A pair of handsome 18K yellow gold cufflinks designed in an Art Nouveau interpretation of Gothic Revival. The heavy pierced front faces are reminiscent of the ornate carved stone bosses at the interesections of the ceiling ribs in a Gothic vaulted ceiling, while the back faces are pure Art Nouveau with whiplash curves. The pairing makes for a very attractive combination. The backs of the faces and the chains are stamped with French 18K marks.

Origin: France, ca. 1890...

A very attractive pair of Victorian beanback cufflinks, the oval faces set with with pyrope-almandite garnet cabochons. The gemstones have a much brighter red coloring than many garnets. The gold settings are decorated with foliate scrolled borders. The backs of the faces are marked “14K”.

Origin: America, ca. 1890. Condition: excellent. Size: 9/16” x 7/16”. Weight: 5.0 grams. Approximate Total Gemstone Weight: 5.0 carats.

Spectacular and big antique bracelet made from pink coral beads and matching flower form carved coral elements, centered by an amazing full length carved coral three dimensional cherub or putto, all wired on a gold frame. Circa 1850. The center element and the clasp element are hinged to the sides. With a slide clasp with a carved coral cabochon. The color is warmer than the photos depict.

Great size -- 1 1/2 inches wide at center and with a wearable length of 6 7/8 inches...

A pair of Victorian cufflinks in 14K rose gold, each face set with a faceted amethyst cabochon. Cufflinks of this type almost always use plain cabochons and the use of foil-backed faceted amethysts here is particularly attractive. The faces are joined by solid oval links. The backs are marked for 14K.

• America, ca 1890
• Excellent condition
• Faces, 5/8" x 5/16" (16 x 8 mm)
• 6.2 grams
• Approximate Total Amethyst Weight: 11.96 carats

A lovely double-sided 18K yellow gold and beveled crystal porte-photo (“photo carrier”), the gold rim simply decorated with a bound reed design in the Louis XVI style. It is cleverly constructed with a hidden screw mechanism that allows the gold frame to expand so the crystal covers can be removed for adding or changing the contents. Double-sided porte-photos were often used to display a photo on one side and a tiny lock of hair or a memento such as a pressed flower on the other...

This is a 14k yellow gold bracelet, consisting of eleven antique slides with various gemstones, garnets, turquoise, diamonds, natural pearls, coral and opal, on a double rope gold chain, having a slide hinged clasp attached to Horn and Fishhead accessories...

This is a fun pair of Victorian stylized square shaped 10K gold collar buttons with a heart motif, no marks but tests 10K; Circa 1896. Measurements: 5/8 in. diameter. Condition is excellent.

A very fine French Art Nouveau 18K yellow gold festoon necklace comprising three gold plaques exquisitely engraved in a pattern of roses and their foliage. The plaques are curved to create a "festoon" look, and are suspended from a gold chain set with natural seed pearls. The backs of the plaques are lightly engraved with a reverse image of the roses—a hidden luxury that speaks to the quality of the piece...

Unique Victorian bracelet done in a snake motif made of 14k yellow gold, with natural emerald, and rose cut diamonds. Intricately woven gold "body" and highly decorated "head". The bracelet will fit a 6.75" wrist. There is approximately 0.25 cttw of rose cut diamonds and 0.15 cttw of natural emerald. It is marked "585" on the underside of the "head." It has a secure clasp and a safety chain. It is in excellent condition and the overall weight is 12.5 grams. Circa 1890.

A very nice pair of Victorian cufflinks, the rectangular faces with canted corners and decorated with a plain band bisecting a field decorated with rococo foliate engraving. This is a design type more often seen on English cufflinks of the period, and it has a faintly heraldic appearance. The plain band, in fact, would have been ideal for a monogram. The connectors are marked 14K and also have the maker’s mark for Carter, Gough & Howe.

Origin: America, ca. 1880...

A beautiful pair of late Victorian 14K yellow gold cufflinks set with cat’s-eye chrysoberyls by M. Nosey Dragon & Co. of Tientsin (now Tianjin), China. Each chrysoberyl is surrounded by a finely detailed gold dragon, complete with scales, claws and whiskers. The chrysoberyls are unusually dark, tending toward a grayish-green instead of the more common golden brown. The cat’s-eye effect is very strong...

A heavy, outstanding pair of Victorian figural cufflinks in the form of acorns and oak branches, all worked in 14K yellow gold. The larger front faces are fashioned as highly detailed acorns, while the backs are branches. The quality of engraving is excellent and really brings out the subtlest textural details. In the Victorian "language of flowers", the acorn symbolized life and immortality while the oak tree and its branches represented strength and virility...

French 800 silver pin with lovely front and back designs. The front shows a beautiful dimensional woman that says "MIREILLE" on the left and "F.GILBAULT LC(maker)" on the right. The back has a floral design and "LC". It is signed "LC with anchor in a lozenge(maker) and boar's head" (mark for 800 silver) on the lock. It measures 1" and is of good weight. Very beautiful....$8 USA insured shipping plus applicable NY sales tax.

A fine pair of late Victorian 14K yellow gold bean-back cufflinks, the front faces decorated with ornately fashioned coiled snakes. The gold surface is treated to the soft, semi-matte bloomed finish sometimes seen in Victorian and Art Nouveau jewels. Kirby seemed particularly partial to snakes and produced several different serpent designs for cufflinks. In Victorian symbology, snakes conveyed sentiments of eternal love. Each cufflink is stamped “14K” and bears the maker’s mark for H. A...

An elegant pair of Victorian 18K yellow gold cufflinks, the baton faces very finely and ornately engraved in a foliate pattern. The faces are joined by chains. Tested and guaranteed 18K.

Ca. 1875. Condition: excellent, all original, sharp detail. Dimensions: faces, 11/16” long. Weight: 5.6 gr.

Antique Victorian, late 19th century, 9 karat gold bracelet with hollow links with repousse hammered decoration on the fronts of alternating groups of links, with matching heart shaped detachable clasp, and attached safety chain. The backs of the links are plain and the bracelet is a reversible "night and day" piece...

A spectacular pair of Georgian natural seed pearl chandelier earrings, boxed, made in England, mid 19th C, Pendeloque style having tiny seed pearls threaded with gut onto mother of pearl backs, set on marked 18K white gold screw backs. The upper and lower parts of the earrings comprise tiny pearls threaded in circular rows with a central larger pearl. The box marked G. Altman & Co. Fifth Avenue New York. Measurement: 2 1/2" long from the top of ear loop by 3/4" wide at widest point. Very good c...

An elegant Belle Epoque 18K yellow gold negligee pendant necklace, the old mine cut diamond drops formed as pansies. Pendant necklaces of this type, called negligees (from the French word for "careless"), were so called because of their assymetry. The subtle pansy design is achieved by combining three larger diamonds at the top of each cluster to represent larger petals, and two smaller petals at the bottoms. The knife edge bars suspending the clusters keeps the focus on the stones and create w...