A charming portrait, by Thomas Hargreaves, of a young boy dressed in the height of the fashion of the times, sporting a lace ruff, a dark blue jacket with three columns of gold buttons, and a wide silk sash. Housed in a round gold frame with cobalt blue glass on the reverse.
Condition of the painting and the case is excellent, with a diameter of 2 3/8"...
An American watercolor portrait miniature of a striking young man with brown hair and gray eyes. The sitter is wearing a black coat with brass buttons, a white vest, shirt, and cravat. Signed "Williams" at the lower right, the painting is in the original gilt pendant frame with a cast foliate rim. The reverse of the case has a glazed aperture holding plaited brown hair.
The overall size of the portrait is 2 5/8" by 2 1/4"...
A miniature portrait, done in watercolor on organic wafer, and signed on the reverse: "Painted by/ T. Barratt/ 136 Chestnut/ Phila/ 1838". The sitter is a young gentleman with sideburns, wearing a black jacket and cravat. Presented in a gilt metal foliate case with an empty glazed rear aperture.
The painting has no chips, cracks, bowing, mold, paint loss, etc., with the case also being in fine condition. The overall size is 2 3/4" by 2 3/8".
BIOGRAPHICAL NOTE: Thomas E...
A mourning portrait miniature by Elizabeth (Eliza) Goodridge. The work, painted in watercolor on natural wafer, is a depiction of a young boy's head issuing from a cloud beneath. Presented in a period, and probably original, case with a glazed, but empty, aperture on the reverse.
The condition is excellent, with no flaws, as is that of the case. The overall size is 2 1/2" by 2 1/16".
NOTES: 1...
A miniature painting, watercolor on natural wafer, by Mary Ann Knight. The sitter is a young woman with long hair clad in a white dress with low decolletage, posed against a background of trees and a blue sky.
The painting is in excellent condition with no issues. Sight size is 2 9/16" by 2 1/8". The gold pendant case is 2 3/4" by 2 3/8".
NOTE: Mary Ann Knight (1776 - 1851) was born in London and began painting miniatures around 1802...
A pair of watercolor on natural wafer paintings of a nice looking couple, set against a clouded blue background, a motif often used by the artist. Each miniature is signed, in the lower right, with the conjoined initials HB, for Henry Jacob Burch. The paintings are set in period ebonized wood frames.
Condition of the paintings and frames is excellent...
A wonderful portrait miniature, painted on organic wafer, by Andre Larue, known as Mansion. The sitter is a beautiful young woman wearing an off the shoulder dress with lace trim and bows and holding a black shawl as she leans against a red pillow on red sofa. Displayed in a later, but very nice, wood frame with a bronze liner.
The condition of this stunning piece is superb, with no cracks, paint loss, bowing, or restoration...
A fine miniature portrait, attributed to J.V. Sturgeon, showing a woman in a black dress with a sunset behind her. Presented in its original gilt foliate case with empty glazed aperture. Excellent condition with no issues to speak of. The sight size is 2 1/2" by 2", with an overall size of 2 5/8" by 2 1/8".
BIOGRAPHICAL NOTE: Sturgeon, active 1825-1835, is by no means a well-known artist in spite of having exhibited at the American Academy of Fine Arts in N.Y...
A truly beautiful pair of miniature portraits, on natural wafer, exemplifying Hugh Bridport at his very best. Signed on the back of the boy,, in graphite, "Painted by Hugh Bridport, Phila".
The very handsome gentleman is wearing a black ascot, white collar, white shirt with onyx studs, and a black jacket. The young boy, with fine, light brown hair, is wearing a sky blue garment with white embroidery on the wide collar.
Both miniatures are in superb condition, with no cracks, chips, or bowing...
A fine portrait painted by Thomas E. Barratt using watercolor on organic substrate. (In person this work displays much better than the photographs show.)
Aside from the quality and relative rarity of the painting, what makes this offering truly special is the casework. The case is gold and gold on silver and hinges so that the miniature is enclosed on both sides by the metal. The front and back are done with different guilloche (engine turned)designs...
A superbly painted miniature portrait by the important American miniaturist Anson Dickinson, originally in a heavy wooden frame that was damaged, but now housed under glass in one half of a dag case. The reverse of the original frame has quite a bit of information on it, indicating that the sitter is Ambrose Dickinson, one of Anson's nine siblings. (It might be appropriate at this point to briefly pause in sympathy for Anson's mom, even though she was an underachiever compared to the wife of Th...
A strikingly limned portrait miniature painted in watercolor on natural substrate. Because of the framing, the artistic technique used, and the pose, there are very strong indications that this is a China Trade piece. The sitter is clad in a deep navy jacket with a striped vest, and a masonic pin adorning his shirt.
The painting is in excellent condition, with no issues. The period and probably original gilt metal frame has wear to the green velvet border between the inner ands outer metal su...
A very well executed miniature portrait painting of a gentleman, watercolor on natural organic material, by Edward Nash. The leather travel case states that the miniature was owned by Mrs. Thos. Higham. The miniature is in wonderful condition, but lacks an inner case to the travel case. The size is 2 13/16" by 2 5/16".
NOTE: Edward Nash (1778-1821), reportedly a hunchback, exhibited at the Royal Academy from 1800 to 1820. He lived for a while in the Lake District and knew Wordsworth, Coleridge...
A strongly limned portrait miniature, on natural material, done by Augustus Fuller. The subject is a young lady with dotted white organza collar and fichu, a tall tortoiseshell comb, and ruby and diamond earrings.
Fuller did sign a number of his miniatures, but apparently always on the back. Since this example is presented in its never opened original frame, it is possible that it is a signed piece. Regardless, because of the technique and composition, there is no question that this was done ...
A nicely executed portrait miniature, done in watercolor and gouache on organic wafer. The sitter is a fine looking gentleman with blue eyes and brown hair, attired in a black jacket, vest, and stock.
The painting was descended in the family, and the sitter has been identified as John Amory Lowell (1798 - 1881). He was the grandson of John Lowell (1743 - 1802), an American lawyer, selectman, jurist, delegate to the Congress of the Confederation, and federal judge. Known within his family as ...
A beautifully painted miniature portrait by Elkanah Tisdale. The sitter is a handsome older man dressed in a black coat. The painting measures 2 3/4" by 2 1/4", and is in superb condition, with no chips, cracks, bowing, paint loss, or restoration. It is housed in its original gilt metal insert.
Few miniatures by Tisdale are known to exist, and with very rare exception, are, as is the case here, unsigned.
BIOGRAPHICAL NOTE: Elkanah Tisdale (1771 - 1835) was born in CT and then moved ...
A watercolor miniature of an older gentleman, expertly painted, and signed at the lower right "AG 1800", by Alexander Gallaway. The blue-eyed subject, posed against a blue sky with wispy clouds, is wearing a blue jacket with brass buttons, a white shirt and vest, and a stock tied in a bow. The glazed reverse of the gilt brass case has fine hairwork consisting of interwoven plaits.
The condition of the case and painting is excellent, with no flaws. Sight size is 3" by 2 1/4", and the case size ...
A wonderfully painted miniature portrait, on natural organic material, of a young gentleman in a brown coat. The miniature is housed in its original gold bezel and brooch, with an elaborate monogram in gold on the reverse. The overall size is 2" by 1 5/8", and the painting and case are in excellent condition, with no problems. The discoloration in the photos is due to light refraction during scanning.
This piece was sold in 1966 by Charles Woollett, a highly respected London art dealer, and wa...
A beautifully done Horace Hone portrait, painted on natural wafer, signed and dated "HH 1782" on the right. The sitter might well be Mary, Viscountess Dillon, as she bears a great resemblance to another portrait Hone did of her. Whether this is the case or not, the subject of this miniature is a striking blue-eyed woman, with a coquettish mien to her. Her hair is styled elaborately, her eyes are shadowed with blue, and she is wearing a very low-cut blue gown trimmed with white edging over a prom...
A beautifully painted portrait of a well-dressed gentleman. As superb as the painting is, it is matched by the reverse of the miniature, which has interwoven plaits of hair and an organic plaque decorated with the initials "EW" on a monument which is topped with a quiver and arrow.
The photos do not even begin to do justice to this superb piece, which has fine limning, vibrant colors, and no damage at all. The color differences and light lines on the front and back are due to reflections. The...
A beautifully painted portrait miniature by William Naish, done in watercolor on natural wafer. The sitter is a nice-looking gentleman with brown eyes and powdered hair with a pigtail. He is attired in a blue jacket, a white ruffled shirt, an elaborately tied white scarf, all highlighted with a slash of brilliant red. The case is copper, of very high quality, of the type with side pins holding together the front and back. The reverse of the case has a glazed aperture containing a plait of hair.
A finely painted portrait miniature of a young girl, presented in its original gilded case, the reverse with woven plaits of hair under glass. The sitter, who has a slight smile playing on her lips, has blue eyes and brownish-blonde hair, and is simply dressed in a white top.
The painting and the case are both in excellent condition with no issues at all. The case size is 1 5/8" by 1 3/8".
A striking miniature portrait, done in watercolor on natural material, by George Place. The subject, set against a clouded and blue background, is a handsome gray haired officer of light dragoons, dressed in uniform.
The miniature is in superb condition, with no cracks, chips, warping, paint loss, or restoration. The case is also in excellent condition, with a fully glazed back over fabric. On the back glass, at the edge at 10:30 there is a small chip in the underside. The case size is 3" by...
A beautiful portrait, by Gervase Spencer, of a striking young woman, painted in enamels on copper. Signed and dated "GS 1759" on the lower right. The subject of the painting, with brown hair and blue eyes, is clearly wealthy, attired in a blue gown with lace trim, and accessorized with pearl earrings, a pearl encrusted hair barrette, a pearl choker, and a long pearl necklace centered by a pearl, onyx and gold brooch. The case for this miniature has a gold bezel, deep (5/16") gilt silver sides, a...
A striking miniature portrait painting on organic material, finely painted by John Ramage. The sitter, a gentleman elegantly attired in the height of late 18th century fashion, is wearing a white shirt with a ruffled white cravat and a brick-red coat over a brown-striped vest.
The condition of the painting is superb, with no flaws whatsoever, as is that of the later case. Sight size is 1 5/8" by 1 1/4", and the case size is 1 3/4" by 1 1/2". The case has the original pin on the back for use a...
A nicely painted portrait of a woman in white, including her lace edged gown, lace edged scarf, and turban. The artist clearly used a monochromatic palette to convey a sense of simplicity and serenity in the sitter, identified on the reverse as a Mrs. Hobbs, or Hobby.
Painted with watercolors on organic wafer, the miniature is housed iin a later case which is gold over silver (vermeil), and has hallmarks indicating it is sterling silver made in London with the maker's mark of JHP. Fine condi...
A fine miniature portrait on natural wafer, done en grisaille in watercolor and ink against a blue background. The sitter, an older woman wearing a lace cap and fichu, is beautifully limned in profile, an uncommon approach. Housed in a gold plated metal frame with fabric on the reverse.
There are no condition problems with the painting, which measures 2 1/2" in diameter.
PROVENANCE: The well-known Dr. Leo Catzenstein Collection, and thence to his descendants.
A superb enamel on copper portrait miniature by Jean Andre Rouquet. The sitter, dressed in an embroidered red jacket, ia a royal personage, evidenced by the ermine trimmed robe or cloak on his lap.
The condition of the miniature is excellent, with bright colors, no cracks, and no restoration. The duller areas along the edges are due to the way the light reflects off the curved edges. The early 19th century ormolu frame also is in fine condition. Sight size of the painting is 2 1/4" by 1 7/8", ...
Painted in watercolor on natural wafer, this is a lovely portrait of an attractive young woman. The sitter, with a mass of reddish-brown curls and light brown eyes, is attired in a white dress with a restrained ruffles. She is not wearing any jewelry or other adornments, and is presented simply against a white background. Clearly, Lovett has done this intentionally, along with painting this is a smooth, wash style, rather than the much more common stippling, in order to emphasize her pale beauty...
A beautifully painted miniature on natural wafer of a very attractive woman. The sitter is in a white gown with lace edging, presented in a straightforward manner, unadorned with jewelry, preferring to let her natural beauty speak to the viewer.
There are no condition issues to speak of, with the darker area below her bust line intentionally painted in that manner. Housed in a red leather case without glazing, the size is 2 3/4" by 2 1/4".
BIOGRAPHICAL NOTE: Samuel Shelley (1750/56–1...
This fine work, done in watercolor and bodycolor on organic material, was most probably done in Naples. The sitter is an attractive child looking directly at the viewer and holding a jumping jack toy of Pulcinella, a classical character that originated in commedia dell'arte of the 17th century and became a stock character in Neapolitan puppetry. The reverse of the portrait is also quite special, with its plaited hair, ivory plaque, golden hair work initials, metallic threads, and pearls.
The ...
A well painted miniature portrait done by Charles Robertson. The subject is a bewigged blue-eyed gentleman of striking visage, posed in a blue and gold jacket. The miniature is presented in a silver case with silver scrollwork. The reverse of the case has the impressed mark "L.V".
The condition of the painting and the case is excellent. Sight size is 1 1/2" by 1 1/4", with an overall case size of 2 1/4" by 1 1/2".
BIOGRAPHICAL NOTE: Charles Robertson (c1760-1821)was born in Dublin and ...
A nicely painted and early miniature portrait of a man done in watercolor on natural organic material. The blue-eyed sitter is a nice-looking gentleman fashionably attired in a full, long wig, a blue loose fitting robe, and white ruffled shirt.
One of the interesting things about this piece is that the original gold case is of a type known as a "slide case". The top protuberance is attached to a small sheet of metal (in this case gold), and when a little knob is pushed, the sheet can slide com...
A superb miniature portrait, done en grisaille on organic substrate, by Samuel Andrews. The sitter is an attractive woman with an elaborate wig and hair style, and wearing a cap and gold earrings. The painting is wonderfully executed, and with such skill that there is a three dimensional effect. The photos do not at all due it justice.
The painting is beautifully presented, surrounded by a gilt metal bezel, outside of which is a plait of hair, the whole in a red leather travel case. The condi...
A very fine bust-length depiction done in watercolor on organic wafer. The sitter, a nice looking young gentleman, is attired in a blue waistcoat, a tan and red pin-striped vest, and a white cravat. The painting is signed "Peat" at the left edge, and an old inscribed label attached verso identifies sitter as "Lord Halifax II". This attribution of the sitter must be incorrect as the dating of any Halifax lords is inconsistent and much later than when the painting was done.Housed under glass in a...
Painted by Samuel Shelley, this is a beautifully limned portrait miniature of a British officer. The epaulette being on the left shoulder, instead of on the more usual right, indicates that the sitter was in a cavalry regiment of the British army. That, taken with other characteristics of the uniform show him to be with the heavy dragoons. The white facings and silver buttons allow the identification to be narrowed down to the 3rd Irish Horse Regiment which, in 1788, became the 6th Dragoon Guar...
