Per the Spratling Silver website, these earrings were only produced between 1958-1967. These William Spratling earrings are stunning, with eight shiny discs and tiny beading. Each disc moves independent of the others, creating beautiful movement. Measures 1 1/2" tall, 7/8" wide. Screw backs work perfectly. Signed and hallmarked with the WS Script Circle and eagle assay 30. Weight is 11.2 grams. In excellent vintage condition.

Calling the vintage Mexican silver and black stone "mask" ring I am presenting here massive is not an exaggeration. It is not just the actual ring size (9.5 US) that makes it so; it is also the textured, solid setting, quite masculine in design, and the beautifully carved, stupendous effigy it houses. I am not sure what the stone is - I think it might be onyx but it could also be black agate. I am fascinated by its opaque gravity and the way its satin finish invites the touch...

Circa mid-century, these earrings are a rare find. Produced by Margot de Taxco, these are a book-piece design shown on page 34 of Margot Van Voorhies : The Art of Mexican Enamelwork. Both earrings and original design drawing are shown.

Referred to as "Egyptian Scroll", the colors are bright and vibrant. Gold, black, and green enamel.

Measure 1 9/16" x 1 1/4"...

Circa mid-century, this hinged bracelet was produced by Erika Hult de Corral and has her unmistakeable style. Rare to see one of her pieces executed in 980 silver as this one is. Hult worked with both Sigi Pineda and Enrique Ledesma before opening her own shop, and the influence of Sigi Pineda can certainly be seen in this bracelet.

It's a beautiful bangle bracelet, hinged on both sides to swing wide open...

It's been a very long time since I offered a Mexican clamper bracelet and I am happy to be starting again with a classic Taxco design, this repousse and shadowbox "Quetzalcoatl" example. The maestro who signs it I am familiar with - he worked in Taxco and it seems that clamper bracelets were one of his favorite forms...

Circa mid-century, these are fabulous earrings from Margot de Taxco.

These koi fish with teardrop amethyst dangles measure 1 3/4" tall, and they are stunning. The detailing is amazing. Amethysts match perfectly in color, and screw backs work perfectly.

Signed and hallmarked "Margot de Taxco 5207" on one, "Sterling Made in Mexico" on the other. No eagle assay.

Weight is 10 grams.

In excellent vintage condition, collector quality.

This is a gorgeous cuff produced by Los Castillo, with deeply chased swirling lines, oxidized recesses, and a beautiful patina. Signed and hallmarked Los Castillo Taxco, with the eagle assay 15 and design # 110. Weight is 58.9 grams. Edge to edge measures 5 5/8", with an additional opening/gap of 1 3/8". This will fit a larger wrist, but can be gently adjusted to size by a professional jeweler. In excellent vintage condition. Circa 1950's.

Attributions are a difficult issue in the world of vintage Mexican silver jewelry - they are almost never accepted. If a piece is not signed, it’s just not signed! In this case, however, I will put my years of experience behind my suggestion that the necklace I am presenting here is the work of Reveriano Castillo. When I acquired it, it had no clasp and since the specific Reveri design is usually marked exactly there, the connection to its maker was lost...

Circa pre-1940, this set of Matilde Poulat bird pins are signed with her early hallmarks. Collector quality, beautifully hand-crafted, with superb repoussé silver work, this matching pair of doves feature turquoise eyes, with one bird facing left and the other facing right. Absolutely fabulous.

Each measures 1 3/8" x 1 1/8"...

Maestro C. Molina is one of those “enigmatic” figures of Mexico’s 20th c. Silver Renaissance. Even in Bille Hougart’s seminal work on hallmarks and makers there is minimal information about him - namely, two or three examples of the way his jewelry is hallmarked and the photos are really difficult to read...

Perfect for the black turtlenecks and heavy coats of winter this vintage Mexican Deco silver and turquoise bird of paradise brooch is a stupendous work of art! Not only does its sheer size stun the eye, its layered sculpturality and curvaceous repoussage invites the touch and allows the light to play a thousand tricks hiding in its recesses and reflecting off its elevations...

Beautiful earrings in classic MATL style. By Matilde Poulat of Mexico City. Circa 1950. Marked MATL in script, 925, and MEXICO, and both earrings are marked with eagle 129, which is the correct number. The screwbacks, which are original, are marked ALPACA, which is of course a white metal alloy. With detailed baroque wirework, tiny turquoise cabochons with beautifully aged green color, and pyramidal amethysts. 1 1/2 inches long and just under 1 inch wide. Excellent condition...

Fabulous vintage necklace with thirteen glowing "dragon's breath" glass cabochons simulating fire opals, in baroque, deeply worked settings. Marked STERLING, TAXCO, EMMA, and numbered 279. This is the mark of Emma Melendez of Taxco, active 1953-1971. Slide clasp. 16 inches wearable length and 7/8 inch wide. Excellent condition. Photos enlarged to show detail. Display form is life size.

One of the few female designers of Mexico's 20th c. Silver Renaissance that we know of, Bernice Goodspeed arrived in Mexico's capital in 1930, according to Bille Hougart. Even though she and her painter husband, Carl Pappe, identified as writers and artists primarily, they opened a shop in Taxco where they sold not only their books and artwork but also jewelry that Bernice herself designed...

Symbols of fertility, rebirth, transformation and even immortality snakes and serpents have been favorite jewelry motifs through the centuries and across civilizations. In this Mexican Deco demi signed by the Los Castillo they are formed by silver, copper and brass, their slick bodies coiled around shimmering golden sheen obsidian...

Impressively long and beguilingly slick with its glowing tapering dangles half-hiding a bullet-shaped piece of black onyx, this is one of Antonio Pineda’s most eye-catching set of earrings. Simple yet visually strong lines that re-affirm the philosophy of less-is-more in the world of adornment; smooth as silk, dancer-like motion; fleshy geometry (if you allow me the word combination), all come together and become a piece of wearable art in the hands of Mexico’s modernist magician. Measuring ...

Known for her bold modernist designs and her love for big, gem- and stone-studded bracelets Carmen Beckmann was equally creative when allowing the Spanish Colonial tradition to influence her work. That “old way” of doing things manifests itself here in the heart-shaped wire-work appliques that support the luscious tiger’s eye cabochon, bringing to mind the more delicate, ornate filigree jewelry every silversmith in the country knew how to make. Everything else, however, from the oversized ...

Undoubtedly the result of artistic cross-pollination this vintage Mexican silver neck ring pendant necklace emits an intense Scandinavian vibe . Evocative of Danish modernist jewelry, it is not just the shapes that refer to it but also the choice of sodalite cabochons to accompany the warmly glowing silver. Slick, elegant, versatile - a combination which still speaks to our modern eye even though created almost a century ago. The neck ring has an inner circumference of 16” (including the 1 1/...