This Tsubo by Tsujimura Kai is amazing and all attitude. It comes enclosed in the original signed wooden box titled Shizen-yu Tsubo. Green ash has poured in a torrent around the form, settling into glossy black around the base on one side and tingeing the rim with charcoal fingers. Huge eyelets create bulge from the surface on one side, evidence of how it rested on its side in the kiln. This is one not to be missed, and one we will be hard pressed to let go...

Silver waves ripple like the summer seas around the Mt. Fuji like cone of this iconic form by Morino Taimei enclosed in the original signed wooden box titled Ginsai Namijo Mon Henko (Silver Wave Pattern Vessel). The unsual base of white lends this piece a singular quality among his repertoire, and would be a wonderful compliment to other works by this esteemed artist...

An Oribe vessel covered in pale earth-tones scribbled with nudes by Suzuki Goro enclosed in the original wooden box titled Yahichida Tsubo. A crow perches on the base like a signature cawing out GORO! Yahichida was a style of Oribe popular in the Momoyama and early Edo periods. That said it is likely that they did not decorate with such audacious flair back then...

Hayashi Shotaro is one of Japan’s preeminent potters, and he has outdone himself again with this mouthwatering work decorated with a pagoda in dark iron silhouette against an iron red sky fading to darkness at the rim. It comes enclosed in the original signed wooden box titled Manyou Yamato-ro Henko (Manyo is his signature glaze and Yamato-ro refers to imagery of old Japan). This piece was shown at his exhibition celebrating 45 years of potting, and is featured in the catalog image number 19...

Mottled blue in thick textured drips run down the sides over ashen glaze on this 4 eared Tsubo by Sakuchi Ensen enclosed in the original signed wooden box. The thickness of the drips adds a tactile sense to this piece, compelling the hands to reach out and touch. It is 11-1/2 inches (29.5 cm) tall 9 inches (23 cm) diameter and in fine condition. The box lid is stained.
Sakuchi Ensen (B...

A charred Ash Glazed Hento by Kumano Kurouemon enclosed in the original signed wooden box titled Echizen Ko-wakamaru Hento and signed To Kurouemon. Two slabs joined by a wide belt, one side slightly sagging like Hotei’s belly, lines scorring the sides. Glaze is crisp on the neck and one side, but grows quite liquid as it drips down the other...

Thick white vitrifies over bottomless black, creating a stark sense of drama on the torn form of this outstaniding work by world renowned potter Miwa Kazuhiko enclosed in the original signed wooden box titled Kakan (Floral Crown). It is quite tall, and with a single flower would be an excellent complement to the alcove of a modern Tea Room. The raw red clay is visible benath where the glaze has crawled away to allow a peek inside...

Here is a piece with attitude! A proud Iga vase with two “ears” like elbows on its hips by Kishimoto Kennin enclosed in the original signed wooden box titled Iga Hanaire Somimi. Interestingly he has written the last characters as one instead of two in the title...

Here another igneous form by Fujioka Shuhei enclosed in the original signed wooden box titled Iga Igyo Tsubo (Iga disparately Shaped Tsubo). Like the previous Shigaraki work, this shows a state of nature, not a state of intent, as if the piece came to be. It is this sense of raw elementalism which puts Japanese pottery apart, and gives it its unique place of reverence in world ceramics...

Thick ash covers the squat form of this exquisite traditionally shaped tsubo by Sugimoto Sadamitsu enclosed in the original signed wooden box titled Shigaraki Uzukumaru Tsubo and annotated by Tea Master Tachibana Daiki of Daitokuji Temple. One can easily see how a traditional Zen master would wish to associate his name with the work. Like the answer to a Zen Koan, the piece appears to have always been there...

A long necked bottle form vase by Tokuda Yasokichi III enclosed in the original signed wooden box,covered in his signature gosai colors of yellow, purple blue white and green.Very Powerful,one of the most beautiful Yasokichi piece i've ever seen.
Size, H 26.3cm (10-1/2 inches)...

An iconic work decorated with energetic graffiti by important potter Suzuki Goro enclosed in the original signed wooden box...

Ash is blasted around the stately form of this tall Tsutsu-gata vase by legendary potter Tsujimura Shiro enclosed in the original wooden box titled Iga Mimitsuki Hanaike and signed by the artist in the lower left corner. It is as if his exuberance got the better of him, the characters beginning so stark and bold, running into a jumble of strokes as he culminates with the character life (ike), like the final crescendo in this opera of clay, fire and joy.
Size, W 13.5cm (5.3 inches) H 25...

Ash encrusts one side of this flattened Signature form by Shigaraki Legend Furutani Michio enclosed in the original signed wooden box. Opposite is rich red terracotta and in between rivers of molten green glass. It is 45 cm (17-1/2 inches) diameter, and weighs 14 kg (30 pounds) plus the thick Kiri-wood box. This belongs in a museum of contemporary Japanese pottery.
Furutani Michio is one of the Gods of Shigaraki, an artist who wrote the book on Anagama kilns, and one of the more influen...

A fine Tenmoku Glazed pot with Pine needle design by Kimura Moriyasu dating circa 1985 enclosed in the original signed wooden box. It is 8 inches (20 cm) tall and in fine condition. A vase with this same glaze is held in the National Palace Museum, Taiwan.
Kimura Moriyasu (b. 1935) studied pottery initially at the Kyoto Ceramics Research Facility (which turned out such masters as Hamada Shoji and Kawai Kanjiro) and then under his brother Kimura Morikazu. He is well known for his use of c...

Phenomenal and classic Mino-Iga style vase with unquestionably the finest wood fired surface I have ever seen by Mizuno Takuzo. Large and solitary in its presence, the wide array of textures and coloration paints a unique and powerful form that few can achieve and I doubt I will see a pot with this varied a surface again the ferocity of the firing process is written across the surface. Perfect for use or just as a point of contemplation, this Mino-Iga vase stands alone among the tradition.

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A stellar display of Hidasuki covers the sides of this voluminous Bizen vase by Yamashita Joji enclosed in the original signed wooden box. It is 15 inches (38 cm) wide, 14 inches (37 cm) tall and in excellent condition, and retains the original exhibition label on bottom. Due to size the cost of shipping will be accrued separately. Yamashita Joji (b. Tokyo, 1947) lives in Okayama, but began his artistic career in the Vancouver Art School in Canada. Upon returning to Japan in 1971 he apprent...

An exquisite deep blue covers the dark iron-rich clay of this Shino Vase by Kato Toyohisa enclosed in the original signed wooden box titled Ash Purple “no” Glaze Vase. Here he plays with sound, substituting the character for purple (shi) for the usual character Shi in Shino. It is 11-1/2 inches (28 cm) tall and in excellent condition.
Toyohisa was born in 1962. His work is both original and fresh and his challenging pursuit of Mino ceramics is evident in both his contemporary pieces ...