Korean Contemporary Marbleware Bottle by Seo Kuk Jin

Seo Kuk Jin Korean Contemporary Marbleware Bottle

Wood-fired Tokkuri, Sake Decanter, by John Benn; Harstine Island, WA. Natural Ash Glaze. H. 6.75"(17.25cm) x Dia. 4"(10cm.) natural Ash Glaze Drip at rim, shell wadding remains on body. John Benn studied with F. Carleton Ball and Ken Stevens at the U. of Puget Sound in Tacoma, and with Howard Shapiro and Sandra Simon in the MFA Program at the School of the Art Institute of Chicago. In 1976, he built his first wood kiln...

Large hand carved terra cotta Tebori fish tray. This tray has the option of hanging on the wall if desired

Terra Cotta, slip and glaze

15" X 15" X 2"

Functional, decorative and food safe

Tokkuri, Sake Decanter, Mashiko-yaki, by Tagami Munetoshi. Kaki (persimmon) glaze with ichimatsu (checkerboard) pattern of red & green overglaze enamel decorations of snow on bamboo grass (yuki mochi sasa) & stripes. H. 5.5"(14cm) x Dia. 3.375"(8.5cm). Volume = 13oz(380cc.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro...

Black, black, BLACK!  This is the word with Isezaki Koichiro and these two splendid works enclosed in the original signed wooden boxes titled Kuro Sake Tsugi and Kuro Sake Nomi (Black Sake Pourer and Black Sake Cup respectively).  The granular clay is a step away from standard Bizen, but the blasting of ash gives it away.  The rims seem to be worn away, as if the flames have caused them to degrade.  An undulating scar like a wave seems to intimate the waves of spirits that will pour forth. ...

A tall Sake bottle with handle deeply dragged and scratched by Yamada Kazu enclosed in the original signed wooden box titled Ao-Oribe Sake Tsugi. It struts forward at a jaunty gate, as if whistling a tune on a summer day in the park, oblivious to all. It is dressed from top to bottom in oribe green, the scarred body filling in the recesses forming dark pools and fractures...

Tear drop form tokkuri in the Jovian Storms pattern neriage and a rich and three dimensional Ao glaze which runs from steel blue-grey to green with blue highlights

Porcelain and glazes

7.75" X 5"

Functional, decorative and food safe

Fine Oni-Shino chawan by Mino traditional potter, Murata Juko (b.1922). The Oni-Shino surface is a wonderful blend of fissured Shino with areas of rich iron about the exterior and covering most of the interior. The robust and inviting form has a very purposeful stance and displays well and feels great in the hand...

These expressive forms utilize the clays natural textures to bring out the depths of the oribe green, and electric shimmers of blue flash on the surface in random patterns like heat lightning.  This sake set was created by the very popular and hard to find Higashida Shigemasa and come enclosed in their original signed wooden boxes titled Oribe Tokkuri and Guinomi respectively. 
Size, The Tokkuri: is W 9.5  cm ( 3-3/4 inches)  H 14.6  cm (5-3/4 inches)  Size, Guinomi: is W 5.2  ...

A thick glazed tokkuri and chokko cup by Koyama Kiyoko enclosed in the original signed wooden box. The Tokkuri has a playful stance, slightly cocky and leaning, as if it wants to pour. Both are covered in thick, dripping ash glaze, a product of her legendary long firings, sometimes lasting ten days. It is 5 inches (13 cm) tall and in fine condition.
Kiyoko was the subject of the film Hi-Bi (2005) and is the pioneering female wood firing artist in Japan...

Ceramic Sculpture by Cha Wa Sook. 18h x 16w x 4d inches, 46h x 40.5w x 25.5 cm.

Shades of red ripple like fire in the kiln across the variegated surface of this large Koro by Shino master Kato Toyohisa enclosed in the original wooden box titled Aka-Shino Koro. Whenever one looks into a wood burning kiln during the firing, this is what is visible; ash molten on the sides of pots turned red hot by flames blasting through, long tendrils of fire wrapping about the wavering forms...

A large sculpted image of the goddess of mercy Kannon cut from a solid slab of Iga clay by artist Kishimoto Kennin. The image is 12-1/2 inches (31.5 cm) tall and in perfect condition. The artists mark is engraved into the base of the back; there is no box. This artist has been working with clay since the 1950s, devouring styles along the way...

RARE! Oribe vessel covered in pale earth-tones scribbled with natural motifs by Suzuki Goro enclosed in the original wooden box titled Narumi Oribe Natsume. Evidencing the great value placed upon the work, it comes wrapped in a silk bag bound with silk chord, inside a the original signd wooden box enclosed in a lacquered Niju-bako double wood storage case...

Kang Jong Sook Korean Contemporary Ceramic Sculpture

Large and bold hakeme style Oribe chawan by Matsuzaki Ken...

An Iga Kogo by Kishimoto Kennin and Tamba Kogo by Nishihata Tadashi, both superb examples of their craft and tradition, both by these prominent artists and both enclosed in the original signed wooden boxes.  The Kennin piece is a small square reminiscent of a pillar stone from some long lost temple, the edges covered in earth, the round top lost in a covering of moss.  Here he has breathed new life into the traditional form, both paying homage and yet leaving his indelible mark on it to carry ...