Wide Bowl with incised Lotus medallion. Bamboo Ash and Copper Glazes. H. 3.625"(9cm) x Dia. 8.625"(22cm.) The Lotus is a important symbol in Buddhism as it represents rebirth, purity, and spiritual perfection. Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea...

Kakehanaire, Hanging Vase, by Sachiko Furuya; Honolulu, HI. Ash glaze that fired brown, and charcoal black in areas. H. 3.375(9.5cm) x Dia. 2.375"(7cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea...

Kakehanaire, Hanging Vase, by Sachiko Furuya; Honolulu, HI. Shino and Bamboo Ash Glazes. H. 4.5cm) x Dia. 3.5"(9cm.) The vase hole appears very organic, as if blown out from the inside by an explosion. There is a pink tinge in some areas of the glaze, caused by some smoking during firing. Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea...

Mizusashi, Fresh Water Jar for Tea Ceremony. Also, Lidded jar for any storage use. Bamboo Ash Glaze. Lid Knob in shape or Orchid Flower. By Sachiko Furuya; Honolulu, HI. H. 4.875"(12cm) x Dia. 5.75"(14.5cm.) Volume = 1,000ml, approx 32 oz. Earlier piece of Furuya's, ca. 2005, when she was still in the Seattle, WA area. Sachiko Furuya hails from Yamanashi Prefecture, Japan...

Vase, Shino and Bamboo Ash Glazes, by Sachiko Furuya; Honolulu, HI. H. 5.5"(14cm) x Dia. 4.25"(11cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa...

Bee hive shaped flower Vase by Sachiko Furuya; Honolulu, HI. Shino and Bamboo Ash Glazes. Some serendipitous pink coloring has occurred due to smoking in the kiln. H. 6.375"(16.25cm) x Dia. 5.875"(15cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea...

White porcelain cups ideal for sipping sake or whiskey, by Hanako Nakazato of Union, Maine and Karatsu, Japan. H. 2.25"(5.75cm) x Dia. 1.75"(4.5cm.) Hanako Nakazato is a 14th generation potter from Japan. The Nakazato family is a well-known pottery family in Karatsu, Saga Prefecture, with the 12th generation Nakazato Taroemon being designated a National Living Treasure for Karatsu ceramics. Hanako moved to the US at age 16 to pursue her education. While in the US, she took a renewed interest in...

Porcelain cups with blue-green glaze ideal for high-grade tea (gyokuro, sencha, oolong,) sake, or whiskey. White porcelain with a rich blue-green glaze Nakazato calls "peppermint." H. 2.875"(7.25cm) x Dia. 2.375"(6cm.) Hanako Nakazato is a 14th generation potter from Japan. The Nakazato family is a well-known pottery family in Karatsu, Saga Prefecture, with the 12th generation Nakazato Taroemon being designated a National Living Treasure for Karatsu ceramics. Hanako moved to the US at age 16 ...

Shinogi (faceted) Guinomi (sake cup) in white porcelain, by Hanako Nakazato of Union, Maine and Karatsu, Japan. H. 1.75"(4.5cm) x Dia. 2.75"(7cm.) Hanako Nakazato is a 14th generation potter from Japan. The Nakazato family is a well-known pottery family in Karatsu, Saga Prefecture, with the 12th generation Nakazato Taroemon being designated a National Living Treasure for Karatsu ceramics. Hanako moved to the US at age 16 to pursue her education. While in the US, she took a renewed interest in ...

White Porcelain Mug by Hanako Nakazato; Union, Maine & Karatsu, Japan. H. 3"(7.5cm) x Dia. 3.25"(8.5cm). The node around the shoulder led Nakazato to name this a "Bamboo Mug." It is well-balanced and light enough to not feel heavy when filled with a beverage and exhibits and elegantly thrown handle. Hanako Nakazato is a 14th generation potter from Japan. The Nakazato family is a well-known pottery family in Karatsu, Saga Prefecture, with the 12th generation Nakazato Taroemon being designated ...

Porcelain tea cups with blue/green ("peppermint") glaze by Hanako Nakazato of Union, Maine and Karatsu, Japan. The zig zag ribbing of the cup and the blue-green glaze led Nakazato to call this a "giza giza (zig zag) peppermint" cup. H. 3.125"(8cm) x Dia. 3.125"(8cm.) Wonderfully balanced and easy to hold. Hanako Nakazato is a 14th generation potter from Japan. The Nakazato family is a well-known pottery family in Karatsu, Saga Prefecture, with the 12th generation Nakazato Taroemon being design...

Shinogi (faceted) Dessert Bowls, White Porcelain, by Hanako Nakazato; Union, Maine & Karatsu, Japan. H. 2.625"(6.5cm) x Dia. 4"(10cm.) Hanako Nakazato is a 14th generation potter from Japan. The Nakazato family is a well-known pottery family in Karatsu, Saga Prefecture, with the 12th generation Nakazato Taroemon being designated a National Living Treasure for Karatsu ceramics. Hanako moved to the US at age 16 to pursue her education. While in the US, she took a renewed interest in her cultural...

This classic mizusashi has everything one could want from Karatsu; a timeless form, a perfect nuka surface and exceptional E-Garatsu style iron underglaze painting by a master potter and arguably the greatest living Karatsu artist. This pot could easily be a 17th century piece though the unmistakable mark of a master 20th century potter is ever present. The beautiful Karatsu chirimen kodai is what sets this pot apart from most and Tanaka Sajiro creates a foot like no other.

This mizusashi ...

Large and impressive take-no-zu style bamboo vase by Mino veteran and Oribe specialist; Sato Kazuji. Exceptional throwing, modeling and spatula work define this dynamic vase and what the photos fail to capture is the beautiful surface iridescence about the rich green Oribe glaze.

This vase measures 11.5" x 5" and is in perfect condition with the original signed box.

A tower of geometric in silver and red by Kawano Eichi enclosed in the original signed wooden box. The pebble textured surface and straight lines of the side are juxtaposed by the irregular and angular patterns of silver, like the outline of stones leading to a temple cast in shadow across the sides. The vase is 13 inches (33.5 cm) tall, 4 inches (10 cm) square and in fine condition.
Eichi was born in Osaka, 1943, and was raised in the post-war era of huge change. He studied in the p...

Ame-yu, amber glazed porcelain teabowl with carved design of fish around the form, "upriver" pattern.

Porcelain and glaze

5.15" x 3.5"

Functional, decorative and food safe

Large Oribe style vase with sprigged, attached decoration of impressed devices around the body of the pot with large ring lugs and trumpet style neck.

Stoneware, slip and glazes

14.5" x 7.5"

Large oval teabowl with all over paddled texture and poured slip under a rich Oribe glaze.

Stoneware, slip and glazes

6" x 5.25" x 3.75'

Functional, decorative and food safe

A superb Uzukumaru tsubo by Tsujimura Shiro enclosed in the original signed wooden box. Shell marks, kutsuki, ash blasting. The piece is 7-3/4 inches (19.5 cm) tall, 6 inches (15.5 cm) diameter and in excellent condition.
Tsujimura Shiro was born in Nara in 1947, and began his steps into the art world as an oil painter. While living at a Buddhist temple he experienced a profound connection with a Korean Tea Bowl, and began potting. He is highly acclaimed and somewhat reclusive, avoidin...

White dots pattern the scalloped swirling form of this vase by Kitamura Junko enclosed in the original signed wooden box. The vase is 7-1/2 inches (19 cm) tall, 5-1/2 inches (14 cm) diameter and in excellent condition.
Kitamura Junko learned under the tutelage of Suzuki Osamu and Kondo Yutaka of the influential Sodeisha. Like Mashiko artist Shimaoka Tatsuzo, her work is influenced by Jomon pottery, however her approach is very different. After impressing patterns into the clay with bam...

Large, noble exhibited lobed rinka bowl by internationally recognized celadon master; Uraguchi Masayuki. Please see illustration of this exact bowl in the exhibit catalogue.

Uraguchi is practically a household name when it comes to a plethora of celadon styles, he was fortunate to be the singular student of the late Ningen Kokuho, Miura Koheiji and his works are part Miura, part Okabe Mineo and yet entirely his own idiom. His creations of both classic traditionalism and architectonic sculp...

Large and very impressive yuteki oilspot tsubo by Kimura Yoshihiro, son of the legendary Kimura Morikazu and inheritor of the oil spot dynasty of his father and uncles; Moriyasu and Morinobu. This large tsubo is made in a classic, Chinese inspired form with a rich black background covered with oilspots from which silvery feathered tendrils trail down the surface of the pot. The application of the glaze, skillfully handled, creates a magnificent visage like looking at the stars in the sky only in...

Large temmoku and iron glazed teabowl creating a matsukawa, pine bark, effect diagonally around the teabowl. The chawan is ovoid in form and the foot was hand cut to compliment the form.

Stoneware and glazes

6" x 5.5" x 3.5"

Functional, decorative and food safe

A breathtaking white form of draped porcelain by Nagae Shigekazu enclosed in the original signed wooden box with the original Daimaru Department Store exhibition invitation. Light patterns are almost indiscernible on the surface, incredibly detailed and crisp when viewed close-up. What is surprising about this work is the weight, incredibly light. The piece measures 16 x 16 x 5 inches (41 x 41 x 12 cm) and is in excellent condition. Due to fragility this piece will require special shipping c...

Large and bold hakeme style Oribe chawan by Matsuzaki Ken. This finely formed chawan has an excellent shape to show off the casual hakeme slip decoration that was then glazed over in an oribe glaze that is full of variation, tones and effects.

The is a great deal written about Matsuzaki Ken, including a book and several dvds (videos) about this stellar Shimaoka Tatsuzo student. Please feel free to look around the internet, but what is abundantly clear is the international fame of this stan...

Wangata style teabowl with fluid dark and light cobalt decoration decorating the exterior of the chawan. Showing both Seto and Annam styles, this chawan by Nakajima Mokusen (b. 1955) has a very poetic appearance and is a very functional teabowl.

This chawan is in fine condition, was made in 2003 and has its original signed box, measuring 4.9" x 3.25".

Small Shigaraki kake-ire hanging vase made by Uda Rakuzan. The small uzukumaru like form, intentionally deformed with the face covered in ash and charcoal effects and an incised decoration around the should of the pot. the rear has hi-iro effects and a metal hanger.

This vase is in fine condition but does not have a box. The vase measures 4.5" x 4.8".

Pair of mentori, faceted style vases by Shigaraki master potter, Kohyama Yasuhisa (b. 1936). The vase on the left side of the photos is an early Shigaraki mentori vase that was wood fired in his first anagama kiln, the vase on the right is a Hakuyu glazed vase, glazed with a Hagi style white glaze which Kohyama uses to this day on his "standard ware" functional pottery. There is a great deal written on Kohyama-san on the web, including a book which was published back in April (in English), let i...

A dramatic basin brutalized by the elements by Shigaraki Master Tsujimura Shiro enclosed in the original signed wooden box. Representative of this artists work, the lip has split with heat, one edge blasted off, and the entire charred and buried in ash. The dish measures 7.5 cm (3 inches) deep, 29 cm (12 inches) diameter and is in excellent condition.
Tsujimura Shiro was born in Nara in 1947, and began his steps into the art world as an oil painter. While living at a Buddhist temple he...

Kakehanaire (Hanging Flower Vase,) by George Gledhill; Payette, ID. Wood fired, ash glaze, with copper ring attached in back for hanging on a wall or post. H6.5"(16.5cm) x W.3.5"(9cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to pr...

Kakehanaire (Hanging Flower Vase,) by George Gledhill; Payett, ID. Wood fired, ash glaze, with copper ring attached in back for hanging on a wall or post. H>6.5"(16.5cm) x W.3.125"(8cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to ...

Kakehanaire (Hanging Flower Vase,) by George Gledhill; Payett, ID. Wood fired, ash glaze, with copper ring attached in back for hanging on a wall or post. H>5.5"(14cm) x Dia.3.25"(8.25cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him t...

Kakehanaire (Hanging Flower Vase,) by George Gledhill; Payett, ID. Wood fired, ash glaze, with copper ring attached in back for hanging on a wall or post. H>5.75"(14.5cm) x W.2.75"(7cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to ...

Kakehanaire (Hanging Flower Vase,) by George Gledhill; Payett, ID. Wood fired, ash glaze, with copper ring attached in back for hanging on a wall or post. H>6.25"(16cm) x W.3.125"(8cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to p...

Kakehanaire (Hanging Flower Vase,) by George Gledhill; Payett, ID. Gas-fired, ash glaze, with copper ring attached in back for hanging on a wall or post. H>5.375"(13.75cm) x W.3"(7.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to ...

Kakehanaire (Hanging Flower Vase,) by George Gledhill; Payett, ID. Gas-fired, with copper ring attached in back for hanging on a wall or post. H>5.75"(14.5cm) x W.2"(5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea war...