A wonderful vintage large copper and brass pendant depicting an acrobat by Ex-pat Ken Beldin, who lived in Tenencingo, Mexico and made jewelry and sculptures from 1940 through the 1960s. Suspended from leather cords.

The pendant measures 4" across and 3" tall. Has blue and green crushed stone inlay in the body and the small ball he is jumping over...

Sold through Plateria Cortes this Taxco mid-century silver and stone necklace is signed by Enrique Ledesma and indeed considered a classic example of the Mexican modernist. Ledesma excelled in the marriage of sterling and semi-precious or hard stones is sleek, minimalist designs so his jewelry has a timeless appeal and is very much relevant today as it was when it first saw the day of light...

Offered on consignment.......

This masterpiece from Fred Davis is heavy and spectacular, with five huge oval amethyst cabochons framed within silver with a geometric design inspired by pre-Columbian clay stamps which he collected. This bracelet is a book-piece design, shown in "Dreaming In Silver" by Penny C. Morrill, p. 69.

The amethyst gemstone measure 1 1/2" x 3/4"...

Reddish brown jasper with light, almost invisible striations attracts the eye in this absolutely minimalist necklace and earrings set bearing the signature of Felipe Martinez and his Piedra y Plata workshop. Martinez was one of Taxco’s best lapidaries and the tight settings, the seamless transitions from sterling to stone in the demi at hand more than attest to the level of his craftsmanship...

Here is a nicely designed, solid pair of Mexican sterling silver earrings. They are decorated with balls and curls around center squares, defined by a subtle patina. They are marked sterling, but bear no maker’s mark; the clip backs are in good working order. They measure about 1 inch square.

Saturated blues and greens juxtaposed to the warm glow of well-aged silver soften the austere geometry of this Los Castillo modernist cuff bracelet. Out of the workshop’s “mozaico Azteca” line which celebrates the art of seamless inlay, the cuff is also showcasing the beauty of azur-malachite. There is nothing superfluous here - economy of design, honesty of materials and craftsmanship of the highest level combine in a visual power-house, a piece of mid-century wearable art...

Sterling tie bar or money clip by William Spratling, Mexico, c.1938. Measures 2 1/4" long and is signed "SPRATLING SILVER MADE IN MEXICO". Has original gold wash which can be polished off. Excellent condition......$11 for insured US shipping.

Hallmarks date this very rare Antonio Pineda necklace 1948-1953. I've not seen this design before.

Composed of twenty panels with a rimmed hubcap design, the links alternate with rounds and indented on the sides so that they fit into each other. Each panel measures 1 3/16" tall, 13/16" wide. Closes with a ribbed J hook and eye.

Signed and hallmarked "Silver by Tono", with the design # YY 223. I believe the silver to be of a higher purity than 925, likely 970 or 980...

Seamlessly marrying sterling silver and stone, Enrique Ledesma created some of Taxco’s classiest modernist jewelry. The specific bracelet with its curved, sculptural “cut pyramid” links is set with warm, mossy azur-malachite in which browns and greens are prevalent. Perfect for the season the bracelet measures 6 1/2” in inner circumference (clasped) and it's 15/16” wide...

Being offered is an exceedingly rare circa 1935 sterling silver arm bracelet by Fred Davis of Taxco, Mexico. A very early piece by one of the pioneers of the premiere Taxco Silver ateliers. Handwrought panels that wrap from the wrist to the arm using a 7 clasps mechanism. Dimensions: bracelet starts at 6 1/4 inches and goes up the arm to 8 1/4 inches. Marked as illustrated. In excellent condition. Excellent weight. Truly an amazing bracelet!

A beautiful pair of Earrings by the famous Matilde Poulat who signed her work MATL. They feature her ornate silver work set with Coral cabochon stones in a swirl design. They measure 1 3/8" long by 5/8" wide and weigh 10.4 grams. In good condition with the typical screw backs. Hallmarked on one earring "MATL". These are a gorgeous pair of earrings by a important artist.

These interesting turquoise and sterling silver earrings were made in Mexico. The clover shape looks like three hearts with a stem, with the turquoise inlay separated by the sterling silver. The back of one of the screwbacks is marked HECHO EN MEXICO 925 (of which only HECHO EN M and 9 are legible). They also have the maker's initials: a curved BEH, of which the H is not fully stamped. These earrings measure 1" x 3/4". The patina is great as are the turquoise colors.

Being offered is a fine one of a kind and a circa 1960 plateado silver necklace by Los Castillo, of Taxco, Mexico, comprising a collar necklace supporting a three tiered pendant with malachite & azurmalachite inset cabochons. Dimensions: 15". The horizontal sections are 1 3/4” deep by 4”, 5” and 6” long. Marked as illustrated. In excellent condition. To call this necklace a statement piece, denigrates the pure beauty and importance of this exquisite piece of art!

Featured on page 28 of the book SILVER MASTERS OF MEXICO by penny Morrill, this is the Hector Aguilar Fertility Bracelet with Dimpled Dots. It is in 940 silver and c.1940. One of his most well known designs, this bracelet measures 7 1/2" end to end, is 1" wide and weighs 102 grams. It has a pin closure. One of the dots in one of the domes is punched out. It is visible in the photo. I believe this is original to the making of the bracelet.Signed for Hector Aguilar as shown. A classic HA bracelet.

Look carefully at the full underside of the bracelet for the clear but spread apart (hard to get all in one photo) hallmarks revealing AP, an eagle 22 and sterling Mexico for Abraham Paz. This maestro made many of the pieces for Fred Davis and this is one of those designs produced for him. He added more special cut stones on the sides of this piece than the other lion bracelets. There is no damage anywhere and it is stunning on! It displays a dark natural patina...

A whopper of a bracelet, this early Taxco Deco beauty was wrought in fine, 980 silver and has still evident the Spanish Colonial influence in its design. Bold yet simple in its constitutive motifs, the silver-work is made up of three massive curved links that are adorned with traditional wire appliques and a touch of deliberate oxidation...

Crafted in the late 1950s or in the 1960s, this sterling silver Mexican necklace is signed by Victoria or Ana Maria Nunez de Brilanti. Victoria is one of the few female designers and silversmiths of Taxco’s 20th c. Silver Renaissance that we know of and she is credited, among others, for perfecting the “metales casados” or “married metals” technique. In this necklace, however, she adds a modernist twist to an otherwise “archeological” design...

Known for their high quality of holloware primarily, Ingrid's remains even today one of those elusive actors in the story of Mexico's 20th c. Silver Renaissance. Active in the 1930s and 1940s, as Bille Hougart reports, this retailer seems to have been the venue through which well-known maestros like Chato Castillo sold some of their creations...