Oil on canvas painting of a fetching young woman resting next to what appears to be a drum, 21" by 12" (24" by 14" in wood frame), signed at lower right and again on the reverse (both name and "Firenze"--Florence---) by Italian artist CIPRIANO CEI (1864-1922). The subject looks coyly at the viewer, as she takes a break in her day. An interesting wall of advertising posts at upper left adds interest. Cei was born near Venice and died in Rome...

This is a **PAIR** of fine old works, (each 9" by 19 1/2", 17" by 27 1/2" as identically framed in old gilded oak), both coastal scenes, likely Rhode Island, including both steam and sail vessels on the horizon, tiny fisherman, and wood building at right in one. Each is signed at lower right and dated there 1906 by the well known American 19th century painter EDMUND DARCH LEWIS (1835-1910)...

Large (40" by 32", 47 1/2" by 41 1/2" as nicely framed) painting of a woman in a rowboat on a small lake, trees providing some respite from the sun on this high summer, exceptionally bright day, signed at lower left by listed English artist ERNEST G. BEACH (1865-c. 1934), and dated there 1910. This is an impressive work, perhaps one of the artist's best, with beautiful impressionist technique and colors...

Watercolor on paper painting, 10 1/2" by 13 1/2" (18 1/4" by 21" framed), signed at lower right "J.C. MIDDLETON.", the subject a suburban boathouse in a neighborhood, possibly in southeast England. Middleton painted in oil and watercolor in Surrey, greater London, and Cornwall, as well as South Africa, apparently, as a number of works from Cape Town are known. The artist was skilled in watercolor, as this painting shows a sure hand.

A beautiful drawing, small but very accomplished, 5 1/8" by 7 1/8" (9 1/4" by 11 1/4" framed), signed somewhat illegibly at lower left, but fully identified in old ink on the reverse as "Palais de Justice Rue de la Place du Chatelet", the artist EMILE APPAY, 1922. Note the fine details of the Sphinx at right, lamp posts, kiosks, and people dressed in period clothing...

An old unframed watercolor of an Asiatic-looking man in traditional clothing, with pencil writing in Russian at right including the date 19.II.1920. A Russian-speaker informs me that there is no name of an artist, but that the subject is identified as a Buryat. I take from online information: "The Buryat people are descended from various Siberian and Mongol peoples that inhabited the Lake Baikal Region including Kurykans, who are also the ancestors of the Siberian Turkic speaking Yakuts...

Oil on tin sheet painting of a man in cowboy hat, titled on reverse backing "The Old Hat", 16" by 12" (22 1/2" by 18 3/4" framed), signed at lower right and again on the backing, by the well known artist of the American Southwest, RAMON KELLEY (born 1939). This is a sensitively painted work of a subject obviously very familiar to the artist. Kelley studied on a scholarship at the Colorado Institute of Art in Denver, where he counted the artist Charlie Dye among his instructors...

Watercolor on paper painting of the architecture of old New Orleans, 14 1/2" by 5" (21" by 11 3/4" framed), signed at lower right with the typical signature of well known illustrator artist ADOLPH KRONENGOLD (1900-1986). Kronengold was educated at Tulane in the 1910's, and in New York and Philadelphia, where he was a Daniel Garber pupil. Information I have seen online states that he established art schools in New York and Alaska...

Gouache on paper landscape drawing, 14" by 21" (27" by 33 1/2" framed), signed somewhat illegibly in the lower right corner in pencil and dated there "43", the subject a small village on the shore of a lake or ocean. The scene, including small white church steeple, reminds me vaguely of the quaint coastal tourist town of Mendocino north of San Francisco. There is no hint as to where the subject is, so, we will just have to guess. The signature might be "Pien" or "Pian" or similar...

Oil on board, 18" by 30" (23" by 35" as framed), the scene at dockside in Venice, Italy, gondolas at the ready and figures walking the dock, sun-washed buildings in the background. The painting is signed, though awkwardly, at lower left "Arthur V. Diehl", leading me to think originally that this was by that noted American impressionist painter who died in 1929 (Diehl had created throughout his lifetime, from memory, mostly, Venice scenes, even though he had only visited there as a young man)...

Oil on canvas painting, 18 1/2" by 24 1/2" including the thin red wood frame, circa 1960's or 1970's, signed on the stretcher "John J. Molino". I don't see a listing for the name so offer the painting as a decorative mid century item. It is quite a colorful and dramatic work and will beautifully complement your Eames Era modern decor. I think there's a little bit of Stuart Davis color and imagery in this. Note how the paint is raised in the hard-edge striping. The painting is a little dusty...

Oil painting of the front of a noted cafe, "La Bonne Entente", signed at lower right by artist "Vanet". This 8 1/4" by 10" (14 1/4" by 16 1/4" framed) work is by a Bulgarian woman artist by the name IVANKA PETROVA-TZEKOV, born 1956. She has been in France since 1983, painting colorful, figure-filled works of nightclubs and other scenes with multiple figures...

Oil on canvas painting, unframed, 24" by 18", titled on stretcher in artist's hand "TAKING IN THE SIGHTS ON ROMANTIC CHURCH STREET, CHARLESTON", and signed at lower left by the late San Diego county artist and poet NATALIE REED. Reed was a familiar name in the arts community in the San Diego area, creating paintings and sculptures and even murals in large scale for public buildings, including a work for the Federal Building in downtown San Francisco. She was a traveler, painting along the way ...

A circa mid 20th century oil on Masonite landscape painting of trees and a wide stream, 20" by 36" (25 1/2" by 31" framed), signed in Russian or possibly Ukrainian (or, Armenian?) at lower left. The work currently has a yellowish cast which appears to be nicotine from cigarette smoke. Were it to be cleaned the painting might well be totally a different color, but the yellowish "autumnal" tone seems to work on its own. Condition is very good with only a few light abrasions.

Oil on masonite painting of a small adobe structure in a landscape, 11" by 14" and narrow frame, signed in green at lower left corner "Clapp". The work is impressionistic, and the subject suggestive of New Mexico. I checked with an authority on the works of Canadian/California artist William Henry Clapp (1879-1954) to see if he thought this might be by that artist, which would enhance its value significantly. He did not believe the work to be by that artist, citing style and signature, and sa...

Sold together as a pair, unframed oil on masonite board paintings of trees in landscapes, the larger piece 30" by 40", the smaller one 24" by 35 1/2", both by the noted Santa Barbara/Ventura area California artist DOUGLAS SHIVELY (1896-1991). Shively was born in Santa Paula among the citrus and avocado groves, and he chose to continue to live in that scenic area his entire life, despite many overseas voyages. After serving in World War I he went into the banking business, ultimately reaching e...

Richard Luney's paintings and prints of wildlife (generally African) have been popular since the 1970's. Luney, a Vietnam veteran, was already exhibiting by 1974 at Lord & Taylor Gallery in New York, according to a newspaper account of the time. The artist described his style as "contemporary surrealism". California-born, he would go to Lion Country Safari to study the animals, so as to paint the animals with greater accuracy. He was said to have taken three weeks to meticulously paint one pictu...

Oil on canvas painting of classic red highland cattle in an extensive landscape, signed at lower left "Louis B. Hurt" and titled in pencil on stretcher "on the cliffs as Malaige" (Mallaig) (on the southwestern coast of Scotland near Skye). The work measures 20" by 30" on the stretchers and 28" by 38" in heavy attractive late 20th century framing. On the stretcher is written in chalk "April 4 - 30". The stretcher also is stamped with an old Christie's reference number (117 FD) from their exte...