Circa mid-century, this bracelet was produced by Los Castillo. It's a hand-wrought piece with a large presence, composed of four curved sections. There are three pendant/dangles/pendulums attached to the center section, and each panel is separated by three spiral circles with oxidized recesses. Closure is a tight and secure tongue in box. Measures a closed, wearable length of about 6 1/4"...

Circa mid-century, this modernist Mexican bib necklace is the work of "MGI". It's an Antonio Pineda design, and this piece matches the quality and construction perfectly. This necklace has seventeen polished onyx crescents, and it certainly makes a statement. A very substantial piece, weighing 131.3 grams. Very difficult to accurately measure the closed, wearable length, but I would say about 15"...

This classic bracelet by the famous Taxco silver artist William Spratling is an early design crafted in a beautiful combination of Sterling Silver and Copper. It measures 7 1/2" long by 1" wide and it weighs a heavy 74.2 grams. Hallmarked Spratling Silver, Made in Mexico a mark used in 1942. It has a fold over clasp and is in good condition with a few minor dings mostly along the bracelet edge. It has not been polished and retains a lovely rich patina...

This pre-1948 bracelet produced by Frederick Walter Davis features nine amethyst cabochons set in repoussé silver panels with a sunrise design.

It's a beautiful piece, with oxidized recesses and amethyst gemstones which are perfectly matched in color.

Born in the U.S. in 1880, Davis moved to Mexico in 1910 and began designing and selling jewelry. Often, he designed jewelry and contracted with master artisans to produce these designs...

Circa 1941-1950, this extremely rare Antonio Pineda pin is a book-piece shown on p. 89 of Silver Seduction: The Art of Mexican Modernist Antonio Pineda.

Measuring 3 1/8" tall, this pin has stunning detail and is exquisitely crafted. The center fuchsia flower dangles freely...

Slick, a modernist dream-come-true, crafted with the highest quality of craftsmanship and studded with the most beautiful tiger's eye you have ever seen, this slick Mexican silver necklace was made in Taxco in the 1950s-60s...

An early Mexican Deco bracelet, made in Mexico City as indicated by its hallmarks, this massive piece is as well-crafted as it is impressive. Impressive might even be an understatement, actually. Though it is true that vintage Mexican silver jewelry is not of the delicate, demure kind, even after so many years of researching, buying and selling them, I find myself at a loss for words when a piece like this shows up...

Maestro Nestor is one of Taxco’s well-kept little secrets. He is not widely known - only the very dedicated vintage Mexican silver jewelry collectors are aware of his work - and his pieces can vary in style and inspiration. Yet when he is at his best, he can be truly spectacular. I believe the necklace at hand is expresses one of those creative moments...

Very reminiscent of jewelry created in the 1950s by Graziella Laffi, the Italian-born jewelry designer habitually referred to as “the Spratling of Peru”, this is a rarely surfacing creation of Carmen Beckmann’s. Thick, hand-hammered silver sheet that was then oxidized is used to form the bracelet’s main body. Upon that an impressive fish applique marries the piece’s Arts and Crafts feeling with the stylization of ancient Meso-american glyphs...

Saturated blues and greens juxtaposed to the warm glow of well-aged silver soften the austere geometry of this Los Castillo modernist cuff bracelet. Out of the workshop’s “mozaico Azteca” line which celebrates the art of seamless inlay, the cuff is also showcasing the beauty of azur-malachite. There is nothing superfluous here - economy of design, honesty of materials and craftsmanship of the highest level combine in a visual power-house, a piece of mid-century wearable art...

Admittedly my favorite Mexican modernist, Salvador Teran seems to have never had a "bad" moment during his career. There is not one piece of his that I have come upon which I have not loved for its quirky abstraction, its sometimes tongue-in-cheek genius, its magical way of playing with layers, abstraction and oxidation. The mod pendant presented here provides a good illustration, I believe, of the point I am trying to make...

One of my favorite "less celebrated" maestros whose jewelry, however, has been experiencing a constant rise in appreciation among collectors, A. Tobias was a contemporary of Matilde Poulat's and I believe he was probably also working in Mexico City. His creations caught my attention several years ago for their characteristic "Mexico City style" repoussage and their beautiful craftsmanship...

A classic design for Hector Aguilar, this bracelet is comprised of a series of heart-shaped links with deeply etched details neatly arranged between two lengths of thick, hand-made chain. A very imposing in its simplicity creation, it is nevertheless a hefty, quite serious piece of jewelry. It feels beguilingly “familiar” around the wrist and conforms to every movement effortlessly. A real pleasure to behold and to wear, a bracelet around which collections are built. Measuring a tad above ...

Exquisite Matl Salas Mexican silver, coral and turquoise brooch, I believe this piece to have been made in the years following Matilde Poulat’s death in 1960 based on the quality of the materials used and the high level of craftsmanship. Maestro Salas, Matl’s nephew, worked alongside his aunt for most of Matilde’s career and upon her demise, he (and later his family) took over the workshop and continued making jewelry based on Poulat’s designs. Steeped in Mexico’s folk tradition, the b...

For a few years around WWII and possibly up to 1950, Marcel Boucher had a special line of silver jewelry made in Mexico under the name "Parisina". I don't think we know which workshop produced those pieces or whether they were made by a number of different silversmiths. I can, however, say that Parisina jewelry ranges from the very light-weight to the chunkier, more substantial examples and that the same variety is also reflected in their designs. The Cuban link bracelet presented here is defini...

This mid-century bracelet was produced by "RMM", and is based upon an Antonio Pineda design. I have the Antonio bracelet, with amethyst stones, listed in my shop. It's a fabulous hand-wrought modernist piece, with twelve rectangular aventurine bars which are angled on the ends. Stones are all hand-carved and polished. The aventurine stones alternate with silver cones. This is a heavy and substantial bracelet which looks gorgeous on the wrist. Weight is 107.5 grams. Signed and hallmarked...

A whopper of a bracelet, this early Taxco Deco beauty was wrought in fine, 980 silver and has still evident the Spanish Colonial influence in its design. Bold yet simple in its constitutive motifs, the silver-work is made up of three massive curved links that are adorned with traditional wire appliques and a touch of deliberate oxidation. It is the stones that center each one of those links, however, that are the pieces-de-resistance here! Two huge amethyst cabochons, with saturated color and ri...

An early design by the Los Castillo taller (could it have been created by their cousin, Salvador Teran, when he was still working for them?), the “fish skeleton” is considered a classic and has seen many emulations and reproductions over the years. The hinged bracelet at hand, wrought in thick silver sheet with copper bead accents, is a modernist treasure that was made for small wrists. Ideal for all of us who love vintage Mexican clampers but can never enjoy them because they are usually...