A Fine Pair of Tall Chinese Western Han Dynasty Painted Pottery Granaries

This impressive fine pair of painted pottery jars, representing granaries, was made over two thousand years ago during the Western Han Dynasty (206 BC - AD 8). They are made from a fairly high-fired grey pottery. They have cylindrical bodies, each decorated with three surrounding bands of raised ridges, the tops of each jar representing tiled roofs. Each jar stands on three feet moulded into the form of a bear...

A rare octagonal porcelain dish decorated in underglaze blue with a flowering bush by a rock, along the border stylized Chinese characters. The rim glazed brown, the base with three spur marks and a "fuku" mark within a double square. Dating to the early Edo period. Condition: well with little scratches, rim with 3 tiny frits and two chips, and one chip under the glaze (photo 8). Dimension: diameter: 20 cm, 3.2 cm high.

Early 20th century. H. 14 cm, diameter 31 cm. Good condition with age related wear. See pictures. Provenance: Joris Visser, Brussels Srdjan Sremac, The Hague Published: Hans Witte - Ifa and Esu (1985)

Very Rare Large Chinese Ming Dynasty Swatow Porcelain Incised Celadon Dish (Ex. Lammers Collection)

This large and rare porcelain dish, of the type known as "Swatow" ware, was made during the Wanli reign (1573 - 1620) of the Ming Dynasty at the Zhangzhou kilns in Fujian province where many such wares were made for export around South-east Asia...

An accordion album featuring calligraphy and paintings by various well known Zen priests of the first half of the 20th century. Including the opening there are 30 pages. The book is 22 x 31 cm and in overall fine condition. The opening pages are by Kutsu Deiryu (Izawa Kanshu 1895-1954, head priest of Kaiseiji), the famous protégé of Nakahara Nantenbo. It is followed by;
1. Daruma by Goto Zuigan, 1878-1965, Myoshinji, Daitokuji
2...

Measuring 6" in diameter and 2 3/8" high, this Nishapur polychromed bowl dates to the 9th to 11th centuries, and is buff ware ceramic with decoration in magenta, yellow and green. The central image features a peacock with elaborate tail, and the border around the edge is abstracted, with a resemblance to calligraphic writing. The exterior of the bowl features vertical lines in magenta, with interspersed sections of yellow and green...

A carved wood figure of a Daoist Immortal, probably a depiction of Confucius or Laozi, sitting on a separate stool-shaped base, his hands raised before his chest. Remnants of paint. Condition: old losses, cracks. Dimension: total height: c. 37. 8 cm, 17 cm wide x 8.8 cm deep.

A pale celadon jade pendant, carved and pierced with a parrot perched on a flowering prunus branch, besides a rock. With matching wooden base. Condition: fine. Dimension: pendant: c. 6.1 cm high x 3.9 cm wide x 0.35 cm thick, height with stand c. 10.5 cm.

Japanese shin hanga woodblock print titled "Hirosaki Castle" by Hiroshi Yoshida (1876-1950) dated Showa 10 (1935). First edition impression with "jizure" (self-printed) seal in the upper left margin. The artist's black ink brush signature and red seal is at the lower left and the print is pencil-signed in the lower right margin. Illustrated in "The Complete Woodblock Prints of Yoshida Hiroshi," Abe Publications, color plate #192. Paper measures 15 3/4" x 10 1/2" (image size: 14 5/8" x 9 5/8")...

Japanese shin hanga woodblock print by Hasui Kawase (1883-1957) titled “Kegon Falls, Nikko” from the series "Collection of Ukiyo-e Designs" first published by Bijutsusha in 1927. Dated on the image above the signature. No publisher's seal. Paper: 15 1/8" x 10 1/4" (14 1/4" x 9 3/8"). Very good color and overall condition with only minor discoloration on the back and margin edges. Pencil notation on the back at the bottom...

This Toba-e E-maki appears to be a 19th century Gi-ga follower of the later 18th to early 19th century Osaka "Manga-ka" Nichosai (Matsudaira Heisaburo). His humorous images of Hell were quite popular, known as Kakuyu painting.　Overall the genre has many names, Gi-ga being all encompassing, Toba-e being descriptive of this particular style, and Kakuyu-fu being the style of Nichosai. It ends with a simple stamp which reads Fish (Gyo/Sakana). It is 11 by 174 inches (28 x 442 cm)...

A very rare Nana-sun plate with swirling hake-me design from the kilns of Utsutsukawa dating from the early to mid Edo period wrapped in a ragged bit of sarasa dyed cotton cloth and enclosed in an age darkened wooden box titled Utsutsukawa-Yaki Kashibachi - Ikko (Sweets dish-1) It is 7-1/2 inches (19 cm) diameter. Thinly potted, there is a tiny chip in the rim, otherwise is in perfect condition; exceedingly rare for this type of pottery...

Intricate, subtle, delicate, elegant; all words which could be applied to this set of ten dishes decorated with flowers in raised reliefby Takahashi Seizan enclosed in the original signed wooden box titled Gyokude Kusabana Kameko-gata Sara (Tortoise Shell Shaped Dishes decorated with Flowers and Grass in Pearl-slip) Pale white slip has been applied in thick, sculpted patterns to a cream surface, sweeping sides peaked with gold rims. Each plate is 22 cm (9 inches) wide, 5 cm (2 inches) tall...

A large ceremonial whale tooth pendant from Fiji Island, Polynesia. Both ends with drilled holes for suspension. Collected by the Swiss ethnologist Charlotte von Graffenried, author of the book "Akan Goldweights". Dimension: c. 14 cm long x c. 5 cm wide.

Massive scrolled late Qing dynasty Chinese ancestor portrait executed in ink and color on paper depicting a civil official and his two wives. The official is dressed in formal attire and is seated on an armchair draped with a tiger skin. A Mandarin rank badge showing the official’s rank in the civil bureaucracy is on the center front of his cobalt-blue surcoat. The long tail appears to designate the bird as a paradise flycatcher, indicating an official of the 9th rank...

Chinese Qing dynasty rectangular jade openwork plaque, carved with a design of a deer under a pine tree, mounted into the lid of an early 20th century rectangular silver box raised on four feet. Two-character “chun yin” (pure silver) mark to the bottom of the box. The jade has a pale celadon-gray hue. The box measures 3 1/2" long x 3” wide x 1 5/8” high. The jade plaque is 2 7/8” x 2 1/4." The total weight: 8.645 oz. Very good overall condition. There are a few scratches to one ed...

Chinese Qing dynasty ink and color on silk painting in the imperial court style depicting two birds on branches set against flowers by Ma Jiatong (1865-1937). The inscription reads “following the spirit of the brush of Prime Minister Jiang Nansha” (referring to the early Qing painter Jiang Tingxi), by Xiangdong Jushi Jiatong.” Two seals of the artist are below. The second reads "Ma Jingfan.” 19th century, Tongzhi to Guangxu period. Painting: 62” x 15 1/4" (including silk mounting:...

An evocative image of a bear hunkered down and looking a bit befuddled, perhaps awaking from winter slumber, in un-glazed white porcelain from the Tatsuno kilns of Banko in Mie Prefecture. It is sealed on the base with two stamps, one reading Banko, the other Tatsuno. The image is 23 x 20 x 16.5 cm (9 x 8 x 6-1/2 inches) and in excellent condition, enclosed in a period collectors kiri-wood box. Imagery of animals such as this were very popular in the Taisho (1911-1925) to early Showa era. The...