damages due to aging as is as seen.
selected by antiques.iwata
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SAMPLE BOOK WITH KNITTINGS
Japanese school girl's handmade sample book with the actual 20 knitting works and each written description by the right page. Showa period, 20th century. Book: 28 x 19 x 8 cm (11.02 x 7.48 x 3.14in). Once untied its binding string for the photo shooting. Some stains and creases due to aging as is.
selected by titcoRet
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This large and impressive stoneware dish was made during the 14th - 15th centuries. It is "heavily-potted" with a wide sturdy foot. It is decorated with various floral and leaf patterns in underglaze cobalt blue. In the centre is a stylised character. It is coated in quite a thick finely-crackled clear glaze that has a greenish tint to it. Around the central design is a wide unglazed band in which are six firing marks. T...
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SUSHI
22 pieces set of old wooden menu boards that had been once hung on the wall of a sushi restaurant in Showa period, 20th century, Japan, 21.7 x 5.2 x 1 cm (8.54 x 2.04 x 0.39in) each.
selected by titcoRet
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DRIFTING MELON
Japanese rubber ‘Food sample’ (Food model or Fake food) that has been washed ashore. Melon: D 14 cm (5.51in), Case: 15 x 15 x 15 cm (5.90 x 5.90 x 5.90in)
selected by Jinta
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PAPERS LIKE DRAWINGS
Two pieces of abstractions with unintentionally designed composition in such random balance, coated with ‘kakishibu’ (persimmon tannin), once applied from the paper used for feng shui or fortune telling in the Edo period, 19th century, approx. 56 x 86 cm (22.04 x 33.85in). Aged deterioration as is.
selected by titcoRet
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This tall and impressive pottery figure was made during the early Tang Dynasty (AD 618 - 906). It is "heavily-potted" and made from a fairly high-fired pale greyish-brown pottery. It has been "cold-painted" in a base coat of creamy-white pigment with details picked out on top in red and black pigments, especially to the head and face.
This figure represents a foreign groom. He conveys power and self-confidence, standing alert and upr...
This large stoneware dish was made during the 13th - 15th century. Wares of this type were undoubtedly influenced by the large Chinese celadon glazed dishes made at the Longquan kilns during the same period. It is heavily-potted and coated in a pale green glaze that is silky-matt in feel and appearance. A magnifying glass reveals that what appear initially as speckles within the glaze are in fact microsco...
This large and impressive pottery figure represents an official or a dignitary and was made during the Tang Dynasty (AD 618 - 906). It is made from a high-fired buff-coloured pottery that has been cold-painted in a base coat of a creamy-white pigment with details picked out in red, pink and black pigments. The figure stands upright on an integral pedestal wearing a long flowing robe under which his hands are held together across his chest. No...
This small pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is made from a fairly high-fired pale pottery and is of a very unusual and rare form with its wide body, small unflared mouth, no handles and four pairs of purpose-made holes around its shoulder. These holes were clearly made ...
This small pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is made from a fairly high-fired pale pottery and is of a very unusual and rare form with its wide body, small unflared mouth, no handles and four pairs of purpose-made holes around its shoulder. These holes were clearly made ...
An opportunity to acquire a Northern Song Dynasty (AD 960 - 1127) kiln saggar still containing its Qingbai porcelain bowl, excavated from a kiln site in the Jingdezhen area of Jiangxi province. This is one of a variety of different Qingbai porcelain wares in saggars, mostly bowls and dishes of varying sizes and patterns, that we were very lucky to be able to acquire some time ago and now offer for sale.
Northern Song...
This is one of a group of moulded pottery tablets that we bought about twenty years ago. They are made from a relatively high-fired pottery and have a surprising amount of detail, including the sun and the moon in this example. They were made as amulets and votive offerings and were reported to have been excavated from the foundations of an ancient Buddhist temple, where originally many would have been placed to ensure the success of the...
This rare and unusual "Swatow" (or "Zhangzhou") blue & white porcelain bowl was made during the Wanli period of the Ming Dynasty (1573 - 1620). The underglaze blue decoration around the outer wall features two dragons. The inner design features four fish around the inner wall and aquatic (?) plants in its centre. It is coated in a thick glaze. There is some kiln grit embedded within the glaze to the lower body and around ...
This highly decorative and attractive "Kraak" porcelain dish was made at the Jingdezhen kilns during the Wanli reign (1573 - 1620) of the Ming Dynasty. The pattern, in underglaze blue of good colour, features in its centre a winged insect amongst various plants and blossoms. Surrounding this are eight roundels containing, alternately, peach blossoms and precious objects. The underside is more simply decorated with abstract ...
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SEATED BUDDHA FROM KYUSHU
First half of Edo period (1603-1868), Oita, Kyushu region, Japan, approx. H 53 x W 29 x D 20 cm (20.86 x 11.41 x 7.87in). Carved from a single wood (though with the insertion hands), with slight remains of original paint (so possibly it will comes off little more) and aged cracks (but it's stable and won't splits more). No major wormholes.
selected by antiques.iwata
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EMA WITH BREASTS
Japanese votive wooden plate offered for the temple/shrine so-called ‘Ema’ (lit. ‘Horse picture’) attached with wood carving breasts praying for safe childbirth and for ample breast milk as very rare type based on the folk belief from Eifuku-ji temple in Chiba Prefecture. Showa period, 20th century. Plate: 39 x 14.5 cm (15.35 x 5.70in), Breasts: H 10.5 x D 7.4 cm (4.13 x 2.91in). Stands on its own because of broken and lack of lower part o...
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ROOF TILE
Actually used at a private house in Gangwon-do as the northeastern part of Korea, early 20th century, approx. 34 x 29 x 1.8 cm (13.38 x 11.41 x 0.70in). *Teapot is not attached with this item.
selected by kikue
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This superb and rare tall pottery vessel was made some 4,000 years ago by people of the Xiajiadian culture (c. 2300 - 1600 BC) from Inner Mongolia. The form of this vessel is characteristic of this Neolithic culture with its wide rim, partly hollow udder-shaped legs and carefully constructed body. The surface of the body above the legs, and the inner mouth, have a finely burnished surface, its smoothness making it a real p...
This large pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. The decorative pattern, applied on top of the smooth burnished surface with a fired-on mineral-based pigment, features four roundels containing geometric patterns. On opposing sides just below its waist are tw...
This large pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is quite "heavily-potted" and made from a pale yellowish-brown pottery, the colour of which varies in places due to uneven conditions in the Neolithic kiln. It is a well-made jar of fine form and good proportion...
This is one of a group of moulded pottery tablets that we bought about twenty years ago. They are made from a relatively high-fired pottery and have a surprising amount of detail. They were made as amulets and votive offerings and were reported to have been excavated from the foundations of an ancient Buddhist temple, where originally many would have been placed to ensure the success of the temple. We find it quite difficult to date thes...
This is one of a group of moulded pottery tablets that we bought about twenty years ago. They are made from a relatively high-fired pottery and have a surprising amount of detail. They were made as amulets and votive offerings and were reported to have been excavated from the foundations of an ancient Buddhist temple, where originally many would have been placed to ensure the success of the temple. We find it quite difficult to date thes...
This is one of a group of moulded pottery tablets that we bought about twenty years ago. They are made from a relatively high-fired pottery and have a surprising amount of detail. They were made as amulets and votive offerings and were reported to have been excavated from the foundations of an ancient Buddhist temple, where originally many would have been placed to ensure the success of the temple. We find it quite difficult to date thes...
This is one of a group of moulded pottery tablets that we bought about twenty years ago. They are made from a relatively high-fired pottery and have a surprising amount of detail, including the sun and the moon in this example. They were made as amulets and votive offerings and were reported to have been excavated from the foundations of an ancient Buddhist temple, where originally many would have been placed to ensure the success of the...
This is one of a group of moulded pottery tablets that we bought about twenty years ago. They are made from a relatively high-fired pottery and have a surprising amount of detail. They were made as amulets and votive offerings and were reported to have been excavated from the foundations of an ancient Buddhist temple, where originally many would have been placed to ensure the success of the temple. We find it quite difficult to date thes...
This large and rare porcelain dish, of the type known as "Swatow" ware, was made during the Wanli reign (1573 - 1620) of the Ming Dynasty at the Zhangzhou kilns in Fujian province where many such wares were made for export around South-east Asia. More specifically, this dish was very likely produced at one of the kilns in Pinghe County, possibly at Wuzhai village where very similar incised celadon dishes ar...
This stoneware censer was made during the Song Dynasty (AD 960 - 1279) or possibly the Yuan Dynasty (AD 1279 - 1368). It is quite "heavily-potted" with both inner and outer surfaces coated in a crackled transparent olive-green glaze reminiscent of yue ware, apart from the sturdy foot that remains unglazed. To the inside centre there is kiln grit embedded within the glaze. On opposing sides at the shoulder are two small loop handles.
This porcelain jar was made during the Ming Dynasty (1368 - 1644). It is very "heavily-potted": jars of this type are known as "bullet" jars due to their shape. They were made at kilns in Guangdong province as well as, possibly, other kiln sites. Many were exported and this type of jar can be found throughout South-east Asia, widely used for containers of salt and other foodstuffs and liquids. This example is coated in a thick pale c...
A rare opportunity to acquire a Northern Song Dynasty (AD 960 - 1127) kiln saggar still containing its Qingbai porcelain bowl, excavated from a kiln site in the Jingdezhen area of Jiangxi province. This is one of a variety of different Qingbai porcelain wares in saggars, mostly bowls and dishes of varying sizes and patterns, that we were very lucky to be able to acquire some time ago and now offer for sale.
Northern ...
A rare opportunity to acquire a Northern Song Dynasty (AD 960 - 1127) kiln saggar still containing its Qingbai porcelain bowl, excavated from a kiln site in the Jingdezhen area of Jiangxi province. This is one of a variety of different Qingbai porcelain wares in saggars, mostly bowls and dishes of varying sizes and patterns, that we were very lucky to be able to acquire some time ago and now offer for sale.
Northern ...
This dish, or shallow bowl, was made during the Southern Song Dynasty (AD 1127 – 1279). It has a moulded decoration featuring, in its centre, two fish swimming amongst waves. The two fish are an emblem of harmony and a happy marriage. The bowl is coated in a pale greenish Qingbai type of glaze. The rim remains unglazed, allowing the bowl to be placed in a firing ring in the kiln as part of a stack of similar bow...
This round box was made during the 13th - 15th century at the Sawankhalok kilns. Both cover and box have been decorated with an incised scrolling floral pattern, the design accentuated with the use of two different coloured glazes. The inner surface and base remain unglazed. Very unusually, to the base are incised lines: apart from the straight lines it appears there may be a picture incised although we cannot make out what it is. Diamet...
This covered stoneware box was made during the 13th - 15th centuries at the Sawankhalok kilns. It is elaborately decorated in underglaze blue with a ring of yellowish-brown glaze around the moulded top of the cover that is in the form of picked fruit. Diameter 9.75 cm, height 8 cm. There are a couple of fine hairline cracks to the edge of the cover and minor chips to the edge of the box. No repair or restoration; overall a nice examp...
This attractive and sizeable dish was made during the mid 15th century, probably around the 1430's - 1440's. It is quite "heavily-potted" and has been decorated in underglaze blue in a variety of floral and lotus leaf patterns with a crackled glaze. The rim is unglazed and the base has been coated in a chocolate-coloured wash, typical of Vietnamese ware of this period. The way the glaze has formed around the chi...
This rare and unusual pottery tile was made during the Ming Dynasty (AD 1368 - 1644). It is made from a grey pottery and is particularly "heavily-potted". It features, in high relief, a bird in flight. Note the detail to the bird's feathers. It has been cold-painted in red and white pigments. Cloud patterns have been inscribed into the flat background. We believe the bird to be a crane, a symbol of longevity that is said to fly...
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SEASHORE
Anonymous vintage Japanese oil painting on particle board, with the sign of 'Y. Ohta. 53_'. 1953 or Showa 53 (1978). At the backside, written his loving passion to a certain Japanese woman, as "Sayoko Tominaga. Miss Universe. Sayoko Tominaga. Sayoko Tominaga. Sayoko Tominaga. How beautiful, noble, wise, lady you are.". Aged deterioration as is as seen.
selected by hotoke
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UNIDENTIFIED MYSTERIOUS ANIMAL
Unprocessed Japanese natural gnarl like a dog or dinosaur or UMA. Staring at you with sharp eye. Not stand on its own. H 26 x W 25 x T 7.5 cm (10.23 x 9.84 x 2.95in)
selected by titcoRet
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This superb and impressive pottery jar (hu) was made during the Han Dynasty (206 BC - AD 220). It is made from a fairly high-fired reddish pottery and coated in a particularly attractive streaky dark green and finely-crackled glaze, the colour of which varies according to its thickness. Interestingly, the drips of glaze to the mouth rim and the pooling of glaze to the flat base show that this jar was fired upside down.
The ...
This fine and attractive pottery jar (hu) was made during the Han Dynasty (206 BC - AD 220). It is made from a fairly high-fired reddish pottery and coated in a very finely-crackled glaze of unusual colour varying in places from green to a yellowish-brown. There are a couple of minor kiln scars to the glaze, quite common with Han glazed pottery.
The neck and shoulder are decorated with deeply incised bands between which are ...
This fine and very rare pottery model of a kneeling camel, laden with saddle bags, was made during the Eastern Wei Dynasty (AD 534 - 550) or the following Northern Qi Dynasty (AD 550 - 577). It is made from a pale greyish-brown pottery that is fairly highly-fired. It has been "cold painted" in a base coat of a creamy-white pigment with details picked out in brown, red and black pigments. The camel is i...
This exceptional "five-section" stoneware jar was made during the Song Dynasty (AD 960 -1279). It is quite "heavily-potted" with the outer body and inner mouth coated in an attractive dark iron glaze, the colour varying from brown to black with an almost "metallic" silvery sheen to it in places. The elaborate applied decoration around the shoulder features a dragon chasing a pearl (the story of the dragon's pearl is ...
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HAJIKI
Japanese ancient Hajiki (Haji pottery) jar with such beautiful soften form and texture, Tumulus period - Nara period, 250-800 CE, H 11 x D 12 cm (4.33 x 4.72in)
selected by Jinta
* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully acknowledged our Sales Policy under any circumstances. T...
