A cute, diminutive Victorian fob seal in the form of a silver toga-clad monkey sitting atop a gold base. His eyes are set with tiny cabochon garnets. The base is formed from a faceted carnelian and has never been engraved. Tested and guaranteed silver and 18K.

Origin: Probably France, ca. 1860. Condition: excellent, all original, no engraving on seal. Dimensions: 9/16” x 7/16” x 1” tall. Weight: 4.2 gr.

Classic in its elegance and the delicate filigree work that embellishes it, this vintage silver and sodalite pendant necklace dates in the first decades of the 20th c. and I believe it is an Italian piece. Very similar to work that came out of the Peruzzi and Coppini workshops of Florence, the necklace is anonymous yet exhibits very high levels of craftsmanship and its finishing is impeccable...

This is a superb modernist bird pin from Antonio Pineda. It's large, dimensional, and substantial, with tiny beading and an obsidian eye. A design which is seldom seen, and collector quality. Measures 2 3/4" wide. Weight is 39.8 grams. Signed and hallmarked with the Antonio Taxco Crown, Hecho en Mexico 970, with the eagle assay 17. In excellent vintage condition. Pin closes with a roller.

Circa 1950's, this bold, edgy cuff from Bernice Goodspeed is a book-piece design shown on p. 132 of the Morrill/Berk book "Mexican Silver".

It's a hand-wrought piece with an intricate deeply carved design and an oxidized background. This is a fabulous bracelet, and one which is rarely seen.

It's a large cuff, measuring 5 3/4" inside edge-to-edge, with an opening/gap of an additional 1 1/2". Width is 2 9/16"...

Hallmarks date this William Spratling brick link bracelet to 1940-1944. This design is shown on the Spratling Silver website. It's a hand-wrought bracelet which feels like silk on the wrist. Certainly a timeless design, and one which is understated in both beauty and elegance. Three rows of brick like links with a foldover clasp give this a completely seamless appearance...

Wonderful deep carving on this sterling silver bracelet, signed by artist, titled "The Bear", 1970s era. Measures 1 1/8" deep, is 6 1/4" on the outside, with a gap of 1 3/8", and is slightly flexible. In the traditional Northwest Coast form, the bracelet is curved, with abstracted form lines creating a cultural figure, in this case, a bear. The work is especially fine, very deep carving with cross hatching and detailing over the entire surface...

Circa 1930's-early 1940's, this magnificent amethyst ring is the work of Abraham Paz. Paz produced and designed work for himself, as well as for Fred Davis. This is a gorgeous piece, with a huge hand cut and polished amethyst and deco sterling silver setting. The face of the ring measures 1 1/16" x 13/16", and sits 7/16" high above the finger. The ring size measures between 6 and 7 on a sizer, depending on which way the ring is placed. I've taken photos of both...

Sleek modernism and heavy sterling combine in this Sigi Pineda bracelet which seems to be one of the maestro’s earlier creations and a relatively harder piece to find as well. Perfect finishing, generous weight, a blissful marriage of glistening silver and dark oxidation and inspired design, all features that make Sigi jewelry exceptional can be seen at work here. What a beauty indeed… The bracelet has a 6 3/4” inner circumference (clasped)and its width varies between 1 1/16″ and 5/8"...

Circa mid-century, here is a rare find from Antonio Pineda. Extra-long dangle earrings with gorgeous smokey quartz gemstones. The almost pure 970 silver has a bamboo design, and the bezel-set stones have open-back settings to let the light shine through, playing up the exquisite bronze hues...

An elegant pendant worked in 18K yellow gold and sterling silver by DeBeers Award winning jewelry designer John Atencio. The pendant features a square cushion cut amethyst surrounded by pave-set round brilliant cut diamonds. The amethyst has strong purple coloring, and the use of concave facets creates are very lively brilliance in the stone stone. The diamonds are of good quality, averaging J color and SI clarity. The setting is finely detailed with niello accents...

This early Mexican bracelet, 1930's - early 1940's, is a spectacular hand-wrought work of art from noted silversmith P. Ochoa.

P. Ochoa work is very seldom seen, and closely mirrors that of Matilde Poulat/Matl and M. Velazquez. This bracelet is collector quality.

There are five repoussé panels which make up this bracelet. The center link has a large oval onyx cabochons as the face...

Signed by a listed “middle period” Taxco maestro primarily known for his repousse work, this 1950s carved azur-malachite and sterling “mask” pendant necklace is as stunning as it is unexpected. Dark blues, deep greens and earthy browns add depth and gravity to the stone, making the ancient figure’s features as stern in sleep as they must have been in that life lived centuries ago...

A rare example of Jose Luis Flores's work to come upon, this distinctly modernist necklace made my day when I discovered it. I have in the past sold the matching bracelet to it but this specific form eluded me for the longest of times and I am thrilled to be offering it here...

Circa mid-century, this necklace was produced by Tane Orfebres of Mexico City. Tane, founded in the 1950's, is referred to as the "Tiffany's of Mexico". This is one of their earlier pieces.

It's an exceptional and rare necklace, with a huge center pendulum drop which swing freely. There are four sections to the collar, which hooks together at the rear. This is a true statement piece, and one which will not fail to be instantly noticed.

Closed inside circumference is 15". Th...

This pre-1948 bracelet is a Fred Davis design, here hallmarked simply "Mexico Silver". Composed of six large silver panels, each set with a large amethyst cabochon, this bracelet measures a closed, wearable length of 7 1/2" with a width of 1 3/8". Weight is 67.7 grams. Fold over clasp gives this piece a seamless appearance. In excellent vintage condition. Stones are gorgeous, perfectly matched in color

For a few years around WWII and possibly up to 1950, Marcel Boucher had a special line of silver jewelry made in Mexico under the name "Parisina". I don't think we know which workshop produced those pieces or whether they were made by a number of different silversmiths. I can, however, say that Parisina jewelry ranges from the very light-weight to the chunkier, more substantial examples and that the same variety is also reflected in their designs. The Cuban link bracelet presented here is defini...

This pendant is the work of Mexican modernist Salvador Teran. It's a unique design, bold and edgy, with a great deal of depth and dimension.

Measures 3" tall including the bail, 1" wide.

Weight is 46.9 grams including the chain. Pendant alone is 32.1 grams.

Pendant signed and hallmarked "Salvador Sterling Mexico", with the design # 140. The pendant came to me hanging from this sterling silver box link chain, and I don't believe it's original to the piece. It...

An early design by the Los Castillo taller (could it have been created by their cousin, Salvador Teran, when he was still working for them?), the “fish skeleton” is considered a classic and has seen many emulations and reproductions over the years. The hinged bracelet at hand, wrought in thick silver sheet with copper bead accents, is a modernist treasure that was made for small wrists. Ideal for all of us who love vintage Mexican clampers but can never enjoy them because they are usually...