Measuring 6" in diameter and 2 3/8" high, this Nishapur polychromed bowl dates to the 9th to 11th centuries, and is buff ware ceramic with decoration in magenta, yellow and green. The central image features a peacock with elaborate tail, and the border around the edge is abstracted, with a resemblance to calligraphic writing. The exterior of the bowl features vertical lines in magenta, with interspersed sections of yellow and green...

A carved wood figure of a Daoist Immortal, probably a depiction of Confucius or Laozi, sitting on a separate stool-shaped base, his hands raised before his chest. Remnants of paint. Condition: old losses, cracks. Dimension: total height: c. 37. 8 cm, 17 cm wide x 8.8 cm deep.

A pale celadon jade pendant, carved and pierced with a parrot perched on a flowering prunus branch, besides a rock. With matching wooden base. Condition: fine. Dimension: pendant: c. 6.1 cm high x 3.9 cm wide x 0.35 cm thick, height with stand c. 10.5 cm.

Intricate, subtle, delicate, elegant; all words which could be applied to this set of ten dishes decorated with flowers in raised reliefby Takahashi Seizan enclosed in the original signed wooden box titled Gyokude Kusabana Kameko-gata Sara (Tortoise Shell Shaped Dishes decorated with Flowers and Grass in Pearl-slip) Pale white slip has been applied in thick, sculpted patterns to a cream surface, sweeping sides peaked with gold rims. Each plate is 22 cm (9 inches) wide, 5 cm (2 inches) tall...

Chinese Qing dynasty ink and color on silk painting in the imperial court style depicting two birds on branches set against flowers by Ma Jiatong (1865-1937). The inscription reads “following the spirit of the brush of Prime Minister Jiang Nansha” (referring to the early Qing painter Jiang Tingxi), by Xiangdong Jushi Jiatong.” Two seals of the artist are below. The second reads "Ma Jingfan.” 19th century, Tongzhi to Guangxu period...

Japanese shin hanga woodblock print by Hasui Kawase (1883-1957) titled “Kegon Falls, Nikko” from the series "Collection of Ukiyo-e Designs" first published by Bijutsusha in 1927. Dated on the image above the signature. No publisher's seal. Paper: 15 1/8" x 10 1/4" (14 1/4" x 9 3/8"). Very good color and overall condition with only minor discoloration on the back and margin edges. Pencil notation on the back at the bottom...

A large ceremonial whale tooth pendant from Fiji Island, Polynesia. Both ends with drilled holes for suspension. Collected by the Swiss ethnologist Charlotte von Graffenried, author of the book "Akan Goldweights". Dimension: c. 14 cm long x c. 5 cm wide.

An evocative image of a bear hunkered down and looking a bit befuddled, perhaps awaking from winter slumber, in un-glazed white porcelain from the Tatsuno kilns of Banko in Mie Prefecture. It is sealed on the base with two stamps, one reading Banko, the other Tatsuno. The image is 23 x 20 x 16.5 cm (9 x 8 x 6-1/2 inches) and in excellent condition, enclosed in a period collectors kiri-wood box. Imagery of animals such as this were very popular in the Taisho (1911-1925) to early Showa era...

Japanese shin hanga woodblock print titled "Hirosaki Castle" by Hiroshi Yoshida (1876-1950) dated Showa 10 (1935). First edition impression with "jizure" (self-printed) seal in the upper left margin. The artist's black ink brush signature and red seal is at the lower left and the print is pencil-signed in the lower right margin. Illustrated in "The Complete Woodblock Prints of Yoshida Hiroshi," Abe Publications, color plate #192. Paper measures 15 3/4" x 10 1/2" (image size: 14 5/8" x 9 5/8")...

A very rare Nana-sun plate with swirling hake-me design from the kilns of Utsutsukawa dating from the early to mid Edo period wrapped in a ragged bit of sarasa dyed cotton cloth and enclosed in an age darkened wooden box titled Utsutsukawa-Yaki Kashibachi - Ikko (Sweets dish-1) It is 7-1/2 inches (19 cm) diameter. Thinly potted, there is a tiny chip in the rim, otherwise is in perfect condition; exceedingly rare for this type of pottery...

Mirror pair of Chinese Republic period porcelain fanghu form vases decorated in underglaze blue on a white ground with a continuous scene featuring three figures at the gate of a traditional building. A compound wall extends around the narrow side to end with leafy plants among rockery at the back. The edge of the gate with foliage and rockery is on the opposite narrow side. Two dragon handles are at the neck. The white glaze extends down the interior from the flat rectangular top...

A breathtaking cup made from an egg cut and lacquered inside, then gilded with genuine gold, enclosed in the original signed age darkened kiri-wood box. It is 2-1/4 inches (5.5 cm) diameter and in perfect condition, dating from the Meiji period.

This Toba-e E-maki appears to be a 19th century Gi-ga follower of the later 18th to early 19th century Osaka "Manga-ka" Nichosai (Matsudaira Heisaburo). His humorous images of Hell were quite popular, known as Kakuyu painting.　Overall the genre has many names, Gi-ga being all encompassing, Toba-e being descriptive of this particular style, and Kakuyu-fu being the style of Nichosai. It ends with a simple stamp which reads Fish (Gyo/Sakana). It is 11 by 174 inches (28 x 442 cm)...

Silver designs are inlayed into the surface of this mid-century bronze by Honbo Keisen enclosed in the original signed wooden box. It is 29 cm (11-1/2 inches) tall and in excellent condition. It is signed in a silver cartouche on the base. Honbo Keisen (1910-1987) was born in Takaoka City, one of the main production centers of Bronze in Japan. Work by him is held in the Takaoka Municiap Museum.

A plum by Yumei Sosho of Sokokuji temple timidly opens its blossoms under a brief epithet by Taishitsu Sosho of Daitokuji temple. A rare gassaku work by these two priests. Ink on paper in original border, ivory rollers dated 1808. The ivory rollers will be replaced if shipping overseas. The scroll is 12 x 71 inches (31 x 180 cm)...

A mellon shaped red-Raku Kogo incense case enclosed in the original signed wooden box by Raku Ryonyu (1756–1834), 9th generation head of the Raku family. It is roughly 2 inches (5 cm) tall and in excellent condition.

Massive scrolled late Qing dynasty Chinese ancestor portrait executed in ink and color on paper depicting a civil official and his two wives. The official is dressed in formal attire and is seated on an armchair draped with a tiger skin. A Mandarin rank badge showing the official’s rank in the civil bureaucracy is on the center front of his cobalt-blue surcoat. The long tail appears to designate the bird as a paradise flycatcher, indicating an official of the 9th rank. He wears a hat with ...

Chinese Qing dynasty rectangular jade openwork plaque, carved with a design of a deer under a pine tree, mounted into the lid of an early 20th century rectangular silver box raised on four feet. Two-character “chun yin” (pure silver) mark to the bottom of the box. The jade has a pale celadon-gray hue. The box measures 3 1/2" long x 3” wide x 1 5/8” high. The jade plaque is 2 7/8” x 2 1/4." The total weight: 8.645 oz. Very good overall condition. There are a few scratches to one ed...