Moses and the Brazen Serpent c 1597 Francesco Villamena (Italian, 1566–1624), After Ferraù Fenzoni (Italian, 1562–1645 Italian). Fantastic Renaissance engraving, there are only 3 copys I could find one in the Metropolitan Museum, one on the Boston Museum of art and One in the Royal Collection Buckingham Palace. Good condition framed , size 20" by 15"

Louis Auguste Mathieu Legrand, French, 1863-1951, "Sous les Figuires (Beneath the Fig Trees)". A romantic original etching by Louis Legrand, image size 12 1/4 x 18 1/4 inches, 1895, edition of 50, state V/V, cat: Arwas-102, pencil signed and numbered. Louis Legrand was an important artist of 'La Belle Epoch' in France of the late 19th and early 20th centuries. He specialized in etchings of the women of Paris, from the wealthy elite to dancers and prostitutes...

Oil on canvas, this lush painting of poinsettias measures 30" x 24" (sight size), with a frame that is 3 1/2" wide. The artist is Marise London, a Florida artist from Sarasota who had an art gallery there from the late 1970's til it closed in 2006. According to the previous owner of this painting it was said to have been painted in the 80's, possibly early 90's. It is signed with the artist's first name in the lower right corner, and the full name on the stretcher...

John Taylor Arms, American, 1887-1953, "Amiens". This 1926 etching by the American artist, John Taylor Arms, measures 10 3/4 x 9 7/8 inches, pencil signed and dated, also called "The Cathedral of Notre Dame, From the Lower Town", edition of 100, from his French Church Series #8, cat: Fletcher 181, printed by Frederick Reynolds. This etching won the "John G. Agar Prize, Fifth Annual Exhibition by Living American Etchers, National Arts Club, New York, N.Y." in 1927.

John Taylor Arms, American, 1887-1953, "Gerona". An excellent example of the artistry of the American printmaker, John Taylor Arms. This image measures 12 1/4 x 7 3/4 inches, pencil signed and dated 1925, from his Spanish Church Series #5, printed by Frederick Reynolds in an edition of 152, cat: Fletcher 164...

Edmund Blampied, British, 1886-1966, "A Jersey Vraic Cart". This is a very richly inked original etching, image size 8 5/8 x 11 1/8 inches, 1939, published by the Print Club, Cleveland, Ohio, plate signed and dated, pencil signed. Edmund Blampied was a very successful artist and illustrator in early 20th century Britain. He illustrated many books and magazines, but is best known for his remarkable skills as a printmaker...

A nicely done miniature, on natural wafer, of a gentleman in a black. The reverse of the case is a beautiful example of repousse work, and has an aperture with hairwork within.

The painting is in good condition, with no chips, cracks, or inpainting. The case is in excellent condition and measures 2 1/2" by 2".

India Marble Ram sculpture from The Palace of a Prince, extremely well carved once one of a pair at the bottom of the staircase in the palace. This piece came directly from the exporter that collected the piece on site.The other sculpture is floating around Los Angeles somewhere . The horn need repair otherwise in good condition. Size L 20" H 24" W 8" approximately 120 pounds

Arthur J. T. Briscoe, British, 1873-1943, "Clewlines and Buntlines". An original marine etching by the British artist, Arthur Briscoe, measuring 13 5/8 x 7 7/8 inches, ink signed and numbered, 59/75, cat: Laver 25. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast...

Joseph Pennell, American, 1857-1926, "Trinity Church, From the River". This Joseph Pennell etching measures 11 3/4 x 8 3/8 inches, pencil signed, 1904, cat: Wuerth 324, probably in an edition of 25. Pennell was an important American etcher, lithographer and illustrator. Good friends with James McNeill Whistler, he and his wife co-authored his biography. Pennell was known for his continued experimentation with technique and style, producing cityscapes, landscapes and marine scenes...

Arthur J. T. Briscoe, British, 1873-1943, "The Main Rigging". This 1928 original etching by Arthur Briscoe measures 13 3/8 x 8 3/4 inches, pencil signed and numbered, 10/75, cat: Laver 116, plate titled and dated, published by H.C. Dickins. This spectacular image was created at the height of Briscoe's popularity, depicting the dangerous and challenging daily routines aboard a seafaring vessel...

Arthur J. T. Briscoe, British, 1873-1943, "Flooded Decks". This incredible image by the British etcher, Arthur Briscoe, measures 8 1/8 x 15 3/8 inches, inked signed and numbered, 73/75, created in 1931. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast...

A charming and beautifully painted landscape done by George W. Drew (signed lower right) in the early 20th century. The scene depicts a country path following beside a river and wending around a wooden house...

Framed and matted under glass, a vibrant watercolor featuring workers in the rice fields. Indistinct signature (Jalin 49 or Jalimus ?). Not examined out of frame. The frame measures 16" x 19-1/2".

A watercolor on paper of a castle on the water with a boat and three women walking on the shingle in the foreground, a row boat on the water and the castle in the distance against the sky. John Varley (1778-1842) was an English watercolorist who painted a large quantity of small watercolors including other versions of Conway castle. There are numerous other watercolors that are attributed to him, but probably not by him. This one has luminosity and precision that leads me to think that it is mos...

An interesting and inventive sculpture of a performing elephant balancing upon a ball whilst supporting an acrobat with his trunk. The sculpture is solid bronze and cast in the lost wax technique, cire perdue. This method is able to faithfully reproduce all of the quirky textures that the artist has chosen. The sculpture is mounted on a white marble base and is, as far as I can see, unsigned.

Approximately 33cm high. Fine original condition. The weight is 3478 gm.

Please...

Original etching with aquatint by Luigi Kasimir (Austria, 1881-1962) of the Fulton Fish Market in New York, circa 1936. Pencil signed by the artist (not an estate etching created and signed by the family) and numbered 25/100. In excellent framed condition.

Tavik Frantisek Simon, Czech, 1877-1942, "Quai Voltaire au Printemps". This sunny Paris street scene was created in 1914 by Czechoslovakian artist Tavik Frantisek Simon. Soft ground etching and aquatint, image size 12 7/8 x 14 5/8 inches, pencil signed, edition of probably 250, cat: Novak 225.