Classic Shigaraki chawan by veteran wood fire potter, Takahashi Rakusai IV. This is truly a classic example of the Rakusai style and has vivid hi-iro flashing about the chawan while the face is painted in a fine coat of ash...

A pair of iron glazed, paddled (tataki) teabowl, both with hand cut feet. The left chawan glazed in temmoku with a tetsu-yu glaze over and the right bowl glazed in an alkaline clear with my saffron, iron yellow glaze over. Both bowls are tabi-chawan style and feel good in the hand.

Stoneware and glazes

Each bowl approximately 4.5" x 4"

Functional, decorative and food safe

Very large Oribe teabowl that was thrown and tataki paddled with texture into an oval form. There are two tones of green from the oribe on the bare clay and over areas of poured white slip. The foot is tooled by hand, off the wheel, to go with the form of the bowl.

Stoneware, slip and glaze

6.5" x 4.75" x 3.9"

Functional, decorative and food safe

Brilliantly glazed, Chinese influenced shishayu (copper red) vase made in Japan, circa 1950 - 1960. This vase owes its inspiration to Ming and Ching period of China and is made of porcelain and then heavily glazed in a multi-dimensional shinshayu glaze. Though it comes with the original signed box and is prominently signed, the maker is at this point, unidentified.

This vase is in excellent condition, measures 8.75" x 4" and comes with its original signed box.

Sophisticated, yet naturalistic set of five, hand made, hand cut leaf plates with red enamel leaf designs under a washed gold gilt surface. This Rimpa influenced set for casual or kaiseki use are by veteran Kyoto Kiyomizu potter, Heian Seiun and most likely date to the 1960s...

This rich and substantial pot is by Mashiko potter Hyuga Munetoshi, a one time student of the Hamada kiln (?). Glazed in an exceedingly rich tessha/kaki iron glaze the pot has wax resisted decoration of flowers on either side of the pot. Intended for use as both a tsubo and mizusashi, this pot is a great example of modern Mingei influenced Mashiko pottery. The glaze is far more complex and rich than the photos convey and will not disappoint in person...

This classic Mingei hanaire is by Mashiko potter Hyuga Munetoshi, a one time student of the Hamada kiln (?). Glazed in an exceedingly rich tessha/kaki iron glaze the pot has wax resisted decoration of flowers on either side of the pot. Created for both function and decoration , this pot is a great example of modern Mingei influenced Mashiko pottery. The glaze is far more complex and rich than the photos convey and will not disappoint in person...

Evocative blue decorated henko bottle vase with fluid brush decoration and sgrafitto decoration prominently signed; SEIRAN. The cobalt decoration sits on an almost ash style glaze with spots of blushed areas, similar to Hagi pottery. I have not been able to find out anything about the potter, but the brushwork and use of space suggests a full time potter, used to working in this particular style.

This henko is in perfect condition with its original signed box and measures 8" X 8.5" x 6".

Porcelain smoking set by Kutani master, Suda Seika II (1892-1971). Using sometsuke underglaze blue and iro-e overglaze enamels, the two pieces are matched in motif of two koi, chest to chest. Circa 1960.

Box; 11.5 x 10 x 4.5 cm
Dish; 11 x 2.4 cm

Both are in perfect condition with original signed box

Wonderful yakishime Shigaraki chawan by veteran potter; Tani Seiuemon.

12.8 x 9 cm

Perfect, unused condition with signed box and stamped tea cloth

Hagi chawan by Kaneta Masanao with Zenga calligraphy adorning the bowl by an unidentified Zen priest. The bowl reads; MEISHU, Bright Jewel.

12.5 x 8.5 cm

Perfect, unused condition, NO BOX

Furutani Michio Shigaraki mizusashi with original signed box and cloth and exhibition sticker on the bottom of the box.

21cm tall by 20cm wide

In perfect condition

A group of five volumes of the Japanese ceramic magazine, Honoho Geijutsu; #35/37/40/41/77. Each volume profusely illustrated, mostly in color with 178 pages and English captions to many of the photos. Each issue has several in depth articles as well as profiles of a wide variety of potters and a section on pottery techniques in the back of each volume...

Graceful and serene squared form bottle/vase by master Hagi potter, Tahara Tobei (1925-1991). This pot was first thrown round and paddled skillfully into a squared form, iron slipped and then glazed in a Hagi ash glaze to create this other worldly keshiki landscape. The surface ranges from a rich chocolate brown to areas of a muted lavender and grey with pink and creams tones spotted about...

Narrated DVD about Mashiko artist potter, Matsuzaki Ken. This DVD features the preparation of clay, hand building, coil building, throwing, throwing chawan, glazing and firing by Ken at his studio and wood fired kiln.

Matsuzaki Ken is internationally recognized for his unique synthesis of what he was taught from Shimaoka Tatsuzo and by proxy from Hamada Shoji and his own blend of these styles together with his view of Shino, yohen, Oribe and various other styles...

Two yunomi with my partridge feather and saffron glazes over temmoku. The interior of the foot is glazed in a simple clear glaze.

Stoneware, slip and glazes

A measures 3.75" x 4"; B measures 3.85" x 4"

Functional, decorative and food safe

Burnt yellow glaze streaks down the body to form encrustations of glazz on the base of this organic looking vessel by Hori Ichiro enclosed in the original signed wooden box. It is 10 inches (25.5 cm) tall and in excellent condition.
Hori Ichiro (b. 1952) graduated the Tajimi School of Industrial Design and apprenticed under Kato Kozo...

A very cool Ginsai covered dish by Banura Shiro enclosed in the original signed wooden box. Bright silver swirls to the center alternated by wrinkled lead colored glaze. It is 8 inches (20.5 cm) diameter and in excellent condition.
Shiro was born the fourth son of Living National Treasure for Lacquerware. His sensitivity to textures may stem from that exacting influence...