Elegant tall temmoku vase with stamped lugs at the neck. This glaze is very visually intriguing as it appears different when viewed in different light sources. The surface is covered in a frogskin texture that looks like small oilspotting.

Stoneware and glazes

13.75" X 7"

Large temmoku and haiyu ash glazed kinuta mallet vase with lobed indents around the body of the vase. The ash glaze streaks and runs down the vase neck and boils in activity on the shoulder

Stoneware and glazes

13.75" X 6.25

Robust medieval green mallet form (kinuta) vase with hakeme slip decoration

Stoneware, slip and glazes

10.5" X 5.65"

Seo Byung Ho was the recipient of the top prize in the 2009 World Ceramic Biennale, the highest paid ceramic art prize in the world. With this lovely pair of sculptural vases, Seo has combined the shape of a traditional vessel with the form of a fish, a symbol of eternal vigilance because the fish never closes its eyes. For the same reason, the fish is also a symbol of diligence that has long been a source of inspiration for Korean scholars, and is a common motif employed in scholar's implements...

Tall thrown and squared vase form with kushime/combed slip decoration under a "Galena" style glaze with trace accents of my finger prints in the glaze (though galena inspired, this and all of my glazes are lead free)

Stoneware, slip and glazes

12" X 4.25" X 4.25"

Functional, decorative and food safe

Large cylindrical vase with vivid impressed wood texture and glazed in my Ao glaze

Stoneware and glazes

11" X 6"

Oribe and temmoku glazed lobed vase with impressed medallion within each section. The footring has an small area where glaze ran

Stoneware and glazes 9.25" X 6"

Robust hakeme (hakame) vase with a bold, expressionist style glaze splash inspired by the bold "ink traces" of Nantembo the famous Zen calligrapher

Stoneware, slip and glazes

7.7" X 6.75"

Rich glazed hakeme (hakame) waisted vase with lustrous Oribe glaze on the exterior and complex temmoku on the interior

Stoneware, slip and glazes

10" X 6"

Ao glazed, thrown and altered vase form with panels of Shono rain pattern

Stoneware, slip and glazes

8.25" X 7.5" at it's widest

Rich temmoku glazed vase form with archaic inspired impressed decoration around the body

Stoneware and glaze

8.25" X 6"

Thrown and altered flask vase with a rich Oribe glaze over a stylized Enso

Stoneware and glazes

9.5" X 7" X 5.5"

Bulbous vase form with grasses repeat design under a rich Ao glaze

Stoneware, slips and glazes

6.75" X 6"

Korean Contemporary Buncheong Ceramic Art by Kim See Man. Buncheong is a unique and centuries-old style of ceramics characterized by a white slip surface that is usually decorated in a spontaneous and expressive manner. This has been imitated in Japan's mishima ware...

Korean Contemporary Buncheong Ceramic Art by Kim See Man. Buncheong is a unique and centuries-old style of ceramics characterized by a white slip surface that is usually decorated in a spontaneous and expressive manner. This has been imitated in Japan's mishima ware...

Korean Contemporary Buncheong Ceramic Art by Kim See Man. Buncheong is a unique and centuries-old style of ceramics characterized by a white slip surface that is usually decorated in a spontaneous and expressive manner. This has been imitated in Japan's mishima ware...

Thrown, altered and assembled Oribe vase based on a traditional Japanese Dotaku, bell form. Traditional Oribe glaze and panels of white and black stripes on either side

Stoneware, slips and glazes

8.75" X 5.75" X 7.25"

Mingei influenced stark white slipped bottle vase with dramatic hakame executed with a stiff boar's fur brush. This shape is a bit reminescent of Scandanavian form of the 1950's

Stoneware, slip and glaze

10.2" X 5.5"

Robust temmoku glazed vase form with vivid masame patterned texture through out the body of the vase

Stoneware and temmoku glaze

9.8" X 6.4"

Resist design crane neck style vase with slips and Harmony pattern under a lustrous glaze

Stoneware, slips and several glazes

10.25" X 5.6"

Ameyu Vase with Cobalt, gosu lattice decoration. Stone ware 10.75" X 5.5" Stoneware collared vase with rich amber, ameyu glaze and vibrant cobalt decoration.

A Yakishime Hanging Wall-vase by Mihara Ken enclosed in the original signed wooden box titled Sekki Kakehana (Ash Glazed Wall Vasel). The entire work is soft and matte, like an old charcoal sketch, exuding a very powerful “Wa” sense of harmony. Ken is well known for this pastel color concept of un-presupposing grays, and this piece certainly lives up to our expectations for him...

Here is one of a kind Sake set consist of a Tokkuri, and six sake cups. Hakeme Karatsu,Ido Kohiki...., the many styles for which Shiro is known. Each is uniquely engraved with the artists signature, and they come enclosed in the original signed wooden box titled Sake-ki Osoroi (Full Sake set)...

This is everything we could hope from Bizen Shuki set by this esteemed artist, Kakurezaki Ryuichi enclosed in their original signed wooden boxes and dating to 2023.
Size, D cm H cm
Condition, Excellent
Kakurezaki Ryuichi is one of the most well known of Bizen potters, he is interestingly originally not from Bizen but far off Nagasaki, which seems to have gifted him with the ability to see the clays potential beyond conventional form...

Written on the box in Japanese script are the words “Awai Sakura Yu” translating to English as “Pale Cherry Blossom Glaze”—amply describing the appearance of this unique and frankly stunning work of Kutani pottery by artist Nakata Kazuo. Reminiscent of pieces by well-known artist Ōno Hakuko, there are striated lines of silver leaf running vertical below the surface of the glaze, interrupted in places, allowing the eye to wander across the entire surface...

Mixed stoneware clay, unique curved lines, movement, form, pattern and warm textures of nature are a clear influence of those works by Izumita Yukiya enclosed in their original signed wooden boxes titled Sekisoh Guinomi and Sekisho Tokkuri respectively.

Yukiya was born in 1966 in Rikuzentakata City, Iwate Prefecture . In1995 opened is own workshop...

An iconic work in ivory colored covers this vase which comes enclosed in the original signed wooden box titled Zoge-ji Hanaire. A beautiful work with smooth movement of the rim and form.
Size, D 16.6 cm H 26.3cm
Condition, Excellent
Wakao Kei was born in Gifu in 1967 ,the first son of the legendary artist Wakao Toshisada ...

A masterpiece large textured vase by Mihara Ken enclosed in the original signed wooden box titled Sugio Bun Hanaire. Each uniquely carved in variegated shade of raw clay.This piece was shown at his exhibition from 1991 and is featured in the catalog image number 4 (catalog included).
Size, D 56 cm H 14.5 cm
Condition, Excellent
Mihara Ken was born in Shimane prefecture in 1958, and apprenticed under Funaki Kenji at the age of 23...

f you are looking for a good wall vase, this will be the one! A virtual textbook on firing effects decorates this spectacular Iga Kake-hanaire wall vase by Tsujimura Shiro enclosed in the original signed wooden box. A very powerful presentation, fulfilling all our expectations from this important artist.
Size, D 13.8 cm H 13,1 cm
Condition, Excellent
Tsujimura Shiro was born in Nara in 1947, and began his steps into the art world as an oil painter...

Ash is blasted around the stately form of this tall vase by legendary potter Tsujimura Shiro enclosed in the original wooden box titled Iga Mimitsuki Hanaire (Iga Vase with Ears)and signed by the artist in the lower left corner. This piece was exhibited at a solo exhibition in Umeda Hankyu Department Store in 1989 and is featured in the catalog image number 10...

This Bizen vase by Ryuichi Kakurezaki is an exquisite piece that showcases the artist's mastery of the Bizen pottery tradition. Standing tall, the vase features a graceful and organic form with a curved bulb-like base. The rich, earthy tones of the Bizen clay are beautifully highlighted, exhibiting natural variations and textures that are characteristic of the firing process. The vase exudes a sense of quiet elegance, with its simple yet captivating silhouette. The craftsmanship is i...

Ash encrusts this exquisite traditionally uzukumaru shaped tsubo by the youthful star Tsujimura Yui enclosed in the original signed wooden box.
Size, D 15.8 cm H 17.4 cm
Condition, Excellent
Tsujimura Yui was born the first son of the legendary artist Tsujimura Shiro in 1975, and his illustrious fathers emphasis on nature and the clashing of forces within the kiln are apparent in his work. He began intensively potting under the tutelage of Shiro in 1993. 9 years ...

Size,Vase D 13.2 cm H 24.6 cm
Size,Sake Cup D 6.4 cm H 6.9 cm
Condition, Excellent
A rising star in the pottery world, Isezaki Koichiro was born into the illustrious family of Living National Treasure Isezaki Jun. He studied at the Tokyo Sculptural University and then apprenticed with Bizen trained American artist Jeff Shapiro, who had apprenticed under his father. Over the last few years he has been the recipient of much attention, and his list of exhibitions is ...

Marbled clay in vivid colors blends on this large jar by Matsui Koyo, enclosed in the original signed wooden box, exhibited at a solo exhibition in Mitsukoshi Department Store: and is featured in the catalog image number 21 catalog included. This is not to be missed!
Size, D 31.1 cm H 28.2 cm
Condition, Excellent
Matsui was born in 1962 son of LNT Matsui Kosei. Although of course growing up surrounded in pottery, he began apprenticing in earnest under his father in 1985, ca...

Scrafitto dots surround a pool of crackled glass deeply impressed into the ovoid form of this ko-tsubo by Yagi Kazuo enclosed in a wooden box signed by his son Yagi Akira. White slip appears haphazardly slapped on the body as with a wide brush, creating a vigorous dynamic, combined with the pointilized circle and abstract form, there is a tension which draws one into the belly of the work, certainly reflecting the best this important artist had to offer. It is 16.5 x 13 x 15 cm (6-1/2 x 5 x 6 i...

A lovely lavender-tinged gray vase swept with brush strokes like fleeting snow in the Utsutsukawa-yaki tradition by Yoshioka Gagyu enclosed in the original singed wooden box titled Shirasagi Hanaire (White Egret Vase). Two birds stand against the cold on a long barren branch tinged with silver. Truly exquisite. The vase is 19.5 cm (just less than 8 inches) tall and in excellent condition.
Gagyu’s first exhibited piece at the age of 20 in 1955 took the governors prize at the Nagasaki ...

A beautiful bamboo shaped vessel of pale gray glaze by Takahashi Samon enclosed in the original signed wooden box titled Konabiki Hanaire. It is 28 cm (11 inches) tall and in excellent condition.
Takahashi Samon (b. 1948) first studied with Kato Kobei V and Living National Treasure Kato Takuo. He then entered the Gifu Prefectural Ceramic Institute to study kiln making before going to the Kamakura kiln of Kitaoji Rosanjin for further study. He established his own kiln in 1977. Unaffiliat...

An austere bottle glazed in rich green copper by the highly acclaimed Okabe Mineo enclosed in the original signed wooden box titled Oribe Ichirin Sashi. It is 21 cm (8-1/2 inches) tall and in excellent condition.
Okabe Mineo (1919-1990) was born the first son of important artist Kato Tokuro, however the relationship with his father was volatile. When he was 9 Tokuro moved the young family to Seto, where Mineo would graduate the Aichi Prefectural Ceramics School in 1937. After a year at ...

Clusters cling to the bottom of this heavily encrusted small bottle scorched black and off kilter which must have become lost in the embers by Osako Mikio enclosed in the original signed wooden box titled Ko-tsubo. It is roughly 8 cm (3-1\4 inches) diameter, 9.5 cm (4 inches) tall and in excellent condition.
Osako Mikio (1940-1995), born in Usa Oita prefecture on the Island of Kyushu, arrived at ceramics late in life, starting to study with Ezaki Issei at the Tokonmane ceramic Research Ce...

The colors of the prism show through the thick crackled glaze blanketing this sake set, by Ujiie Kodai enclosed in their original signed wooden boxes and dating to 2023. This is a handful, great tactile qualities and entrancing to look at.
Size, Tokkuri D 11.8 cm H 17.8 cm
Size, Guinomi D 9.2 cm H 6.2 cm
Condition, New
Born in Sendai, Miyagi Prefecture in 1990, and graduated advanced studies at the Tohoku University of Art and Design in 2015. Since 2014, he has ...

Abe Anjin
Price: (Sold) Born in Osaka in 1938, the mysterious recluse began his artistic carreer as an oil painter training under Miyamoto Saburo. Although best known for his Momoyama inspired Bizen works, he began delving into the pottery world with Raku, then moved into Shigaraki and Bizen, firing from a kiln in Ehime prefecture, then Okayama and has also fired Nanban ware. Works by the artist are held in the Metropolitan Museum of Art, New York, Asian Art Museum, San Francisco, National...

A mesh of copper draperies hang over the dark black of this unusually shaped Tsubo by Tenmoku specialist Kimura Moriyasu enclosed in the original signed wooden box titled Shoju Tenmoku Henko. Shoju Tenmoku, literally Pine-Needle-Tenmoku, is a glaze technique where the effect joins in a mesh like pine needles overlapping, very difficult to pull off, but here Moriyasu has done it masterfully. The vessel is 30.5 cm (12 inches) tall, 19 x 16 cm (7-1/2 x 6 inches) and is in excellent condition.

Silver slip over the dark and murky ash gray sides by the popular young star Iguchi Daisuke enclosed in the original signed wooden boxes.
Size, Guinomi D 6.6 cm H 5.7 cm
Size, Tokkuri D 7.4 cm H 15.3 cm

Condition, New, From the artist this year.
Iguchi Daisuke was born in 1975 in Tochigi , After graduating the Tohoku University of Art & Design in 1998, studied in Kyoto under Imai Masayuki. He was awarded the Special Jury Prize at the Mashiko Ceramic ...

A stark flower in black rises to the rim of this white glazed early vase by Yagi Kazuo enclosed in the original signed wooden box. It is an excellent example of the mid-century aesthetic, dating from the 1950s to early 1960s. It is 13 cm (5 inches) diameter, 26 cm (10 inches) tall and in excellent condition.
Yagi Kazuo (1918-1979) was one of the most influential Avant Garde potters of 20th century Japan. He was born into the family of potter Yagi Isso, a noted specialist in fine Chinese a...

A beautiful pure white porcelain sake set by female artist Awa Natsuki enclosed in the original signed wooden box. She has covered the surface with these designs, thousands of tiny dots, each one an essential part of the pattern. Even the boxes are a work of art. Purchased from the artist this summer.
Size, Tokkur D 8.4 cm H 12.8 cm
Size, Guinomi D 5.9 cm H 4.2 cm
Condition, Excellent
Awa Natsuki was born in 1988 in Okayama Prefecture, in 2011 she...

An iconic work by Morino Taimei (Hiroaki) enclosed in the original signed wooden box titled Senmon Kaki. It is 24 x 10 x 25.5 cm (10 x 4 x 10-1/4 inches) and is in excellent condition.
Morino Taimei was born in Kyoto in 1934, and was first accepted into the Nitten National Exhibition at a relatively young age in 1957 (a year before graduating the Kyoto Municipal University of Fine Art!). In 1960 he received the prestigious Hokutosho prize at the same National Exhibition. In the early 60s...

Architectural forms or perhaps the abstracted leaves of a bamboo rise from the surface of this fluting pentagonal vase by Takenaka Ko enclosed in the original signed wooden box titled Hakuji Chomon Gokaku Bin (White-glazed Carved-decoration Five-sided Vase). No clue in the name, the artist has left the interpretation up to the viewer. It is 27 cm tall, 16 cm diameter and in excellent condition.
Ko (born 1941) apprenticed under future Living National Treasure Kondo Yuzo before establishi...

An iconic Shigaraki vase by Otani Shiro enclosed in the original signed wooden box titled Shigaraki Henko which epitomizes the artists philosophy of relying on the purity of clay, form, and natural colors born from the conflagration over overt decorative techniques. Here dark colors scorch the base where it was buried in the embers, while pale thin ash dusts the austere terracotta clay blasted over the shoulders with a rich coat of ocher ash. It is 22 cm (9 inches) diameter, 25.5 cm (10 inches)...

Grapes in gold lined ocher decorate this flaring cylinder the color of a cloudy sky by Miyake Yoji enclosed in the original signed wooden box titled Nuki-e Kinsai Budomon Tsutsu. It is 30 cm (12 inches) tall, 16.5 cm (6-1/2 inches) diameter and in excellent condition.
Miyake Yoji was born in Shimane in 1950, He studied from 1974 under Ito Kosho, establishing himself as an independent artist three years later in Mashiko. In 1979 his work was accepted into the Dento Kogei Shinsaku Ten (New...

A spectacular sake set by Nishihata Tadashi enclosed in the original signed wooden boxes titled Hai -yu Tokkuri and Guinomi respectively .Rising up in raw clay to meet the double whamy of green and blue-edged white falling from the shoulder.
Size, Tokkuri D 12.2 cm H 14.7cm
Size, Guinomi D 6.6cm H 7.2cm
Condition, Excellent
Nishihata Tadashi was born in Sasayama in the mountains of Hyogo, and ancient castle town in 1948. He began potting in 1969, focusing o...

Rare and beautiful, this piece a singular quality among his repertoire, and would be a wonderful compliment to other works by this esteemed artist.
Size, D 18.2 cm H 19.6 cm
Condition, Excellent
Taimei was born in Kyoto in 1934, and was first accepted into the Nitten National Exhibition at a relatively young age in 1957 (a year before graduating the Kyoto Municipal University of Fine Art!). In 1960 he received the prestigious Hokutosho prize at the same National Exh...

Gold nuggets gleam on the deep lavender and black surface of this natural-formation by Inayoshi Osamu enclosed in the original signed wooden box titled Kurinuki Kinsai Kaki. Kinsai is literally gold color, and here the artist has embedded gold into the surface, allowing it to expand and bubble out in the heat of the firing process. The effect of this on the dark matt surface is both striking and original. Kurinuki is the technique of digging a form out of a block of clay. It is 18-1/2 inches...

A natural ash glazed (Shizen-yu) vase by legendary artist Kumano Kurouemon enclosed in the original signed wooden box titled Echizen Hanaire. It is 26 cm (10-1/2 inches) tall, 17 cm (6-1/2 inches) diameter and in excellent condition.
A ceramic madman, oil painter and recluse, Kuroemon is as eccentric as his pottery predicts. Born in Fukui prefecture in 1955 Kuroemon was a painter from youth, he began his studies under Fujita Jurouemon in 1976, and moved to study also under Toda Soshiro...

A breathtaking new look at Shigaraki Anagama ware by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Yohen Shinogi Tsubo (Natural Ash Glazed Blade Style Shigaraki Tsubo). The artist has coil formed the vessel, with thick walls, then incised a waving pattern leaving a saw-tooth surface dusted in ash with brilliant hi-iro and dark charring. It is 31 cm (12 inches) tall and in excellent condition. Directly from the artist this summer.
Furutani Take...

Dragonflies alight on autumn grasses and bush clover forming the perfect seasonal connotation under an engorged white moon on this pair of mouse-colored (Nezumi) vases by Shino legend Wakao Toshisada enclosed in the original signed wooden box titled Nezumi Shino So-heki. Together they are 29 cm (11-1/2 inches) long, 18 cm (7 inches) tall and in excellent condition.
Wakao Toshisada was born in Tajimi, Gifu prefecture, home of Mino pottery, in 1933. He was first recognized at the New Craft...

A ghostly pale tsubo with jagged grooves cut into the shoulder by Kimura Morinobu enclosed in the original signed wooden box titled Kaede-yu O-Tsubo (Large Tsubo with Maple-Ash Glaze). It is 36 cm (14 inches) diameter, 42 cm (16-1/2 inches) tall and in excellent condition. Due to size the cost of shipping will be accrued separately.
Kimura Morinobu (b. 1932) was one of three born into a pottery family in Kyotos Higashiyama pottery district. He attended the Kyoto Municipal School of Art g...

Lavender and pink tinge the thick glaze applied to this large open tsubo by Kimura Morinobu enclosed in the original signed wooden box titled Nasu-yu Shitomon Tsubo (Tsubo with Eggplant Glaze). This is a coloration for which Morinobu is well known and is unique to him. I remember meeting him one day at his house in Northern Kyoto and talking about this unusual glaze. He said an entire field of Nasu (eggplant) garners just a handful of this precious ash. The vessel is 29 cm diameter (just less...

An earing clings to the “mimi” on this fabulous ash glazed vessel by one of our favorite hidden treasures, Tamura Roppo, enclosed in the original signed wooden box titled Koshu Iga Mimitsuki Hanaire. The traditional form is affixed with two “ears”, from one of which clings one tremulous drip of ash, seeming to slightly weigh down that side. Happenstance occurring at just the right place at just the right time during the firing process that it survived without falling or breaking off. I...

An exquisite vessel in white with elegant stripes of soft color by hard to find Niwa Ryochi enclosed in the original signed wooden box titled Senmon Tsubo. There is a palpable grace to the piece which seems to reflect the Japanese appreciation of silence and shadows. It is 27.5 cm (11 inches) diameter, 33 cm (13 inches) tall and in excellent condition. Hirashimizu-yaki started when the Lord Niwa Jizaemon, invited Tojihei Ono, a potter from Ibaraki, to make pottery using clay from Chitoseyam...

A fabulous Shigaraki Tsubo of austere form blasted with natural ash glaze by Otani Shiro enclosed in the original signed wooden box. A classic work it is 20 cm (8 inches) diameter and in excellent condition.
Otani Shiro was born in Shigaraki in 1936 and graduated the Prefectural School in the ceramics department in 1956, which he followed up with 4 years studying decorating techniques under Morioka Yutaro. He then moved to Kyoto where he studied at the Municipal Ceramics Research Facilit...