Lee Heyung Bok Squares

Artisan and Design: Ceramics: Pottery: Sculptural Contemporary: item #770301
0128

Lee Heyung Bok has been featured on the covers of Korean art publications Ceramic Art Monthly and Craft & Art Review.

Park Young Sook

Artisan and Design: Ceramics: Porcelain Contemporary: item #770298
0127

also spelled Pahk Young Sook, Young Sook Park, Young Sook Pahk, Youngsook Park, Youngsook Pahk, Park Young-Sook, Pahk Young-Sook, Young-Sook Park, Young-Sook Pahk

Kim Yik Yung Porcelain Vessel

Artisan and Design: Ceramics: Porcelain Contemporary: item #770250
0126

24 x 12 x 12 inches, 61 x 30.5 x 30.5 cm. 1992. Also spelled Kim Yikyung, Kim Yikyoung, Kim Ik Yung, Kim Ik Young, Kim Ikyung, Kim Ikyoung, Yik Yung Kim, Yikyung Kim, Yik Young Kim, Yikyoung Kim, Ik Yung Kim, Ikyung Kim, Yik Young Kim, Yikyoung Kim, Kim Ik Yeong, Kim Ikyeong, Ik Yeong Kim, Ikyeong Kim, Kim Yik Yeong, Kim Yikyeong, Yik Yeong Kim, Yikyeong Kim, Kim Yik-Yung, Yik-Yung Kim, Kim Yik-Young, Yik-Young Kim, Kim Ik-Yung, Ik-Yung Kim, Kim Yik-Young, Yik-Young Kim, Kim Ik-Yeong, Ik-Yeong K... Click for details

Choi Sung Jae Punchong Vase

Artisan and Design: Ceramics: Pottery: Vases Contemporary: item #770246
0125

13 x 12.5 x 6 inches, 33 x 32 x 15 cm

RYTHM'N GREENS I by MARIE-JOSEE MAULEON

Artisan and Design: Ceramics Contemporary: item #770095
2-0006

Some people say that Marie-Josee is, in many ways, more a painter than a ceramist. She loves to paint on raw clay, using pigments which she mixes together in a totally non-scientific manner, to create colors, rythm and movement in combination with various texturings of the clay. She likes the fact that she cannot re-create the same colors twice, so each piece remains totally unique. This is an excellent example of her use of colors and textures.... Click for details

FLEUR DE BRONZE by MARIE-JOSEE MAULEON

Artisan and Design: Ceramics Contemporary: item #770059
2-0011

Another example of this unique combination of textures and colours to create an ascending movement which contributes to the "lightness" of the piece.

Un autre exemple intéressant de la synergie de la couleur et de la texture qui dessine un mouvement ascendant qui contribue à l'impression de légèreté de l'oeuvre.

Glazed earthenware, one-of-a-kin... Click for details

LANDSCAPE IN THE WIND by MARIE-JOSEE MAULEON

Artisan and Design: Ceramics Contemporary: item #770056
2-0020

Ths is another piece where the painter has taken over the potter to create an abstract landscape in the wind.

Un autre exemple qui illustre le travail du peintre plus que celui du potier dans un paysage abstrait balayé par le vent.

Glazed earthenware, one-of-a-kind piece.... Click for details

FLY ME TO THE MOON I by MARIE-JOSEE MAULEON

Artisan and Design: Ceramics Contemporary: item #770052
2-0022

Large irregular shaped plate of "cosmic" inspiration.

Grande assiette de forme irrégulière d'inispiration "cosmique".

Glazed earthenware, one-of-a-kind piece.

Faïence vernissée, pièce unique, D: 40 cm.

Porcelain Vase by Kyoto Master Kato Iwao

Artisan and Design: Ceramics: Pottery: Vases Pre 1990: item #770040
243

A very personal work by celebrated porcelain master Kato Iwao (1930-1987) enclosed in the original signed wooden box. A peony (botan) has been engraved in the side, blue leaves on pale blue porcelain forming a crisp, yet soft atmosphere, like morning snow. The vase is 7-1/2 inches (19 cm) tall, 6 inches (15 cm) diameter. Iwao was born in 1930, son of a Kyoto potter and studied under his father and later under Kusube Yaichi until 1953, the year he was first accepted into the prestigious Nation... Click for details

Bizen Vase by Fujiwara Kikuyo

Artisan and Design: Ceramics: Pottery: Vases Pre 2000: item #769736

Fujiwara Kikuyo(b.1963) is the second daughter of the late great Fujiwara Ken(1924-1977). After losing her father at such an early age life was very hard for the entire family. Wanting to be a potter though, she took off for Tokyo--after a short stint at the Bizen Ceramic Center--where she studied with Tsuji Seimei(1927-2008) and Kyo. She was determined to study the essence of ceramics--as purely understood by her father and good friends the Tsujis--and fire her father's large kiln. The fire was... Click for details