Early Mexico City open backed repousse cuff looks so fabulous without being embossed around the background of the roses because it makes the repousse really pop. This is a 1 10/16th in. wide and the diameter is 2.5in. There are no repairs, no dents and no light holes that come from poorly pressed silver. The roses are brisk and superbly dimensional. An excellent example and fabulous on.

Circa mid-century, this Los Castillo pin is a spectacular work of wearable art, and features one of their most iconic designs.

It's a multi-dimensional piece with superb repoussé silver work, highly detailed, and absolutely collector quality.

Measures 3 1/4" x 2"...

Detailed and deeply hand carved in heavy 980 silver this early brooch designed by Spratling features the feathered serpent Quetzalcoatl of pre- Columbian myth. In beautiful condition & weighing 53 grams the pin measures 2 1/4" across. Pictured on spratlingsilver.com where author Phyllis Goddard explains that this pin design was included in a 1937 Brooklyn Museum of Art exhibit of Spratling's work. Spratling designs are included in the permanent collections of LACMA and MFA Boston.

Very similar to one of Antonio Pineda's designs, this modernist sterling silver and amethyst bracelet is signed by a listed yet still unidentified early Taxco maestro. Formed by a series of truncated pyramidal links this is a substantial piece that holds its shape almost like a hinged bangle rather than a loosely articulated bracelet. The design's austere geometry is mediated by the rich color and soft curves of the amethyst cabs set in generously wide, raised bezels...

Being offered is a fine circa 1935 sterling silver bracelet by Matilde Poulat (Matl) of Mexico City, Mexico. Featuring entirely handcrafted links with multiple coral stones; tongue and box clasp. Dimensions: wide 7" long x 1 1/2" wide. Marked as illustrated. In excellent condition. Great piece.

This mid-century pendant/pin/necklace can be worn several different ways. Pin on its own, necklace with pendant, and pin and necklace separately.

It's a very rarely seen design, and it is most certainly collector quality.

The shadowbox design has a darkened background which is absolutely flawless.

Pendant/pin measures 1 7/8" x 1 3/8". Closed, wearable length is 17"...

Molten caramel golds and shimmering coffee browns are reflected in warmly mellowed silver in this modernist Mexican pendant necklace with neck ring. Very Scandinavian in design, necklaces of this type are not very common in the world of vintage Mexican jewelry and I consider myself even luckier to have come upon this exquisite example because it is also a pre-1980 creation...

Composed of curved openwork panels formed as highly stylized bird heads, possibly eagles, with a pre-Columbian influence. The tongue-and-groove clasp is original and very secure for this substantial bracelet. It is bears the circular mark for Pedro Castillo, who worked for Spratling and Aguilar in the 1930s and started his own taller in the 1940s (per Bille Hougart’s ‘Little Book’ of Mexican silver marks, p. 41)...

A very rarely seen necklace from his first design period, shown on both the Spratling Silver website and as a published book-piece in the Morrill/Berk book "Mexican Silver", here is William Spratling's "Long Amethyst Caviar Necklace". It's a very versatile piece - wear it long in a single strand, double it up, or wear it as a belt. This is an absolutely spectacular necklace. Wear it with the amethyst at the bottom, or on the side...

Deep repousse' was used to create Spratlings' magnificent and labor intensive feathered serpent Quetzalcoatl design. Weighing 60 grams & measuring 3 1/4" x 2" the pin is in exquisite condition with gorgeous patina. This design is included in the 20th Century Mexican silver collection at Los Angeles County Museum of Art. The Quetzalcoatl pin was also used on the cover of the 4th edition of MEXICAN SILVER by Penny Morrill & Carol Berk...

Surrounded by the headless body of a coiled serpent the bezel-set turquoise adorning this Carmen Beckmann ring is one of the most visually interesting specimens of the stone I have recently seen. The variations in its green color in combination with the off-whites and the intense matrix come together in a way that suggests a mountainous landscape, dark boulders looming in the back, green grass still covered with patches of snow here and there...

This Matilde Poulat necklace bears her earliest block hallmark "Matl", and dates 1934-1940. It's a rare and beautiful piece, and it's also collector quality. Exquisitely hand-wrought, and it lays perfectly on the neck. A wonderful necklace which can be worn easily with any outfit and occasion. Measures 16" closed, wearable length. Width is 3/4". Weight is 69.7 grams. In excellent vintage condition with absolutely no issues whatsoever.

Circa mid-century, here is a very seldom seen book-piece design from Antonio Pineda.

Shown on page 148 of Gobi Stromberg's "Silver Seduction : The Art of Mexican Modernist Antonio Pineda", this is a magnificent bracelet with a stunning modernist design. Composed of eight thick sleek rectangular links which have bezel-set carnelian gemstones, each with a silver disc rising from the center. It's a very unusual piece, and a real attention grabber...

One of my favorite William Spratling designs, the original (bearing his signature) "hummingbird" pendant necklace I have seen crafted in all-silver and silver combined with black onyx or obsidian. I am sure other configurations must be available which I have not encountered so it is understandable that I was elated to discover this version marrying sterling with copper. My first surprise was followed by a second when I saw that the piece at hand was signed by Mari...

Monumental sterling cuff bracelet with a beautiful design of twisted silver loops and arched terminals by Mexican designer Carmen Beckmann. She is one of the few well known women Mexican silversmiths of her time, active primarily in the 60's and 70's and having a shop in San Miguel de Allende. Measuring 6" around in the inside plus an additional 1 1/8" opening, this bracelet is 2 1/2' wide at all points and weighs a very solid 218 grams. Signed as shown and in fine original condition...

This Poulat style bracelet has a center row of bezel set amethyst tones. Each panel has a turquoise and coral accent stone. It is 6 1/2" x 3/4"...

Circa 1940-1945, this masterpiece from Los Castillo pulls out all the stops. The craftsmanship is magnificent, the design sublime. The prong set faceted stones are almost black in color, with brown striations which can be seen from the back of the stones. The design is full of swirls and tiny beading. Centerpiece has six dangles and measures 5 1/2" wide and 2 1/4" tall. Closed, wearable length is 17". Weight is 112.7 grams. Signed and hallmarked with linear marks "Los Castillo Sterling Mex...

Hallmarks date this very rare Antonio Pineda necklace 1948-1953. I've not seen this design before.

Composed of twenty panels with a rimmed hubcap design, the links alternate with rounds and indented on the sides so that they fit into each other. Each panel measures 1 3/16" tall, 13/16" wide. Closes with a ribbed J hook and eye.

Signed and hallmarked "Silver by Tono", with the design # YY 223. I believe the silver to be of a higher purity than 925, likely 970 or 980. ...