“Tree Lotus” spring upwards in ebullient festivity on the sides of this elongated form by Ito Motohiko enclosed in the original signed wooden box titled Nunome Mokuren Moyo Kabin.  Nunome refers to the artist preference for creating his clay works on a cloth form, leaving the texture of the cloth embedded in the surface.  Mokuren is Magnolia, known in Japanese literally translated the Tree Lotus.  This vase is quite large, and the execution is top notch, showing both this artist peculiari...

Vase for flowers, Shino glaze, by Sachiko Furuya; Shoreline, WA. Contemporary, H.6.5"(16.5cm) x Dia.4.75"(12cm). Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa...

Ao glazed, thrown and altered vase form with panels of Shono rain pattern

Stoneware, slip and glazes

8.25" X 7.5" at it's widest

Wood-fired flower vase by George Gledhil; Payette, ID. Attached lugs in style of "mimi-tsuki" (ears attached) "kabin" (flower vase) of Iga-yaki. H.6.375"(16cm) x Dia.3.75"(9.5cm.) Inspired by Japanese Iga ware. H.6.375"(16cm) x Dia.3.75"(9.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates...

There is no doubt about the superlative nature of the deep celadon glazes used by Living National Treasure Nakajima Hiroshi, and this vessel is no let down.  A darkly crackled rich green covers this sake flask which comes enclosed in the original signed wooden box titled modestly Seiji Tokkuri.  Up from the base drive two fingers of rich red clay, the blanks left by the artists fingers when he dipped the bottle in glaze.  This adds a strong sense of connection between the artist and user. 

Korean Contemporary Buncheong Ceramic Art by Kim See Man. Buncheong is a unique and centuries-old style of ceramics characterized by a white slip surface that is usually decorated in a spontaneous and expressive manner. This has been imitated in Japan's mishima ware...

Kabin (vase) by John Miller; Portland, OR. Temmoku & Nuka Glazes, Iron Slip. H. 6.625"(17cm) x Dia. 3.5"(9cm.)John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illiustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school...

Frills, filigrees and draperies gather pell-mell near the peak of this evocative vessel by Kawabata Kentaro enclosed in the original signed wooden box titled Loco. Consistent with this artists repertoire, the varying aspects are difficult to surmise in few words, raw clay, torn, cut, molded, squeezed and decorated with color in a variety of styles. It cocks its hip to one side, striking a sassy pose...

A spectacular works of charred dark clay by legendary Bizen potter Kakurezaki Ryuichi enclosed in their original signed wooden boxes titled Kuro Bizen Tokkuri and Guinomi respectively and date to 2021. A perfect example of why Kakurezaki is one of Japan's most popular Artists...

A magnificent work of Kakurezaki Ryuichi enclosed in the original signed wooden box titled Shin-in. A charred dark clay,flowing ash on the side, shell marks, form,this mizusashi has it all.Dating to 2002,from his Shin-in series comes with the artist original matte lacquer lid...

A very unusual vase by Hamada Shoji enclosed in a wooden box annotated by his son Hamada Shinsaku and titled Kaki-yu Ao-ryu kake Henko ( Persimmon-glaze with applied flowing blue).  Although the shape is certainly among this famous artist’s repertoire, the combination of rust colored reds and browns on black with Mediterranean blue-green is quite striking.  Like the sulfuric staining on the walls of an onsen, it seems to pour forth from the opening, however swirls into a cloud on the side, r...

A trumpeting vessel, the closed top split open dripping with thick Oribe copper glaze and iron patterns by Tanahashi Jun enclosed in the original signed wooden box. it is 18.5 cm (7-1/4 inches) diameter, 16.5 (6-1/2 inches) tall and in excellent condition.
Tanahashi Jun was born in Gifu prefecture in 1959...

Wow! This is quite a tsubo by revivalist Takahashi Shunsai enclosed in the original signed wooden box titled Shigaraki Kama Hana Tsubo. A wack of ash blasts the shoulder over raw shiseki studded terracotta clay scorched the color of bricks. Fired on its side, opposite is charred and covered in molten ash where it had been buried in the embers. This is truly a classic Shigaraki work down to the belt of cross hatches at the shoulder and two stage mouth...

Here another igneous form by Fujioka Shuhei enclosed in the original signed wooden box titled Iga Igyo Tsubo (Iga disparately Shaped Tsubo). Like the previous Shigaraki work, this shows a state of nature, not a state of intent, as if the piece came to be...

Kung-Fu fighters make a play on the traditional theme of Karako (Chinese Children) as they do battle among the outlandish designs on this set of sake set by Fukami Fuminori enclosed in their original signed wooden boxes titled Manga Oribe Tokkuri and Guinomi respectively.  The designs are very bold, with crisp black lines on cloudy orange base-glaze; stylistically much like a black and white comic book in glossy format. Even the boxes are a work of art.  And the green on the cup adds a touch o...

Large wasp waisted vase with chimney style neck glazed in a rich temmoku and tetsu0yu combination with large ring lugs flanking the neck.

Stoneware and glazes

15.75" x 7.5"

Exquisite kiln effects mark this Ujoyaki Tsubo by Imai Rikei from Aomori Prefecture enclosed in the original signed wooden box named Zuiha (Swirling wave). It is 33 cm tall, 29 cm diameter and in excellent condition. Imai Rikei was born in Aomori Prefecture in 1947, and fires in the Ujoykai traditional manner making use of the worlds longest climbing kiln (guiness book of world records, 103 meters long, you can see it on youtube). He has received a number of awards and exhibited with the Asah...

Lines of burnt straw scar the surface of this voluminous work by Yamamoto Yuichi enclosed in the original signed wooden box. It is 17-1/2 inches (45 cm) tall, 9 x 10 inches (23 x 25.5 cm) at the base and in excellent condition.
Born the son of Living National Treasure Yamamoto Toshu, Yuichi was raised among the clay and kilns of Bizen, at a vital time when Bizen was devastated by the war economy, and the dramatic years of growth and research following. He began making pottery in 1959, at...