Historically important Japanese woodblock print triptych depicting the landing of foreigners of the “Five Treaty Nations” in Yokohama by Utagawa Yoshikazu (flourished 1850-1870). The print features soldiers and civilians from America, England, France, Russia, and The Netherlands grouped together with their respective flag and label. Two Chinese compradores, who facilitated trade, are in the foreground and western ships line the harbor in the background...

A large futamono (covered dish) in the shape of a Tai-fish by Ninnami Dohachi enclosed in a triple wood box signed and annotated by renowned potter Miura Chikuken (Chikken). The Tai fish (Red Snapper) is a popular motif and commonly served in celebratory occasions because its name (Tai) is a homophone for Medetai (celebration). The stomach section is removable to reveal a compartment where fish might be served. It is 36.5 x 23 x 20 cm and is in excellent condition...

An antique, splendid hand painted 3-1/4" high lidded dresser or vanity jar, possibly for powder or storage. This Japanese Royal Nippon item features lush gold trim with jewelling and it depicts finely hand painted red and pink roses with foliage. It is signed with a Japanese seal signature on the bottom. It is in excellent condition with no chips, cracks, crazing, losses, damage or repairs other than a bit of light gold wear and a couple of small paint misses on the lid...

A quaint hand-carved image of Minogame (a sea turtle) supports this antique bamboo pipe tap dating from the second half of the 19th century, the rich dark wood highly polished from a century of fond handling glows like satin. The turtle is a symbol of longevity in Japan, and often is depicted in celebratory situations. Here the creature has been chiseled out of a solid chunk of wood, head raised over the top of its shell...

A Boro cover textile of sewn together bits of worn out Asa (Hemp) fabrics resist died with various patterns. 146 X 163 cm (57-1/2 x 64 inches).

A bridge and weeping-cherry (shidare sakura) draped over swirling eddies on this silver lidded Meiji period Koro incense burner on its original matching table. On the table a waterwheel is visible downstream from the same scene, tiny silver beads floating on the crests of the ripples. The incense burner has a silver lid and removable liner, with a nashiji gold-flaked bottom. It is 4-1/2 inches (11.5 cm) diameter and in fine condition...

A snow-capped Mt. Fuji viewed through clouds from Nihonbashi (Japan Bridge) from the series "Famous Views of Edo" by Ando Hiroshige (1797-1858) published by Sanoki circa 1840. The print depicts a lively scene with workers carrying merchandise by foot across the bridge in Edo (now Tokyo). Boats are docked before warehouses in the background. The colors are exceptionally fresh and vibrant. This is not a later edition or reproduction. It is a guaranteed original woodblock print by Hiroshige...

A really nice, old bronze Shishi sculpture. It works well enough as a free standing figure and we cannot be certain it wasn't intended as such. The bottom has a single 1/2 inch (1.27 cm) diameter opening and another opening being the beast's mouth. The party we acquired from described it as an incense burner. Perhaps it could have been the cover of a censer - the opening in the bottom allowing smoke to escape from the mouth...

Very fine and rare Japanese Edo era Hasami Bako, or storage/traveling box, measuring roughly 12" wide (including brass hanging hooks on sides), 5 1/2" deep, and 6 1/8" high. It dates to the late Edo era, some time between 1780 and 1850. The top is slightly domed, as is visible in some photos, and all edges and corners are decorated with incised brass metal sections, and two U shaped handles are on both ends, and can stand upright, as would be the carrying position for a larger trunk. The box...

Impressive Japanese ink and color on paper horizontal handscroll measuring over 30 feet in length depicting an Edo period genre scene of a large daimyo procession passing through the center of a village. The villagers are engaged in all manner of activities. As the scene unfolds, there are also scenes of battles and encampments. Scroll: 19 3/4” x approximately 32 feet in length. 19th century. Very good overall condition with typical wear and soiling visible...

Well carved antler netsuke; of a Hotei carrying a bag on his back, early 19th century period. Size; Height of this carving is 1 3/4 inches. Condition Report; Good condition, age wear.

A fine Japanese Rimpa school lacquer box. Grasses and floral decoration in gold lacquer on a black ground. A once silver or pewter tone crescent moon adorns the cover - indicating a night scene. Original silk brocade lining. Edo period. A fair bit of distress - mostly on corners and edges. An early box and a promising restoration project in the right hands. Length: 6 1/2 in. (16.51 cm), Height: 4 in. (10.16 cm), Depth 3 3/4 in. (9.53 cm)

This appears to be an incarnation of Shindara Daisho of the 12 guardian deities (Juni Shinsho). He has glass eyes and stands on the original Daiza.. The Deity is 21 inches (53.5 cm) tall, total height with stand is 33 inches (83 cm). Later Edo period (18th-19th century). The left hand has been replaced.

Magnificent Japanese Red Raku (Aka-Raku) Tea Bowl made during Edo period. Raku pottery is traditionally used in Japanese tea ceremony since as early as the 16th century. Size Width 5.2in (13.2cm) Height 2.1in (5.4cm) Weight 8.82oz + Box 6.00oz (250g + 170g) Condition Overall good considering the age. There is a little dent as shown on the pictures due to making process in kiln and this is not the problem to use. Box is provided

Japanese Edo period woodblock print by Toyokuni I (1769-1825) depicting the kabuki actor Nakamura Utaemon III portraying a sake peddler encountering a dog from a set of eight prints published by Yamamoto Heikichi in 1815...

 

Japanese literati painting finely detailed in the Chinese style with a snowy mountainous landscape scene featuring houses, figures, a waterfall, and gnarled trees. An inscription at the upper right is signed “Sorin Gaishi,” the pseudonym for Takaku Aigai (1796-1843), followed by two red artist seals. Takaku Aigai was a prominent Nanga School artist and a protégé of Tani Buncho. His work can be found in the collections of the British Museum, Ashmolean Museum, Metropolitan Museum of Art, ...

A pair of Japanese Edo Period Ko-Imari porcelain choko. Polychrome enamel decoration of chrysanthemums and Paulownia. Buff tone along the rims. Fuku marks centered inside the foot rims. Diameter almost 3 3/4 inches (9.525 cm). Height 2 7/8 inches (7.3 cm). At least early 19th century. Good condition.

A large 17th to 18th century Buddhist sculpture of a Rakan (arahat), well sculpted, his naked torso gilded in gold with robes and shoes in black lacquer, carrying a large urn which is an active incense burner. The sculpture is 2 feet (61 cm) tall and in overall fine condition. There are minor losses to the lacquer and gilding typical of age, and a repair to his left foot. Both little fingers are missing from his hands; these could be repaired if desired at additional cost.

Loops of white decorate the dark pitted glaze of this quashed bowl from the kilns of Kyushu dating from the early to mid Edo period. The small foot is testament to dating, and there is much natural wear to the dark glaze. The vessel is 14 x 10 x 6 cm (5-1/2 x 4 x 2-1/2 inches) with an age darkened chip in the rim where it rolls over on itself. It comes in a silk bag enclosed in a black lacquered antique wood box. It comes from a collection of Edo pottery, and inside the box is a receipt desc...

Japanese very well carved boxwood netsuke, featuring a seated man holding an object, from late 18th/early 19th century era. Size; Height of carving is 1 3/8 with length of 1.5 inches. Condition Report; Good condition, age hairline/crack to the left side of man.

Gold glimmers on the rim against pale concrete tones on this rare mid-Edo period tea bowl from the Utsutsugawa kiln in Nagasaki prefecture, late 17th to early 18th century. Waves of brush strokes decorate the outside, while the white slip cascades from the rim in withering streaks within. A kutsuki on the side testifies to some event which happened during the firing, where another piece of pottery collapsed against the side, fusing and causing the bowl to deform. This force created a crack wh...

Heavy pigment on thickly veined gold creates a powerful collection of scenes from the Taiheiki, the 11th century story of the fall of the courtiers and usurpation of power by two military families, the Taira and the Genji. The screen dates to the 18th century, or middle Edo period. Many old repairs attest to age. We have had it completely remounted, with no painting restoration performed. On the left the famous scene of shooting a fan from horseback from the battle of Yajima. Center two famo...

An exquisite 17th-18th c. rendition of Suiten (vedic Varuna) rising over tempestuous waves. Pigment on silk, The scroll is 59.2 x 167.5 cm (23-1/2 x 66 inches). It has been fully remounted, in an antique silk retaining the original brass rollers. One of the oldest gods, Varuna is associated with a Serpent (Makara) as his vehicle and a noose as his weapon. Varuna is god of waters, the source of rains and the one who rules over the Nagas (divine sea serpent), myths important in Hinduism and ...

A large and rare mid Edo period Tamba Funa-dokkuri Ship Bottle made with flaring mouth and wide flat bottom for use on Ships. Down the side is inscribed the date Kyoho Gannen (First year of Kyoho, 1716). The Akadobe clay is covered in rich green glaze cascading in rivulets all about, with a few scattered windows of raw clay exposed. The base is slightly concave, impressed with a fern leaf. The Funa (ship) tokkuri shape was originally made for the use on ships, the side bottom keeping it fro...

On the 9th day of the 6th month of 1775, 3 artists, Reisen Uno (Motoaki/Gensho, a songwriter, poet and calligrapher), Keiho Takada (Kano Chikuin, a Kano trained painter of budhist images and calligrapher) and the master of the Chikudo, Teiun held a songwriting party. This scroll is a recording of the scene, with the subsequent song written along the top, followed by a poem by Chikuin and Reisen, recorded by Teiun. This is a truly fine scroll, recently restored from its worn Edo mountings. It ...

A pair of small gold doors depicting Asian Civets (Jakoneko) in a flower strewn garden dating from the early to mid Edo period (17th to 18th century) reminiscent of the famous pair of screens heralding the same image by Kano Yukinobu (Utanosuke, active Muromachi period). The handmade bronze handles are in the shape of hollyhock leaves, intimating connection to the Tokugawa clan, head of the Shogunate. The painted panels are 45 x 28 cm each (17-1/2 x 11 inches), the doors roughly 48.5 x 32 cm (...

A very rare find indeed, two early to mid Edo period matching Kashi-gusoku Yoroi from the same armory featuring Momonari Kabuto and Hotoke-Ni-Mai Do decorated with jagged bands of gold. A very impressive set. The sleeves are patterned blue and white hemp. The thumb on one sleeve is missing and the two hinge pins. There are broken strings and damage to the lacquer consistent with age and the fact this armor was handed out to soldiers, likely often for guard duties and escorts, and so did see ...

A fabulous mid Edo period bronze brazier with satin luster made up of a basin supported by four small rabbits with two small gourd shaped handles suspended from a belt of archaic designs. The top is a large dome pierced with geometric designs known as incense clock patterns and featuring a large hinged circular opening in front. It is 22 cm diameter, 34.5 cm tall (8-1/2 x 13-1/2 inches) and in excellent condition. It comes enclosed in a wooden box titled: Moku-o Fu-kun I-ai Natsume-Gata Ko-Do...

An elegant Edo period Mokko-Gata bowl decorated in gosu floral motifs over yellow under a clear glaze from the kiln established by Chinese Ming émigré Chin Genpin (Chen Yuanyun 1587-1671) around 1660 in Nagoya under direction of the Daimyo of Owari Province Tokugawa Mitsutomo. The piece makes use of Seto clay covered in a combination of imported yellow glaze and local glazes mimicking the popular Annan Yaki of Southern China and Vietnam. It is 15.5 x 11 x 7 cm (6 x 4-1/2 x 3 inches) and is i...

A fine rendition of a plum by Tanaka (Zuitai) Ryurei (commonly known as Ryudojin, 1740-1804)). Ink on paper, it has been fully remounted in a silk frame with wooden rollers reflecting the original style. The scroll is 12-1/2 x 70 inches (31.5 x 178 cm).
Ryudojin was born in Owari, near modern day Nagoya. He is referred to also as Ryurei Zuitai and or Ryudo Reizui or simply Ryurei. Born into the Tanaka family, he was sent to the priesthood at Reigenji at the age of 11. Then he went to...

Late18th Century or Early 19th Century Japanese Wood Netsuke Erotic Couple Signed

The netsuke is 1.5 inches tall, and 1.75 inches wide.

It is in good condition with no repairs, chips, nor cracks.

Due to the adult content of the base, their photos are inappropriate for public viewing. Please email hi5005@yahoo.com for the photos.

Our Guarantee: We stand behind all of the items that we place on Trocadero. That is to say, if you purch...

An Edo period image of plums blossoming on thick branches by Kitayama Kangan. Ink on paper in a patterned cloth mounting with beige piping in the Mincho style so popular int eh 19th century and featuring bone rollers. It is 21-1/2 x 78-1/2 inches (55 x 199 cm). Some minor loss to the piping at the top of the scroll, otherwise in surprisingly good condition.
Kitayama Kangan (Ba Moki, 1767-1801) was the grandson of a Chinese émigré. He studied painting under his father Ba Doryo (Also us...

A very rare Nana-sun plate with swirling hake-me design from the kilns of Utsutsukawa dating from the early to mid Edo period wrapped in a ragged bit of sarasa dyed cotton cloth and enclosed in an age darkened wooden box titled Utsutsukawa-Yaki Kashibachi - Ikko (Sweets dish-1) It is 7-1/2 inches (19 cm) diameter. Thinly potted, there is a tiny chip in the rim, otherwise is in perfect condition; exceedingly rare for this type of pottery.
Utsutsukawa-yaki originated in Nagasaki in the lat...

Lidded crystal eyes gaze serenely down from the Rakans purchase high on the lofty temple walls. The face is expertly crafted, with a distinct Chinese air reflecting the fact the Rakan (Arahat) were all from the Continent. The robes of green, white and red are patterned with scrolling vines and dials. A dedication on back Appears to be Made for/by Konoike-mura Hachiuemon and is dated Ho-Ei 7 (1710). The new wooden base on which it stands states the piece was restored in 1993. One of likely 1...

SUZURIBAKO Rare and important writing box. Japanese lacquer urushi. The exterior is decorated with two shishi carefully patterned. The interior of the lid is decorated with a steep rocky coast with a temple, in gold and silver takamaki-e, the craggy cliffs are enhanced by cavities carved. Techniques of takamaki-e, hiramaki-e, kirigane, uchikomi, kimetsuke and tsukegaki. On a nashiji ground. The rims are fundame. Empty. Size : 23 x 21,2 x 4,6 cm. Japan Edo (1603-1868) end of 17th, early 18th cent...

The circular dish made of fine milky white porcelain decorated in overglaze enamels as iron-red, blue, green, yellow, black and gold. The well painted with a prunus tree, coiled dragon and ho-o bird. The reverse with scrolls. Condition: fine, the green enamel with partial spalling. Dimension: diameter: 20.9 cm.

SEATED BUDDHA FROM KYUSHU

First half of Edo period (1603-1868), Oita, Kyushu region, Japan, approx. H 53 x W 29 x D 20 cm (20.86 x 11.41 x 7.87in). Carved from a single wood (though with the insertion hands), with slight remains of original paint (so possibly it will comes off little more) and aged cracks (but it's stable and won't splits more). No major wormholes.


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A rare octagonal porcelain dish decorated in underglaze blue with a flowering bush by a rock, along the border stylized Chinese characters. The rim glazed brown, the base with three spur marks and a "fuku" mark within a double square. Dating to the early Edo period. Condition: well with little scratches, rim with 3 tiny frits and two chips, and one chip under the glaze (photo 8). Dimension: diameter: 20 cm, 3.2 cm high.

Waves lap at the dark shore crowded with cranes on this elegant 18th century paper screen embellished with clouds of gold flake signed Hokkyo Shunboku (O-oka Shunboku, 1680-1763). A bramble of dried bamboo hides one sleeping form, the others strut about oblivious to the frigid winter air. Turgid blue water rolls slowly behind, waves licking at the near shore. A fine example of the mid-Edo aesthetic; the screen is 67-1/2 by 148 inches (172 x 376 cm) and is in excellent condition, recently full...

Silver canines gleam menacingly in the corners of the mouth of this terrifying Edo period sabiji-nuri iron Menpo face mask. It has a three lame nodokake also with sabiji-nuri, laced with tight blue chord. The mustache is a bit ragged and there are typical chips around the edges from use.

Brilliantly colored riders charge into rushing water on the gold leaves of this 18th century six panel screen relating the famous charge at the Battle of Uji Bridge. Tatsuna and Kagesue charge forward into the waters riding toward the enemy lined up on the opposite shore of the Uji River; the skeleton of the bridge visible in the back-ground. The screen measures 173 x 377 cm. (68 x 148-1/2 inches) each and retains the original Edo backing paper, with strong hinges and a good brocade border. It d...

An haunting 17th century sumi-e image of a goose at twilight by Kano Toun (1624-1694) in the original Edo silver threaded brocade border patterned with clouds, upper and lower extensions of heavy coffee colored cloth ending in ivory rollers. The almost complete dominance of white seems to convey a passage through space, from clarity into obscurity, leaving the viewer with a slight sense of loss echoing in ones memory. Kano Toun, (born Masanobu, 3rd son of Goto Mitsuyori) first learned painting...

An exquisite wooden plate in cinnabar lacquer over black wrapped in a chord bound cloth bag end enclosed in an age blackened kiri-wood box dating from the Edo period. The surface of brilliant red has been worn through with handling revealing the black beneath about the rim and edges. It is 9 inches (23 cm) diameter and in excellent condition. The bottom is a brown tinged black (the brown is a product of oxidation, inherent only with age) upon which are written two characters in red. The box i...

A comic scene in ink on paper of boys herding oxen by Nagasawa Rosetsu spreads across these two low screens. The central characters, one in the lead the second astride one of the behemoths crossing a bridge is distracted by a butterfly floating by above while the beast in front steps on its own rope, pulling his head back to the viewer with a quizzical expression. Other oxen and boys populate the background. All is performed in very soft gray tones with abbreviated detail as if viewed through...

The gist of the script is Taoist, something to the effect of: This is my life, I am neither overtly talented nor gifted with genius, like a sail boat alone tossed among the waves I drink freely of sake untouched (unfettered) by others seen only from a distance. Ink on paper in a the rough silk border preferred by Literati artists with exquisite turned ivory rollers enclosed in a period wooden box (the rollers will be changed for something suitable if exporting). The scroll is 17-1/2 x 75-1/2 i...

An antique cast bronze waniguchi bell or gong, the type used to hang in front of places of prayer and under temple eaves dated 1710. Often these can be found hanging over saisen-bako where the bell is rung by clanging a dangling rope with wooden corbel against the bell to awaken the gods; coins are tossed and a prayer given. Anyone who has been to a Japanese Temple or Shrine may have noticed one. A much thinner cast than the later bell we are offering

A small square gold lacquer Japanese incense container with rounded corners. The lid is decorated with a relief of waves and rocks, inlaid in mother-of-pearl and lead. Interior and base with nashiji, the rims covered with lead. Later tomobako. Dimension: c. 9.5 cm x 7.5 cm x 2.5 cm. Condition: few traces of usage, a tiny chip (see photo No. 2 at 2 o'clock).

A 17th – 18th century Neko-tora Tiger by Nagasaki school artist Watanabe Shuseki performed with ink and color on paper in yellow bronze silk border with bone rollers. The parchment is aged and gray, giving the sense of a wall painting in some ancient tomb. The scroll is 14 x 63 inches (36.5 x 160 cm). There is some damage to the lower extremities of the paper, and minor cupping. Watanabe Shuseki (1639-1707) lived in Nagasaki and was a proponent of that school trained under Itsunen. Works ...

A set of shishi guardian carvings from high up on the front of a Buddhist temple, each cut from a single block of wood with fore-paws extended in a leaping motion and vicious snarls. Each is roughly 30 x 30 x 24 cm (12 x 12 x 9-1/2 cm tall and in overall excellent condition. These date from the Edo period.
Shishi guardians, also known as Komainu or "lion dogs," have a long history in Japanese art and culture; iconic figures often depicted in pairs and placed at the entrances of shrines...

A blossoming cherry occupied by two Birds of paradise spreads its arms over blue water flowing across the gold ground of this fine two panel screen by Kano Takanobu (d. 1794). The scene is depicted with mineral pigment on paper and gold foil. The artist has chosen a softer than traditional approach to the tree bark, almost boneless, all written with washes of dark color like that of the Rimpa school. The blossoms themselves are painted in slight moriage gofun, each heart shaped petal unique. ...

A man-headed snake coils atop this incredible mid Edo period (18th century) image of Benzaiten (Saraswati) inside a mountain shaped reliquary of dark wood. Inside the gilded cave she sits on a gilded lotus base. The figure holds a variety of sacred implements in her 8 hands. Riding on the benevolent figures head is the snake seated behind a Torii-shaped Crown settled between two Buddhist jewels. The image is 8 inches (19.5 cm) tall, the mountain shaped receptacle 19 x 14 x 23 inches (48 x 35...

The simple black lacquered shrine with its original black lacquer, gilding and metalware. The finely carved Kannon with her original gilt metal crown. Japan, Edo, 18th century. H.17,6 cm. Excellent condition with expected age wear.

A RETICULATED PORCELAIN DISH, JAPANESE IMARI, LATE 17TH / EARLY 18TH CENTURY.

A very rare dish for this early period. The centre is decorated with typical Imari enamels in a most striking design set off by the reticulated border of interlaced circles. On the back can be found a very unusual border design of two gilt dragons. Within the foot-rim are four unevenly spaced spur marks. You will certainly have seen late 19th century versions of this form but they are not a patch on this Gen...

A boxed set of fifteen unique bowls with lids for clear soup made for the Lord of the Yanagisawa family enclosed in a wooden box dated the 7th month of 1730. What makes this set quite unique is that each bowl is singular, a different design, color, shape or technique. But throughout is the one continuous symbol, the four petaled crest of the Yanagisawa clan.　The box is titled Yakatasama, Go Suimono wan, Yangisawa Shimono and on the side Jugonin-mae. Yakatasama, means a nobleman's house suc...

Small Kagamibuta, the walrus tooth bowl, the shibuichi plate decorated with an eagle. Restoration on the bowl. Edo Japan (1603 - 1868). Late 19th century. Diameter : 3 cm

A set of two 18th century screens showing through an assortment of amicable characters, the traditional production of silk. Depicted with ink and light color on paper, every aspect of the process is visible in high detail from the sorting of the worms to spinning, dying, weaving, and the selling of thread and bolts of cloth. An exciting screen both from the quality of the art and from the historical narrative contained. Each screen is 67-1/2 inches by 12 feet (171 x 378 cm). It is bordered i...

The 1000th piece to be loaded in the catalog! Offered is an 2 18th century (Edo period) Japanese Kano School 6 panel seasonal screen of pigment and applied gold on paper. Egrets gather about a snow laden willow along a stream, flowers blossioming under the snow indicative of the strength and endurance of nature. Clouds of applied gold leaf fill the scene, with open areas covered in a sprinkling of powdered gold mixed with tiny gold squares. Truly fine detail. The painting is bordered in dar...

A six panel gold screen decorated in a style harkening to the first half of the Edo featuring angular trees interspersed with blossoming cherries, a torrent splashing angrily through the right quarter topped with moriage gold clouds. Many repairs and losses to the heavy pigments attest to the great age of the painting. Excellent size for wall mounting, it is 62 x 138 inches (157.5 x 350 cm). The border is from a later mounting. Due to size the cost of shipping is to be accrued separately.

A mid Edo period (16th to 17th century) five plate cuirass (go-mai-do) of heavy iron emblazoned on front with a sun and moon in inlayed silver over the fierce god Fudomyo with protective sanskjrit characters in silver damascene on the sides and a five character phrase (The Gotoku or five precepts of Confucianism, also espoused in the book of five rings) on back, also in silver. It is lacquered red inside, and about the waste hang rows of black lacquered scales laced in blue with color fleckedwh...